It may be the original glass house in New York. Many years before Richard Meier’s Perry Street glass towers opened up domestic rituals to the public’s gaze, Donald Judd was living and working in one of the finest cast-iron buildings in Soho. The huge windows opened up his minimalist aesthetic to the public beginning in 1968, when he purchased the building and practically defined the “loft” look of New York for the public. Now openhousenewyork is offering a rare visit for a small group on March 11, with a tour of the building and meal catered by Christina Wang of the French Culinary Institute featuring “Swedish and Mexican” hors d’oeurves—Judd’s favorite. To reserve your place, contact OHNY.
We are just back from three sunny, margarita-and-architecture-filled days in Palm Springs. This small desert city was barely a mirage until the arrival of Liberace, Frank Sinatra (you can rent his house for $1,900 a night), and air-conditioning helped make it a popular resort in the 1950s. But the clear warm desert air (and wealthy patrons) seemed to lend itself to visionary modern architecture. Read More
Is Italy returning to medieval-era warfare between city-states Milan and Venice? AN’s own Julie V. Iovine reports from Milan that Milanese and Lombardy officials are more than a bit miffed that Venice is proposing to start its own design fair in 2011, seeking to steal the spotlight from the nation’s long-established epicenter of design. Read More
The Architect’s Newspaper is heading to the desert for the annual Palm Springs Modernism Week. This small city of 45,000 residents was, like other wealthy post-World War II communities including Sarasota, Florida, and New Canaan, Connecticut, fertile ground for modernist architectural experimentation. Palm Springs has perhaps the largest per-capita number of what are now called “midcentury” modern houses, shops, and public facilities, as well as landmarks by Richard Neutra, Albert Frey, John Lautner, and others. These will all be on display during Modernism Week from February 12 to 21, as well as house tours, a John Lautner exhibition at the Palm Springs Art Museum, and an encampment of Airstream trailers. The silver aluminum mobile homes will be huddled around the Ace Hotel and Swim Club—itself a renovated 1965 Howard Johnson’s hotel. It should be a great week!
This weekend the AIA announced that The Architect’s Newspaper has been awarded a 2010 Collaborative Achievement Award. We’re thrilled to get the national recognition because even as a regional publication (Ok-now three regionals) we have always aimed our sights as high and wide as possible. The Architect’s Newspaper has always prided itself as well on its independent voice and critical attitude toward the practice and profession of architecture, while still working collaboratively with the AIA on many events, including the New Practices program in New York and San Francisco. We’re honored our voice has been heard, and we look forward to picking up our award at the AIA national convention on June 10-12 in Miami. Thank you, AIA!
In a series of articles over the past week, The Art Newspaper takes an extensive look at the recently concluded art extravaganza in Miami. It reports that the scene was not as grim as last year, offering this roundup of celebrity-studded Art Basel Miami Beach: “The fair attracted its usual tribes of pop stars, fashionistas, museum directors, actresses in sky-high stilettos and dressed-down buyers, including a denim-clad Roman Abramovich, the Russian billionaire. Lily Allen was sashaying around White Cube, while John Taylor of Duran Duran showed interest in a Richard Prince collage at Gagosian.” But while on the subject of Miami and its art world, the paper reported on Terry Riley’s exit from the Miami Art Museum (MAM), and added a few interesting tidbits to the story. Read More
The Storefront for Art and Architecture was founded in 1982 in a small, street-level space on Prince Street. Kyong Park, the founder of the gallery, created a cheaply reproduced catalogue or “newsletter” that he circulated to a mailing list to announce exhibitions. Now the Storefront has published a $69 limited-edition version of the newsletter Storefront Newsprints 1982–2009. It will serve as the definitive archive of this important gallery, but current Storefront director Joseph Grima said that the effort is missing a single newsletter for the 1988 exhibition From Destruction to Construction that documents projects by the Japanese artist Tadashi Kawamata. Grima will give a free book to anyone who can locate the missing newsprint, and he can be contacted at 212-431-5795.
If you’re wandering the aisles of the Phoenix Convention Center for Greenbuild 2009 this week and need a break from the worthy trade booths, swing by Arizona State University’s Power Plants installation. It’s a mini-environmental system based on a polyvinyl panel with oxygen-rich aloe plants fed by an IV drip. Each structure incorporates a monitor displaying the scope of sustainable initiatives carried out at ASU. The idea behind the pipe is that it creates a structural narrative linking each element of the environmental system, and should be a lighthearted break in the day! The project is a collaborative design led by Jason Griffiths, Darren Petrucci, Phil Horton, and various members of the ASU student body. Also, don’t forget to come to The Architect’s Newspaper’s party tonight (co-hosted with Arup, SWA Group, and KMD Architecture) at Monorchid Studios, 214 East Roosevelt, just a five-minute walk from the convention center.
The president of the Venice Biennale, Paola Barrata, announced this morning that the director of the 12th International Architecture Exhibition will be Japanese architect Kazuyo Sejima of SANAA Architects. Last week, we reported rumors that the next director was going to be a woman—a first for this most important of international contemporary architecture expositions. The names most frequently bandied about for this major job were Sejima and Liz Diller. Read More
I just finished my day of judging the Civic and Community session of the WAF in Barcelona. The festival competition is divided into sixteen categories, with each session winner going into a final round to determine the Building of the Year. My session’s jurors included the Japanese architect Sou Fujimoto and the Canadian (now living in London) Renato Benedetti, and we spent the day working our way through 14 entries, including the new British Embassy in Algiers by John McAslan + Partners, and a fine Mexican church and community center by Sordo Madaleno Arquitectos. Read More
This week, the second World Architecture Festival is taking place in one of the most design-conscious cities in the world: Barcelona. Sadly, the festival is located in the Diagonal Mar district on the city’s waterfront, along with the hotel that WAF sponsor emap provided to jurors (I am here serving on the jury for the festival’s Civic and Community award). At first glance, this entirely new district of the city seems to have more in common with Grand Rapids than the Catalonian capital. I mentioned this to a British colleague, who replied, “Are American cities this nice?” He’s right: We can’t even do modern urbanism better than the Europeans. Read More
Pratt Institute was founded in 1886 by Charles Pratt, who had sold his family’s Astral Oil works to Standard Oil in 1874. It was Pratt’s original intention that the school train industrial workers for the changing economy of the 19th century, and this it did for many years before growing into one of the leading art and design schools in the country. Read More