Until about the mid 20th century, there was a tradition for New York’s urban landscape painters to split time between New York and Paris. It was not uncommon for collectors to hang dual streetscapes side by side. It’s surprising then to see the digitally inflected work of Robert Neffson tweak the tradition for the 21st century. Neffson’s paintings of 57th Street and Notre Dame embrace a multimedia studio process for hyperrealistic results.
As architects like Herzog & de Meuron and Jean Nouvel tap into the potential of vertical gardens, they’ll often seek the expertise of Patrick Blanc. For the past thirty years Blanc developed vertical gardens while researching adaptive strategies of plants at the National Center for Sceintific Research in France. His research of plant growth in nature’s more hostile environs, such as hanging off of stone cliffs or springing from rocks next to waterfalls, has yielded a uniquely urbanistic solution for gardening. For the next ten days there’s a small window of opportunity left to see the work of Blanc at its most luxurious. The botanist designed the New York Botanical Garden‘s annual Orchid Show which ends on April 22. As a bonus, this also happens to be the moment that the Gardens’ 250 acres are at the height of their springtime burst.
Last night was a night of tough decisions. ArchNewsNow threw its tenth anniversary party at the Center for Architecture and DOT Commissioner Janette Sadik-Khan gave the Mumford Lecture at City College—on opposite ends of town at the same time. Impossible to do both, our Publisher Diana Darling partied down with ArchNewsNow and we headed for the Mumford Lecture, sending hearty congratulations to ArchNews editor Kristen Richards. Despite missing the party, the trip Uptown was well worth it…
While it is more restrained than many of the high designed garages currently popping up in Miami, the new garage at New York Botanical Gardens, designed by Ennead‘s Suzan Rodriguez with Desman Associates, marks a distinct departure for bland lots frequently found around New York. The garage opened to the public last Friday and promises to sport a vertical garden on all four sides once the plantings catch on to and climb up the Greenscreen wire trellis. The trellis wire rests between ‘V’ shaped vertical columns that derive inspiration from tree-limbs. But one can also detect a modernist influence, perhaps Pier Luigi Nervi‘s George Washington Bridge Bus Terminal? The effort goes a bit beyond the call of greening duty, as its not actually located in the the gardens. It sits on a former industrial site across the street and over the bridge of the MTA’s North Harlem local line.