As we noted while visiting the Center for Architecture back in July, the Brazilian design scene continues to heat up. This week in Sao Paolo the BOOMSPDESIGN International Forum of Architecture, Design and Art is back for its fourth year. In addition to a series of symposia with international and native talent, this design week will also include on-the-street collaborative art and design projects.
Curator Roberto Cocenza has pulled together a diverse mix of talent from Tokyo to Miami. This year Studio Dror, Matali Crasset, Paul Clemence, Cat, Harry Allen, Chad Oppenheim, Mount Fuji, Jade Dressler, and Rene Gonzales will criss-cross the globe to join Brazilians Brunete Fraccaroli, FGMF, Glauco Diogenes, Guilherme Torres, Sergio Matos, and Zoe Melo. An exhibition of Karim Rashid’s work will also be shown, as will a multi-generational exhibition of Japanese architecture titled “reset .11.03.11 new paradigms.” BOOMSPDESIGN runs through September 2.
Hurricane Irene was no match for tenth anniversary preparations at the World Trade Center site. In fact, some are claiming that the storm could have been a good thing for the soon-to-be-open memorial site. Joseph Daniels, president and CEO of the Memorial Foundation, told The Observer that all the trees on the site, including the Survivor Tree, made it out of the storm unscathed. And at a depth of only six feet, the eight-acre plaza “lid” did seem quite vulnerable just a few days ago. While there was some minor flooding and dripping underneath the plaza, Daniels said, there was no major damage. If anything, Daniels was saw Irene’s drips in a glass half full, pushing the project slightly ahead of schedule: “All the preparations we did in preparing for the storm actually helped prepare us for the opening, like removing excess equipment and temporary fencing that had been surrounding the pools.”
The three year cycle of summertime renovations at Madison Square Garden is starting to eat away at its bottom line. The renovation schedule has prevented some big name events booking the arena, resulting in 39 percent drop in earning for the second quarter. At a cost of nearly $850 million (up from initial projections of around $500 mil), renovations won’t be done until 2013. Work that began this past April at the end of the Knicks’ season involved refurbishing the lower seating bowl will wrap up in October. Future work will redo the upper seating bowl and add bridges above the arena’s ceiling. [Deadline via Real Deal]
Brian Ulrich: Copia—Retail,
Thrift, and Dark Stores, 2001–11
Cleveland Museum of Art
11150 East Boulevard
Through January 16, 2012
Using only a hand-held camera, photographer Brian Ulrich captured the fluctuating economic climate’s impact on American consumerism in the last decade. Brian Ulrich: Copia – Retail, Thrift and Dark Stores, 2001–11 at the Cleveland Museum of Art features 50 color photographs, portraying anonymous commercial excess in three distinct venues. Whether engrossed by the saccharine colors and limitless temptation of big box stores or by the discarded whimsies of thrift shops, the photographed subjects are caught in a vicious cycle of spending. The final phase highlights the absent consumer, focusing on the prevalence of ghost stores and dark shopping malls as a result of the 2008 financial crisis, such as J.C. Penney, Dixie Square Mall (above).
Noguchi: California Legacy
Laguna Art Museum
307 Cliff Drive
Laguna Beach, CA
Through October 2
Noguchi: California Legacy features three bodies of work that capture the connection Los Angeles-born sculptor Isamu Noguchi had with the California landscape. California Scenario: The Courage of the Imagination celebrates the 30th anniversary of the Segerstrom commission at the South Coast Plaza sculpture garden; a gallery is illuminated by Noguchi’s famed Akari lights for the 1986 Venice Biennale in What is Sculpture?, shown above; and for Noguchi at Gemini G.E.L., his sculpture for atelier Gemini G.E.L. Los Angeles in 1982 are reproduced as flattened steel plates, described by Noguchi as “short poems pertaining to California where I was born, and to the world I have known.”
A routine Tuesday afternoon came to an abrupt halt as our desks at AN HQ on Murray Street in Manhattan began to shake, rattle, and roll. As we grabbed our phones, commenced tweeting that we were among the survivors, and ran for the stairs, it appeared that New Yorkers all around City Hall had been suddenly given a recess to hang out in the streets.
It turned out to be the strongest quake in the City since the 19th century at a magnitude 5.9 and was centered in Mineral, VA, about 90 miles from Washington, D.C. where stones fells from the National Cathedral. Buildings were evacuated up and down the east coast from Boston to North Carolina although little damage was reported.
Digital Clay. Last week at the SIGGRAPH technology conference, a prototype input device called “Recompose” made its debut. TechNewsDaily says that this “marriage of a keyboard and a 3-D tiled surface could be the future of computer interfaces.” Developed by the MIT Media Lab, Recompose will give users the ability to “sculpt” data.
LED Lettuce. The Dutch have amped up hydroponic agriculture with the use of LEDs, notes Good magazine. Scientists in the Netherlands have found that using the red and blue versions of the lights maximizes the effects of sunlight and minimizes dehydration. A bonus result? Greenhouses with rave-like ambiance.
Flat out Platonic. Core 77 alerted us to the thought-provoking carpet designs of Luís Porém, which are based on deconstructed Plato’s beloved polyhedrons.
Biker Rights. A group of NYC lawyers ride to the aid of cyclists disputing NYPD tickets for bell, helmet, and lane violations, reports The New York Times. The law firm of Rankin & Taylor is preparing a class action suit against the city on behalf of bikers.
The official Foster + Partners design has (finally) been released for the new Apple campus in Cupertino. At a recent Cupertino City Council meeting Steve Jobs said he was excited to centralize his campus with a building for 12,000 employees on a site currently dominated by parking lots. In the time since the Cupertino meeting, the not-so-secret news that Foster & Partners designed the giant ring has also been confirmed. The low-lying complex, described as being built at a “human scale” and largely off the grid, is expected to open in 2015. In reference to the overall design and the building’s glass curvature Jobs noted, “It’s a little like a spaceship landed.”
Table of Tables. It’s a meta periodic table of tables…or a chemistry lessons for design connoisseurs. Curbed posted the tongue-in-cheek infographic above: gone are helium, hydrogen, and silver; now we have coffee tables, pool tables, and nightstands.
Athletic Alphabet. An ambitious Spanish graphic designer, Joan Pons Moll, has created a new typeface—with his feet. Living on the island of Menorca, with its curving, windy streets, Moll uses Run Keeper, to map his letter-shaped routes. More at the NY Times.
Grand Apple. Apple’s next stop is Grand Central. Slated to open in the balcony space once home to restaurant Metrazur, Apple will forgoe its traditional glass cube designs in favor of an open plan overlooking the main concourse. New renderings posted by Gothamist show a minimal layout filled with high-tech toys.
Trumping Georgia.Donald Trump will develop the two tallest towers in Georgia (the country, not the state), according to the NY Times. The Don’s firm won’t be directly involved with construction; instead, Silk Road Group will manage the projects. John Fotiadas Architect is designing the master plan for the residential tower slated for the Georgian city of Batumi.
Pop-Up Forgiveness. With Spain in the midst of an austerity plan, the NY Times reported that Madrid and the Catholic Church have spent $72 million for festivities centered around the visit of Pope Benedict XVI, which has drawn criticism from many in the city. Among the improvements lavished upon Madrid are 200 pop-up confessional booths in Retiro Park. Perhaps city leaders doling out funds will be among those in line at the booths.
Reminder! Tomorrow, Wednesday August 17th, the International Center of Photography will hold a panel discussion in conjunction with the exhibition Hiroshima: Ground Zero 1945. The discussion will feature authors Erin Barnett, Adam Harrison Levy, and Greg Mitchell who will speak about the exhibition’s compelling photographs of post-bomb Hiroshima along with a discussion of censorship and documentation of the the attack.
Fresh Jobs. Data from a USDA report released last week indicated that farmers markets are on the rise in the United States. The report counted 7,175 markets, a 17 percent increase since last year. States with the largest growth were Colorado, Alaska, and Texas, representing a robust local and regional food system. Grist and GOOD broke down the report.
Where’s the Map? Transportation Nation asks, Where’s the Amtrak map at Penn Station? It seems as though travelers are missing out on the opportunity to visually place their train journeys. As journalist Mark Ovenden said,“maps are part of the journey, and we shouldn’t forget that.” You can ask for a paper fold-out version, which pales in comparison as its streaking red lines give little real indication of the train’s path.
Seat: An Outdoor Chair Show
Fort Mason Center
38 Fort Mason
Through May 31, 2012
In collaboration with the Fort Mason Center, curators Topher Delaney and Kika Probst of Seam Studio challenged forty designers to create and build outdoor public seating that would reflect the waterfront site and be able to withstand year-round weather conditions in Northern California.
The seats are displayed throughout selected areas of the thirteen-acre campus that is part of the Golden Gate National Recreation Center. Each designer loaned their seat for free, and many firms created new partnerships for the project, such as Arup with Jefferson Mack Metal. The West End Terminal Seat, after the jump, designed by Nilus Designs: Architecture was inspired by the natural ecology at Fort Mason, particularly the salty water and wind patterns. Comprised of 208 vertical polycarbonate sections, the porous surfaces of the seat collect site debris and salt, while hollow flutes capture the sounds of the wind currents. The seat is also wired with user-activated LED lights and QR codes that visitors can scan for further information about the exhibit.