Ceci n’est pas une reverie:
The Architecture of Stanley Tigerman
Yale School of Architecture
180 York Street
New Haven, CT
Through November 4
The exhibition Ceci n’est pas une reverie (“This is not a dream”) celebrates the work of architect Stanley Tigerman. Curated by Yale School of Architecture Associate Professor Emmanuel Petit, this retrospective tells the story of Tigerman’s professional career, beginning with his years at Yale as an undergraduate and then a graduate student in architecture. Organized around several motifs—utopia, allegory, death, humor, and division—the exhibition includes models and objects, documents, cartoons, sketches, and drawings, like an axonometric of formica, above. Video material from lectures and interviews also capture Tigerman’s eclectic style as it has evolved over the past 50 years, encompassing his early work at the Chicago-based firm Tigerman McCurry Architects and his return to Yale as a visiting professor. Ceci n’est pas une reverie will coincide with the publication of Tigerman’s collected writings, 1964-2011 Schlepping Through Ambivalence, Essays on an American Architectural Condition, and his autobiography Designing Bridges to Burn as well as a series of lectures at the Yale School of Architecture.
Helsinki Design Week
September 9–September 18
To warm up for its turn as the 2012 World Design Capital, the city of Helsinki will host a week-long design festival in September. A variety of sites throughout the city will be pressed into service, from public plazas to the Old Customs Warehouse. Architects and designers plan explore the relationship between the urban dweller and urban design. The exhibit I Am the City by the art and design collective, Ornamo 100, features Helsinki Throne (above) by interior designer Jouni Leino, and design think tank OK Do’s Museum of the Near Future transforms an unused office building into a library, bookstore, and public art studio. Design Week’s organizers trumpet Finland’s acclaimed education system, making architectural and design education practices a running theme throughout the week.
Studio X, the downtown outpost of Columbia’s GSAAP program, named Geoff Manaugh (BLDGBLOG) and Nicola Twilley (GOOD/Edible Geography) as co-directors. The fall season of programming under Manaugh and Twilley kicked off September 1.
Deborah Marton, who announced her resignation as Executive Director of the Design Trust for Public Space in March, assumed her new role as Senior Vice President of Programs at the New York Restoration Project.
David Glover of Arup Associates has left the firm to become deputy chief executive of AECOM’s building engineering business.
Dagmar Richter, former teaching professor and chair of the Department of Architecture at Cornell University‘s College of Architecture, Art, and Planning, has been named chair of Pratt Institute‘s Undergraduate Architecture Department.
Perkins+Will Seattle acquired Hinthorne Mott Architects to boost their Pacific Northwest presence.
Will Alsop left RMJM to start a new practice with fellow RMJM principal Scott Lawrie in London. The new firm is called ALL Design.
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511 W 25th St. #607
Through September 17
In honor of the tenth anniversary of September 11th, 1500 Gallery in West Chelsea will present PIIOTOS_WTC, an exhibition of photographs of the Twin Towers taken by 22 of Brazil’s most notable photographers. The images, which all have the World Trade Center site as their subject, span the last three decades of the 20th century. Selected photographers include Victor Andrade, Ali Karakas, and Roberto Linsker, among others. The selection is diverse, with works ranging from distant portrait landscapes of the towers from the Hudson River, to bold aerial views, black and white night shots, glowing, hazy sunsets, andclose-up structural shots, like the work of Tuca Reines, above. Gallery 1500—the only gallery in the world to focus specifically on Brazilian photography—brings together these poetic works, capturing the power, strength, and beauty of the city as it is no longer.
As we noted while visiting the Center for Architecture back in July, the Brazilian design scene continues to heat up. This week in Sao Paolo the BOOMSPDESIGN International Forum of Architecture, Design and Art is back for its fourth year. In addition to a series of symposia with international and native talent, this design week will also include on-the-street collaborative art and design projects.
Curator Roberto Cocenza has pulled together a diverse mix of talent from Tokyo to Miami. This year Studio Dror, Matali Crasset, Paul Clemence, Cat, Harry Allen, Chad Oppenheim, Mount Fuji, Jade Dressler, and Rene Gonzales will criss-cross the globe to join Brazilians Brunete Fraccaroli, FGMF, Glauco Diogenes, Guilherme Torres, Sergio Matos, and Zoe Melo. An exhibition of Karim Rashid’s work will also be shown, as will a multi-generational exhibition of Japanese architecture titled “reset .11.03.11 new paradigms.” BOOMSPDESIGN runs through September 2.
Hurricane Irene was no match for tenth anniversary preparations at the World Trade Center site. In fact, some are claiming that the storm could have been a good thing for the soon-to-be-open memorial site. Joseph Daniels, president and CEO of the Memorial Foundation, told The Observer that all the trees on the site, including the Survivor Tree, made it out of the storm unscathed. And at a depth of only six feet, the eight-acre plaza “lid” did seem quite vulnerable just a few days ago. While there was some minor flooding and dripping underneath the plaza, Daniels said, there was no major damage. If anything, Daniels was saw Irene’s drips in a glass half full, pushing the project slightly ahead of schedule: “All the preparations we did in preparing for the storm actually helped prepare us for the opening, like removing excess equipment and temporary fencing that had been surrounding the pools.”
The three year cycle of summertime renovations at Madison Square Garden is starting to eat away at its bottom line. The renovation schedule has prevented some big name events booking the arena, resulting in 39 percent drop in earning for the second quarter. At a cost of nearly $850 million (up from initial projections of around $500 mil), renovations won’t be done until 2013. Work that began this past April at the end of the Knicks’ season involved refurbishing the lower seating bowl will wrap up in October. Future work will redo the upper seating bowl and add bridges above the arena’s ceiling. [Deadline via Real Deal]
Brian Ulrich: Copia—Retail,
Thrift, and Dark Stores, 2001–11
Cleveland Museum of Art
11150 East Boulevard
Through January 16, 2012
Using only a hand-held camera, photographer Brian Ulrich captured the fluctuating economic climate’s impact on American consumerism in the last decade. Brian Ulrich: Copia – Retail, Thrift and Dark Stores, 2001–11 at the Cleveland Museum of Art features 50 color photographs, portraying anonymous commercial excess in three distinct venues. Whether engrossed by the saccharine colors and limitless temptation of big box stores or by the discarded whimsies of thrift shops, the photographed subjects are caught in a vicious cycle of spending. The final phase highlights the absent consumer, focusing on the prevalence of ghost stores and dark shopping malls as a result of the 2008 financial crisis, such as J.C. Penney, Dixie Square Mall (above).
Noguchi: California Legacy
Laguna Art Museum
307 Cliff Drive
Laguna Beach, CA
Through October 2
Noguchi: California Legacy features three bodies of work that capture the connection Los Angeles-born sculptor Isamu Noguchi had with the California landscape. California Scenario: The Courage of the Imagination celebrates the 30th anniversary of the Segerstrom commission at the South Coast Plaza sculpture garden; a gallery is illuminated by Noguchi’s famed Akari lights for the 1986 Venice Biennale in What is Sculpture?, shown above; and for Noguchi at Gemini G.E.L., his sculpture for atelier Gemini G.E.L. Los Angeles in 1982 are reproduced as flattened steel plates, described by Noguchi as “short poems pertaining to California where I was born, and to the world I have known.”
A routine Tuesday afternoon came to an abrupt halt as our desks at AN HQ on Murray Street in Manhattan began to shake, rattle, and roll. As we grabbed our phones, commenced tweeting that we were among the survivors, and ran for the stairs, it appeared that New Yorkers all around City Hall had been suddenly given a recess to hang out in the streets.
It turned out to be the strongest quake in the City since the 19th century at a magnitude 5.9 and was centered in Mineral, VA, about 90 miles from Washington, D.C. where stones fells from the National Cathedral. Buildings were evacuated up and down the east coast from Boston to North Carolina although little damage was reported.