Construction has commenced on a new $500 million Elkus Manfredi–designed headquarters for New Balance Athletic Shoes, called New Brighton Landing, located on 14 acres in the Allston Brighton neighborhood of Boston. Besides the 250,000-square-foot world headquarters, the campus will also include additional office space, a sports complex, 175-room hotel, three office buildings, retail space, parking, and a new stop on the Worcester Line commuter rail. The new station will be fully subsidized by the athletics brand. Overall, the new facility will encompass nearly 1.5 million square feet.
We at Eavesdrop don’t like to toot our own horn, but sometimes we can’t help ourselves. So we have to point out the scene for the late July opening of Never Built Los Angeles, co-curated by our very own Sam Lubell. The event looked more like a Hollywood club opening than an exhibition opening, with a line that snaked around the corner and angry would-be partygoers trying to convince the bouncer (a.k.a. the fire marshal) to let them in. We especially love the description by AN contributor Guy Horton, here writing for KCRW’s blog: “The line of black clothing wrapped around the corner and kept going, reaching all the way down to a stretch of houses where local residents nervously peeked out to see what was going on. Cars were pulling all sorts of questionable maneuvers on Wilshire and adjacent streets as distracted, anxious architects hustled for parking. People were walking in from blocks away as if drawn from some invisible force. At any moment I was expecting police helicopters to appear overhead. That would have made my night complete.”
On Saturday night, New York’s architecture community gathered in Manhattan’s historic 69th Regiment Armory to celebrate the Architectural League of New York on the centennial of the original 1913 Armory Show. The sold out party welcomed 1,350 design-minded revelers dressed as their favorite “–ism,” the theme of this year’s event, representing everything from surrealism, revivalism, Dadaism, classicism, and brutalism. In all, over $100,000 was raised for the League.
SITU Studio designed an installation to bring scale to the cavernous armory space, working with Renfro Design Group on an integrated lighting scheme. A series of white fabric prisms were suspended from the ceiling, serving to humanize the space while providing an armature for digital projections. Pulsing music built excitement throughout the night, which culminated in a procession of giant vellum marionettes, each controlled by a team of three performance artists, and a troupe of vellum-clad artists wandering through the armory, encouraging attendees to dance.
Have you ever wondered why our buildings are not as digitally smart as our phones? Well that’s changing fast, and AN West Coast editor Sam Lubell will be moderating a panel on the topic this Friday at the West Edge Design Fair in Santa Monica. The panel is entitled “Embracing Technology: The Client Wants it, Are you Prepared?”
It will include Santa Monica architect Peter Grueneisen, who has developed a speciality working for music companies and tech-savvy clients, as well as several technology experts from around the city. A major focus will be on home technologies, but the panel will also explore technology in the hospitality and commercial realms. We bet you didn’t realize how much work goes into making home tech systems seem simple and seamless? How much coordination must take place between tech experts and architects? How much security is becoming an issue? And how our homes will in fact quickly merge with, yes, our phones.
If you were intrigued by AN‘s article today about digitally mapping urban tree canopy coverage in cities like New York and Pittsburgh and tried to learn more about the the USDA Forest Service’s Northern Research Station which is helping to implement the cutting-edge technology, you were hit with the harsh realization that the U.S. federal government was shut down today when no website was available. To help you better understand what the shutdown means for architects, the American Institute of Architects’ Government Relations & Outreach office released a statement, stating:
It’s been 17 years since the federal government last experienced a shutdown. As federal agencies begin the process of shutting their doors and furloughing non-essential personnel, there are lots of questions about how it will affect all Americans, especially those who work with (and for) the federal government. If your projects receive federal funding, will they have to stop? If you are a federal contractor, what should you be doing?
Much remains unclear about what happens during shutdown, including the procedures that individuals and companies doing business with the government will face. In order to help AIA members through the confusion, the AIA has launched this page to provide up-to-date information about the shutdown and what you need to do.
If you tuned in to CNN’s broadcast of “Connect the World” today, you would have seen AN‘s Executive Editor, Alan G. Brake, discussing iconic architecture and city making with host Max Foster. Alan weighed in on ongoing construction at Gaudi’s La Sagrada Familia in Barcelona, the Eiffel Tower and why people visit Paris, the lasting nature of architecture including the pyramids at Giza, and whether the Burj Khalifa will continue to be revered once it loses its title as world’s tallest skyscraper. We’ll post a video of the segment when it becomes available.
On View> “3 in 1: Contemporary Explorations in Architecture & Design” at the Art Institute of Chicago
3 in 1: Contemporary Explorations in Architecture & Design
The Art Institute of Chicago
111 South Michigan Avenue, Chicago, IL
Through January 5, 2014
3 in 1 Contemporary Explorations in Architecture and Design is broken down into three small separate exhibitions each revealing different categories: architecture, product design, and fashion. In Reality Lab, the Japanese designer Issey Miyake, head of Reality Lab Studio, reveals a spectrum of diverse and innovative products resulting from his experiments with material, structure, and form. The exhibition includes Miyake’s two products lines: 132 5 and IN EI, which are based on origami-folding techniques that create two-dimensional geometric patterns and unfold into remarkable voluminous forms.
California Senator Barbara Boxer has won many accolades over the years, to be sure. But none has been quite like the honor she was bestowed this month: National Asphalt Legislator of the Year, according to the National Asphalt Pavement Association (NAPA). The group said it was particularly impressed with her role in the passage of MAP-21, the $105 billion 2012 Surface Transportation Funding Bill. NAPA Board of Directors Chairman John Keating pointed to Boxer’s ignoring of “naysayers who said a bill would never pass.”
To be fair the bill provided for billions in mass transit funding, but nonetheless Boxer has helped the state refurbish hundreds of miles of roads, and even build quite a few new ones. Not exactly a claim to fame in our transit-friendly design world. Ahem, don’t tell Elon Musk.
Join the Institute for Public Architecture for its First Annual Fall Fête, honoring Kenneth Frampton, Ware Professor of Architecture, Columbia University, and Mathew M. Wambua, Commissioner, New York City Department of Housing Preservation and Development (Mar. 2011-Sept. 2013). On October 16 the organization will bring together a lively group of architects, developers, artists, public officials, designers, and writers for a cocktail party and auction, benefitting the IPA. The Fall Fête will be held at the spectacular Tribeca home of Francesca and Stephen Corelli (6 to 8 pm), with an after-party at the Shigeru Ban-designed Metal Shutter Houses (8:30 pm). The IPA is a new organization supporting socially engaged architecture. For Fall Fête tickets and information, please visit http://the-ipa.org/event/fall-fete-2013/.
Behind Closed Doors: Art in the Spanish American Home, 1492–1898
200 Eastern Parkway
September 20–January 12, 2014
Within a hundred years of the Spanish empire first expanding its borders into the Americas, an abundance of incredible wealth had been amassed in the New World. This September, Brooklyn Museum is opening its doors and inviting visitors into an elite Spanish Colonial home. They will be showcasing extravagant domestic collections, which give insight into the private lives and power struggles of Spain’s New World Elite. Behind Closed Doors, will include paintings, sculptures, luxury goods from everyday life, manuscripts, textiles, and decorative objects. The exhibition explores themes that include representations of the indigenous and Creole elite, rituals in the home, the sala de estrado (women’s sitting room), the bedchamber, and social identity through material culture. The Brooklyn Museum began acquiring domestic Spanish colonial art in 1941 and now the collection ranks among the finest in the nation. This is the first major exhibition in the United States to explore the private lives and interiors of Spain’s New World elite. Richard Aste, Curator of European Art, organized Behind Closed Doors, which is accompanied by a fully illustrated catalogue co-published by the Museum and the Monacelli Press.
Hatch Hub was created to give designers a platform to help bring their designs to market; connecting them to a community of enthusiastic design lovers and buyers. Hatch Hub, launching late this fall, will be having a permanent open call for innovative, smart designs, (from innovative, smart designers.)
We will also be working with established designers to create exclusive capsule collections and provide mentorship to the community of up and coming designers. Leading up to launch at www.hatchhub.com, Hatch Hub will be hosting a live design competition, Hatch Live, focused on showcasing the best new talent in product design. Hatch Live will be a knockout tournament with a series of head-to-head design matches. Competitors will aim to create a new product within a product category (e.g., seating, home storage, lighting,) while also fitting within the bounding shape constraints specified. Up to 12 people will be selected to compete live. The winner of Hatch Live will receive $4,000 and a brunch and portfolio review with Dan Rubenstein, former editor in chief of Surface magazine and Submissions close October 2nd, 2013.
To learn more or submit your work, visit www.hatchlive.com.