Tisk-Tisk: Lamster Lambasts Dallas Architects

Ah ah ah! (Montage by AN)

Ah ah ah! (Montage by AN)

Mark Lamster, Dallas Morning News architecture critic and responsible citizen, chastised the Dallas community for its poor attendance at an April 9 James Carpenter lecture. The 2004 MacArthur Fellow, who was speaking at the Dallas Center for Architecture about his newest installation at the Cotton Bowl, shed light on his genius to a paltry audience of 10. Ten, that is, if Carpenter included himself in the head count.

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Millennium Park Turns Ten! Here Are Ten Amazing Photos of Chicago’s Jewel Through the Years

(Katie Spence / Flickr)

(Katie Spence / Flickr)

Happy birthday, Millennium Park! Yes, the Chicago park named for the chronological milestone now 14 years in the rearview mirror is turning 10—it went famously over-schedule and over-budget but we love it nonetheless. Last year 4.75 million people visited Chicago’s front yard, taking in free concerts and events, and probably taking at least as many selfies with Anish Kapoor’s Cloud Gate and the flowing titanium locks of Frank Gehry‘s Pritzker Pavilion in the background.

In honor of the anniversary, the Chicago Department of Cultural Affairs and Special Events is kicking off a series of shows and exhibitions that includes new work from Crown Fountain designer Jaume Plensa. Hey, Jaume! Email us if you need another face for your 40-foot LED projection!

Here at AN, we’re celebrating with ten of our favorite photographs of the park taken over the past decade and more. Take a look below.

Ten amazing photos of Millennium Park after the jump!

Floating Farnsworth: Mies van der Rohe’s Iconic Illinois House Could Get Flood Protection

Flooding at the Farnsworth House in mid-April 2014. (Courtesy Farnsworth House)

Flooding at the Farnsworth House in mid-April 2014. (Courtesy Farnsworth House)

Ludwig Mies van der Rohe’s archetypal modernist home, the Farnsworth House, is drowning. The banks of the Fox River served as an idyllic setting for the building’s white steel and glass when it landed in Plano, Illinois. But lately the Fox has gone rabid, spilling over its banks three times in the past 18 years. So what to do? Preservationists are looking at installing hydraulic jacks to lift the house during floods, to the tune of about $3 million. Call it the Three Million Dollar Modernist. Ironically Mies put the house on stilts to prevent such flooding; I guess you can’t outwit a wily Fox.

Letter to the Editor> Four-Wheeled Urban Whipping Boy

(GABRIEL WARTOFSKY)

(GABRIEL WARTOFSKY)

[Editor's Note: The following are reader-submitted responses in reference to Chip Lord’s book review of The Car in 2035: Mobility Planning in the Near Future (“Car Trouble” AN 11_12.18.2013_West). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please emaileditor@archpaper.com. ]

Boy, we get the shit end of every stick for being here in SoCal. Prof. Lord is right. The origami made car is the best thing here if we have to accept the reality of having cars around in 2035. The $7,000 price tag is probably the only real laugh in the book. Well done Dr. Lord.

Hudson Marquez
Ant Farm

Tax tax tax… and eliminate the individual. That’s the future. Not appealing.

Eva Tho
San Diego, CA

Filed Under: 

Foster’s Unopened Vegas Tower Being Dismantled After Lengthy Court Battle

West
Friday, May 9, 2014
.
(Greg Phelps)

Norman Foster’s doomed Harmon Hotel in Las Vegas. (Greg Phelps / Flickr)

In Las Vegas, you win some and you lose some. Lining up as what must be one of the biggest busts in Sin City history, the exceptionally-botched, Foster + Partners–designed Harmon Hotel, now has a date with the wrecking ball. The stubby 27-story tower—it was originally supposed to measure 49 stories but construction problems  stunted its growth—never opened and no one ever checked in at what would surely have been a posh front desk.

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Letter to the Editor> Right On!

san-precarious-archpaper

[Editor's Note: The following are reader-submitted response to the article “A Manifesto from the Architecture Lobby” (Protest AN 01_01.22.2014_MW). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com. ]

I read the article, “A Manifesto from the Architecture Lobby” and found every single word applicable to my own situation and my own firm. While we architects enjoy the perceived honor of our profession, it undermines the vocation’s viability as an occupation versus a good hobby.

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Filed Under: 

On View> Rights of Way: Mobility & the City Tackles Interrelated Urban Issues

(Courtesy BSA Space)

(Courtesy BSA Space)

Rights of Way: Mobility and the City
BSA Space
290 Congress Street, Suite 200
Boston
Through May 26

Rights of Way: Mobility and the City examines transportation and mobility in the global city through dozens of examples of how the city is shaped by the ways people move through it. Curated by James Graham and Meredith Miller of architecture studio MILLIGRAM-office, the exhibition seeks to demonstrate that our urban environment is a result of a complicated set of negotiations between designers, policy makers, the private sector, and individual residents.

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Slideshow> Michael Van Valkenburgh’s Design for Tulsa Park

05b-tulsa-oklahoma-park-mvva-archpaper05a-tulsa-oklahoma-park-mvva-archpaper

As AN reported in our recent Southwest edition, Michael Van Valkenburgh is hard at work on plans for a massive park in Tulsa, Oklahoma.  According to the article, “The community expressed a strong need for the park to accommodate not just children, but the whole family unit. Having a variety of activities for a wide age range became a primary factor in the development of the design.” The $300 million waterfront plan is expected to be complete by 2017. MVVA shared this set of renderings with AN to keep us excited in the meantime.

More after the jump.

On View> My Florence: Photographs by Art Shay at the Museum of Contemporary Photography

Art, Midwest, On View
Monday, May 5, 2014
.
(Art Shay)

(Art Shay)

My Florence: Photographs by Art Shay
Museum of Contemporary Photography
624 South Michigan Avenue
Chicago, IL
Through May 24

My Florence is a photographic project by renowned Chicago Photojournalist Art Shay. For over six decades, Art Shay’s photographs have appeared in such periodicals as Time, Life, Fortune, and Sports Illustrated. In Shay’s words, My Florence “is the story in pictures of our 67 years of marriage.” The photographs in this show are primarily candid and capture moments beginning with the first photograph Art took of Florence, his wife, the day they met in 1942 as 20-year-old camp counselors in the Catskills.

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On View> Garry Winogrand’s Lens on American Life at the National Gallery of Art

Art, East, On View
Monday, May 5, 2014
.
(Garry Winogrand)

(Garry Winogrand)

Garry Winogrand
National Gallery of Art
4th and Constitution Avenue NW
Washington, D.C.
Through June 8

Garry Winogrand (1928–1984) is best known for his photography and its portrayal of American life in the 1960s through 80s. His images depict the social issues of the day and the role of media in shaping attitudes on his subjects. Winogrand shot voraciously in the last twenty years of his life, but his editing process was far more labored. Upon his death, among his effects were discovered 2,500 rolls of undeveloped film, 6,500 rolls of developed but not proofed exposures, and contact sheets made from about 3,000 rolls. The National Gallery of Art showing is the first retrospective of his work in more than 25 years. A vast majority of the 160 photographs in the exhibition, and more than 350 in the accompanying catalogue, reveal for the first time the full breadth of Winogrand’s art through never-before-seen prints and proof sheets.

I’ll Show You Mine If You Show Me Yours: Chicago Shaping Up For Big Art Year

Art, Eavesdroplet, Midwest
Monday, May 5, 2014
.
(Nathan Keay / MCA Chicago)

(Nathan Keay / MCA Chicago)

Eavesdrop attended the opening of William J. O’Brien’s mid-career solo show on view through May 18 at the Museum of Contemporary Art (MCA) Chicago. 2014 is shaping up to be a strong one for Chicago-based artists, with this show clearly thrusting O’Brien into the upper echelon.

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Welcome Home, Chicago Design Museum!

Design, Eavesdroplet, Midwest
Thursday, May 1, 2014
.
Chuck Anderson's poster for the ChiDM kickstarter campaign. (Courtesy ChiDM)

Chuck Anderson’s poster for the ChiDM kickstarter campaign. (Courtesy ChiDM)

The Chicago Design Museum, our resident pop-up pantheon of graphic aesthetics, is looking for your help to mount the first exhibition in its new permanent home. They’re planning a centennial show for the American Institute of Graphic Arts (hey, AIGA’s as old as Wrigley!), and they’ve launched a Kickstarter campaign to get it funded (and time is really running out!). Eavesdrop’s been known to drop in on ChiDM’s shows since its inception, so we could be persuaded to part with some cash.

Posters by Michael C. Place of Build, Debbie Millman, and Marian Bantjes for the ChiDM kickstarter campaign. (Courtesy ChiDM)

Posters by Michael C. Place of Build, Debbie Millman, and Marian Bantjes for the ChiDM kickstarter campaign. (Courtesy ChiDM)

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