Izhar Patkin: The Wandering Veil
87 Marshall St., North Adams, MA
Through September 1, 2014
Izhar Patkin: The Wandering Veil is a survey of the Israeli-born, New York-based artist. Grand, labyrinthine, yet intimate, the exhibition occupies the entirety of MASS MoCA’s largest gallery. The works on display are rich with personal narrative, political metaphor, and myth, highlighting the many formal innovations Patkin has pioneered in the course of his 30-year career. The show’s centerpiece is a cycle of spectacular mural-size paintings on tulle fabric that are making their U.S. debut. Entitled “Veiled Threats,” the cycle was inspired by the late Kashmiri-American poet Agha Shahid Ali’s writings on memory, loss, love, and exile. Co-organized by MASS MoCA, The Wandering Veil is coming to Massachusetts from the Tel Aviv Museum of Art and the Tefen Open Museum in Israel, where it premiered last year.
Gossip about new projects is back! First we hear that Steven Ehrlich and Fred Fisher are teaming up for a major renovation of the Otis campus, on Los Angeles‘ West Side. Next we hear a shortlist is close to being named for Metro’s West Side expansion subway line. We’re all waiting with bated breath to see the renderings of LA firm Johnston Marklee’s addition to The Menil in Houston, which is now set to be unveiled this month. And then there’s the expansion of the Museum of Contemporary Art San Diego’s La Jolla campus. A shortlist has indeed been chosen, but museum spokesperson Leah Straub told AN, “We don’t want to damage anyone’s reputation should they not be selected.” Wow, who knew being on a shortlist could be damaging?
Tacita Dean: JG
10899 Wilshire Boulevard
Through January 26, 2014
JG, the latest work in film from British-born, Berlin-based artist Tacita Dean, is inspired by her correspondence with British author J.G. Ballard and the connections between his short story, “The Voice of Time,” and Robert Smithson’s landmark earthwork, Spiral Jetty.
Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia
The Museum of Fine Arts Houston
5601 Main Street
December 19 through March 9, 2014
The Museum of Fine Arts Houston (MFAH) is hosting an eye-opening exhibition this winter that will uncover the rich history of the ancient trade routes of the Arabian Peninsula. Organized by the Smithsonian’s Arthur M. Sackler Gallery in Washington, D.C., in association with the Saudi Commission for Tourism and Antiquities (SCTA), Roads of Arabia will feature objects recently excavated from more than 10 archaeological sites, and give insight into the culture and economy of this ancient civilization. Recently discovered objects along the trade routes include alabaster bowls and fragile glassware as well as heavy gold earrings and monumental statues. All of the artifacts are testament to the lively exchange between Arabs and their neighbors, including the Egyptians, Syrians, Babylonians, and Greco-Romans.
[Editor's Note: The following review was authored by Gideon Fink Shapiro and Phillip M. Crosby.]
A generation’s worth of experimentation with generative digital design techniques has seemingly created a “new normal” for architecture. But what exactly are the parameters of this “normal” condition? On November 14th and 15th Winka Dubbeldam, principal of Archi-Tectonics and the new Chair of the Department of Architecture at the University of Pennsylvania, called together some of contemporary architecture’s most prominent proponents of generative digital design techniques for a symposium, The New Normal, examining how these techniques have transformed the field over the past twenty years. According to Ms. Dubbeldam and her colleagues in Penn’s post-professional program who organized the symposium, digital tools have “fundamentally altered the way in which we conceptualize, design, and fabricate architecture.” Participants were asked not only to reflect upon the recent past, but also to speculate on future possibilities.
Impressed: Modern Japanese Prints
Indianapolis Museum of Art
4000 Michigan Road, Indianapolis, IN
Through January 26, 2014
In traditional Japanese woodblock printing, a team of four artists worked to create a single piece. In this collaboration, the publisher directed the designer, the engraver, and the printer to apply their respective artisan skills for the creation of a final artwork. During the early 20th century, however, a new printmaking method arose in Japan, transforming the group project into an independent endeavor. The Sosaku hanga, “creative prints,” school of printmakers became the first solo artists in Japanese woodblock printing, designing and executing every aspect of their artworks by their own hand.
Currently on exhibit at the Indianapolis Museum of Art is a collection of these masterpieces, including some the best known Sosaku hanga printmakers from the last century. Running through January 26, Impressed: Modern Japanese Prints explores the effects of blossoming individualism on woodblock prints. Distinguished by intricate detailing and the look of a highly texturized surface, the exhibition’s display of print works by Tajima Hiroyuki, Iwami Reika, Saito Kiyoshi, and Maki Haku shows that artists of this movement considered the woodblock print an art form, not a commercial venture.
UNESCOitalia: Italy’s World Heritage Sites in the Works of 14 Photographers
Mueso Italo Americano
Fort Mason Center, Building C
December 6 to January 26, 2014
In celebration of 2013: The Year of Italian Culture in the United States, the Museo Italo Americano, in partnership with the Italian Cultural Institute and the Consulate General of Italy in San Francisco, will be showcasing a collection of images of Italy’s UNESCO World Heritage sites as seen through the lenses of 14 prominent Italian photographers.
Form/Unformed: Design from 1960 to the Present
The Dallas Museum of Art
1717 North Harwood Street
Extended through December 2014
The Dallas Museum of Art is celebrating the work of prolific designers and architects from the 1960s to the present with its first comprehensive design exhibition. Some of the featured designers include Robert Venturi, Frank Gehry, Aldo Rossi, Zaha Hadid, and Donald Judd. Drawn entirely from the Museum’s own collection, the exhibition reveals the evolution of forms and ideologies that have shaped international design over the last half century.
“Several of the works on view are recent acquisitions that reflect the continuing expansion of the Museum’s decorative arts and design program to include historic American and European work, as well as contemporary objects of international significance,” said Bonnie Pitman, The Eugene McDermott Director of the Dallas Museum of Art. From modern jewelry like The Golden Fleece, to iconic furniture, the exhibition spotlights the extraordinary work of some of the best designers of our time.
Not interested in braving the crowds and the weather in Midtown Manhattan to gaze up at the Macy’s Thanksgiving Day Parade this year? Don’t worry, photographer Navid Baraty climbed to the top of one New York City tower to snap these amazing photos of the iconic parade from way above street level. The difference in perspective makes for a parade experience like you’ve never seen before. Check out a gallery of parade photos below and have a Happy Thanksgiving from everyone at The Architect’s Newspaper!
YKKAP has released its second “I am an architect” rap battle video, this time mashing up architects and contractors in an epic throw-down. Who won? Vote at YKKAP’s Facebook page. And don’t forget to participate in the “Celebrate the Art of Architects” twitter contest!