The Critical Inversion of the Prosthetic Public Armature

East, Eavesdroplet
Wednesday, April 30, 2014
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diller-geffen

Liz Diller / David Geffen.

Speaking of the architecture/celebrity complex, a source told Eavesdrop that Liz Diller is designing an Upper East Side apartment for entertainment mogul David Geffen. The once radical architect has gotten awfully cozy with the establishment. We guess all that time in Los Angeles designing The Broad is paying off.

You Like Us! You Really Like Us! AN’s Facebook Community Surpasses 500,000 Followers

International, Media
Tuesday, April 29, 2014
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facebook

Earlier this afternoon, The Architect’s Newspaper gained our 500,000th Facebook friend, a major milestone in our growth. For an independently owned publication that started as a local print tabloid, the expansion of our readership in print, online, and through social media in the United States and around the world has been thrilling to watch. We’re so grateful for your support. But more importantly, we are happy to be a part of increasing the public’s awareness of architecture, design, planning, urbanism, and landscape architecture. That’s what keeps us working so hard every day. For those of you who can’t get enough AN, consider following and sharing us on social media: Facebook, Tumblr, and Twitter. Thanks again for your interest and support!

Letter to the Editor> Together Again

LAWRENCE W. SPECK AND OTHERS GET DOWN TO THE COLLABORATIVE BUSINESS OF ARCHITECTURE. (COURTESY PAGESOUTHERLANDPAGE)

LAWRENCE W. SPECK AND OTHERS GET DOWN TO THE COLLABORATIVE BUSINESS OF ARCHITECTURE. (COURTESY PAGESOUTHERLANDPAGE)

[Editor's Note: The following are reader-submitted comments in response to a back-page comment written by Lawrence W. Speck (“TogethernessAN 01_11.06.2013_SW), which called on the architecture profession to regard its creations as collaborative efforts, rather than the products of solo geniuses. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

I am sorry to say that architects do NOT make buildings! To identify the field of architecture as an Industry leads to the inevitable subordination of architecture not as an intellectual pursuit capable of a transformative role in society to one of simply propping up the Status Quo.

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Obit> Hans Hollein, 1934–2014

International, Obit
Thursday, April 24, 2014
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Hans Hollein

Hans Hollein

Pritzker Prize–winning Austrian architect, artist, engineer, and designer, Hans Hollein, has died at the age of 80. Born in Vienna in 1934, Hollein attended the Academy of Fine Arts, School of Architecture in that city and graduated in 1956. Following graduation he was awarded a Harkness Fellowship, affording him the opportunity to travel to the United States. He did graduate work at the Illinois Institute of Technology and completed his masters degree in architecture at the University of California, Berkeley in 1960. During those years he met and worked with Mies van der Rohe, Frank Lloyd Wright, and Richard Neutra.

Continue reading after the jump.

Letter to the Editor> Health Food and Historic Preservation

The Coignet Building in Gowanus, Brooklyn is believed to be the first concrete building in New York City. (David Gallagher / Flickr)

The Coignet Building in Gowanus, Brooklyn is believed to be the first concrete building in New York City. (David Gallagher / Flickr)

[Editor's Note: The following are reader-submitted responses to a pair of articles about the opening of an urban Whole Foods in Gowanus, Brooklyn, “Suburbs Meet City” (AN 03_03.05.2014), and the pending redevelopment of the Coignet Building on the site, “Set in Stone” (AN 03_03.05.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

Thanks for the article (“Suburbs Meet CityAN 03_03.05.2014). About the note at the end referring to the project’s intent—is it possible that what could be a corporate marketing ploy on the front end positively contributes to a vibrant local culture? If consumers keep demanding this type of sensitive response from national corporations, I hope with time this business strategy evolves and matures from just local products and signs that say “Brooklyn” all the way to careful stewardship of a community, i.e. good use of the Coignet Building, etc. Thanks again.

Chris Hoal
Intern Architect
Gresham Smith & Partners

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De Blasio, Schumer Announce A Flood of Cash for Sandy Relief

East
Monday, April 21, 2014
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Houses damaged by Hurricane Sandy (Courtesy of David Sundberg)

Houses damaged by Hurricane Sandy. (David Sundberg / ESTO)

Seventeen months after Superstorm Sandy pummeled New York City, Mayor de Blasio and U.S. Senator Charles Schumer announced major changes to the city’s Sandy relief efforts. At an announcement in late March in the Rockaways, Mayor de Blasio said that $100 million of federal money has been reallocated into the city’s Build it Back program, which will help storm victims regardless of their income or priority level. The mayor’s office says that funds from this program are already being sent out.

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Photo of the Day: Final Segment of Calatrava’s NYC Transit Hub Arch Set In Place

Santiago Calatrava's World Trade Center Transit Hub. (Courtesy AN Tipster)

Santiago Calatrava’s World Trade Center Transit Hub. (Courtesy AN Tipster)

A tipster shared with us the above view of Santiago Calatrava‘s World Trade Center Transit Hub receiving the final piece of its giant steel arch. According to the tipster, “they JUST set the final tooth on the World Trade Center Transit Hub to complete the supporting structural system. Once welding is complete they will proceed with installing the “wings,” the cantilevered outriggers that complete the structural form.” Looks like this thing is about to soar.

Letter to the Editor> Competition Slayer

SOURCES OF ARCHITECTURAL SPECULATION. (COURTESY MARSHALL BROWN PROJECTS)

SOURCES OF ARCHITECTURAL SPECULATION. (COURTESY MARSHALL BROWN PROJECTS)

[Editor's Note: The following is a reader-submitted response to a backpage comment by Marshall Brown, “Kick the Architectural Competition Habit” (AN02_02.19.2014_Midwest). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

Bravo. This “addiction” at the top of the field inspires exploitation of architects all the way down the line. While I was in graduate school, a professor “employed” a classmate to pull all-nighters on a competition entry, which had no relation to his coursework.

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Before & After> Gustafson Guthrie Nichol Imagines a Pedestrian-Friendly Seattle

seattle-streetscape-01bseattle-streetscape-01a

The streets of downtown Seattle are set for a major overhaul, thanks to a new masterplan by Gustafson Guthrie Nichol. As AN reported in our recent West Coast edition, the Seattle-based firm has made recommendations to improve the pedestrian realm “centers on uniting the fragmented parts of the Pike-Pine corridor, two major thoroughfares at the heart of the retail core running east-west from Interstate 5 to the waterfront.”

Check out their dramatic proposed transformations overlayed on Seattle’s existing streetscape for a better look at how pedestrians and cyclists will fare under the plan.

More after the jump.

Yeezus! What a Jury! The Living and The Dead at MoMA PS1′s Young Architects Program

Design, East, Eavesdroplet
Thursday, April 10, 2014
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The Living's pavilion, Hy-Fi. (Courtesy The Living)

The Living’s pavilion, Hy-Fi. (Courtesy The Living)

The MoMA PS 1 jury process that selected the “100 percent organic pavilion Hy-Fi” for its 2014 pavilion may have been a contentious group. The museum announced last month that David Benjamin, the principal of Brooklyn-based firm The Living, would design the temporary structure. But several sources have told Eavesdrop that one of the short listed firms (Collective-LOK, PARA-Project, WOJR, over,under, Fake Industries Architectural Agonism, LAMAS, Pita + Bloom) was in fact told that it—not Benjamin—had won the design competition.

The story unfolds after the jump…

On View> “Apex: Tip Toland” at the Portland Art Museum

Art, On View, West
Thursday, April 10, 2014
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04-portland-tip-toland-archpaper

Apex: Tip Toland
Portland Art Museum
1219 SW Park Avenue
Portland, Oregon
Through May 11

Washington-based artist Tip Toland creates larger than life figures with painfully accurate details that highlight her subjects’ imperfections: wrinkles, sunspots, and other blemishes. Toland’s work has always dealt with figurative subject matter, though her approach has ranged from the surreal to the super-real. This exhibition focuses on the plight of albino children in Africa, many of whom face a never-ending nightmare of bigoted, superstitious persecution at the hand of the communities into which they are born. Deeply rooted in psychology, Toland’s carefully crafted portraits seek to disturb viewers, teasing out their deepest human sympathies only to clobber them with the cudgel of political subtext. The artist has said that her work “softens our hearts to what we are afraid of.” Unflinching in the face of terrible realities, it is certainly provocative.

On View> The Cincinnati Museum of Art Presents The Modernist Jewelry of Art Smith

Art, Midwest, On View
Wednesday, April 9, 2014
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(Courtesy Brooklyn Museum)

(Courtesy Brooklyn Museum)

From the Village to Vogue: The Modernist Jewelry of Art Smith
Cincinnati Museum of Art
953 Eden Park Drive
Cincinnati, OH
Through May 18

From the Village to Vogue: The Modernist Jewelry of Art Smith consists of twenty-four pieces of silver and gold jewelry created by the Brooklyn-reared modernist jeweler Arthur Smith (1917–1982). Smith trained at Cooper Union and opened his first shop on Cornelia Street in Greenwich Village in 1946. Art was an active supporter of the black and gay rights movement and early black modern dance groups. He included these themes in his works.

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