Kamin: Humana Resurrecta.  Michael Graves Humana building, Louisville, 1986 (Courtesy AIAArchiblog). Blair Kamin seems to have joined the reconsider PoMo chorus, stating in his Sunday column that the movement “deserves a more sophisticated reappraisal.” The focus of the Tribune tribute was Michael Graves’s Humana building in Louisville, Kentucky.  By drawing comparisons to Johnson’s AT&T building in its unabashed commercialism and to Kohn Pedersen Fox’s 333 Waker Drive for its national significance, Kamin writes that “Graves crafted a tower that could only have been built in Louisville.” The reassessment comes on the heel of Graves receiving the Richard H. Driehaus Prize for classical and traditional architecture in Chicago last month, which in turn came after last fall’s PoMo Conference at New York’s Institute for Classical Architecture and Art. Seems that the classicists are going gaga for PoMo.

 

On View> Pedro E. Guerrero: A Retrospective

West
Tuesday, April 10, 2012
.
(Pedro Guerrero / Woodbury)

(Pedro Guerrero / Woodbury)

Pedro E. Guerrero: A Retrospective
WUHO Gallery
6518 Hollywood Blvd., Los Angeles
Through April 25

At age 22, Pedro E. Guerrero made a spontaneous visit to Taliesin West to meet Frank Lloyd Wright; upon seeing his portfolio Wright immediately gave Guerrero the position of principal photographer. Guerrero’s relationship with Wright would define his career; nearly all publications about Wright include his work. Moving to New York, Guerrero went on to work for journals including Architectural Record and Vogue, documenting the works of modernists like Saarinen and Breuer. His photography approaches architecture as sculpture, displaying an eye for composition and form that led to close personal and working relationships with Alexander Calder and Louise Nevelson.

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On View> Urban Visions: American Works on Paper, 1900-1950

Midwest
Wednesday, April 4, 2012
.
(Courtesy IMA)

Night Shadows by Edward Hopper, 1921. (Courtesy IMA)

Urban Visions: American Works on Paper, 1900-1950
Indianapolis Museum of Art
4000 Michigan Road
Indianapolis, IN
Through September 30

An upcoming exhibition at The Indianapolis Museum of Art’s Alliance Gallery will explore the ways in which artists dealt with the rise of industrial modernization and urbanity. In the first half of the 20th century, rapidly changing cities served as inspiration for new portrayals of human expression within these new environments. “The spectacle of metropolitan life” is presented through 25 works from IMA’s print collection, including lithographs, etchings, and engravings from well-known artists such as George Bellows, Childe Hassam, Edward Hopper, Reginald Marsh, and Isabel Bishop. The exhibition will display the art alongside vintage construction photos from the Chicago and New York skyscraper boom, providing context for these early interpretations of the city. Pieces from lesser-known artist and architect Gerald Kenneth Geerlings, whose aquatinted technical drawings of the emerging cityscape highlight the juxtaposition of emotional romanticism and technological progress, will be on display at IMA for the first time since 1970.

On View> Chinese American Architects in Los Angeles, 1945-1980

West
Monday, April 2, 2012
.
Choy Residence. (Julius Schulman)

Choy Residence. (Julius Schulman)

Breaking Ground: Chinese American Architects in Los Angeles (1945–1980)
The Chinese American Museum
425 North Los Angeles St., Los Angeles
Through June 3

As part of the Pacific Standard Time initiative, the Chinese American Museum presents Breaking Ground to showcase the pioneering contributions made by four Southern California–based Chinese American architects. These architects, Eugene K. Choy, Gilbert Leong, Helen Liu Fong, and Gin Wong, all made contributions to the development of postwar California architecture, from Choy and Leong’s playful Chinatown Modernism to Wong’s radical masterplan for LAX and Fong’s development of the Googie style (think neon signage and cantilevered boomerang-shaped roofs). Original and reproduced photographs, blueprints, renderings, and drawings of works by the architects are on display, including original photographs by architectural photographer Julius Shulman (above, The Choy House).

More images after the jump.

Channeling Mumford.  NYC DOT Commissioner Janette Sadik-Khan lauds Grand Army Plaza. (Branden Klayko) DOT Commissioner Janette Sadik-Khan has been invited to deliver the prestigious 2012 Lewis Mumford Lecture on Urbanism at the Spitzer School of Architecture at City College on April 5. The lecture will be held in the freshly restored Shepard Hall.  

 

Billings Remains in the Black Four Months in a Row

National
Wednesday, March 21, 2012
.
BILLINGS (BLUE) AND INQUIRIES (RED) FOR THE PAST 12 MONTHS.

BILLINGS (BLUE) AND INQUIRIES (RED) FOR THE PAST 12 MONTHS.

With the moody Architectural Billings Index landing in positive territory for the fourth straight month in February, the architectural community might begin to exhale a sigh of relief. Project inquiries alone saw its highest spike since 2007, up from 61.2 to 63.4 (anything over 50 indicates an increase in billings).

Continue reading after the jump.

On View> Architecture in the Expanded Field

West
Wednesday, March 21, 2012
.
(Courtesy CCA Wattis Institute)

(Courtesy CCA Wattis Institute)

Architecture in the Expanded Field
CCA Wattis Institute for Contemporary Arts
1111 8th St., San Francisco
Through April 7

Theorist and critic Rosalind Krauss’s 1979 text “Sculpture in the Expanded Field” attempts to identify the scope of sculpture in a time when artists were redefining its traditional limits to include considerations of architecture, landscape, and space. The Wattis attempts a similar redefinition of the field of architecture; installations explore material, spatial, and perceptual concerns with emerging experimental technologies outside the limits of traditional architectural practice. A full-scale installation within and outside of the gallery transports visitors into the immersive environment, while a surface component presents the mapped expanded field of architectural installation.

Diamond studded Eco-Developer?  Diamond studded Eco-Developer? Having successfully covered the world (or at least all 11 outposts of the global Gagosian empire) in colorful spots, Damien Hirst is turning his attention to architectural matters. The artist is planning to build more than 500 homes on the land he owns in Devon, England as part of a broader expansion of the glam seaside resort town of Ilfracombe. Mike Rundell of London-based MRJ Rundell+Associates is putting his undergrad degree in fine art to good use and working with Hirst on the project. “He has a horror of building anonymous, lifeless buildings,” said Rundell of his artist client. Pressed for details, Rundell described the houses as modern and possibly incorporating eco-friendly touches such as photovoltaic panels and wind turbines nestled in the roofs. Pickled sharks or spin art not included.

 

WTC security extends to streets beyond site..  Downtown Express reports that NYPD will be battening down access to  WTC “campus” in lower Manhattan. This week a new safety plan was presented at Community Board 1′s Redevelopment Committee meeting, and community members were dismayed by the multiple Checkpoint Charlie-like blocks on streets around the site proper. Said one resident of neighboring Cedar Street, “I don’t see a way to go home in a cab in front of my door without going through two checkpoints. We’re not talking about parking – we’re talking about access to the front door the Tuesday before Thanksgiving, with a cab full of groceries and 24 people for dinner.”

 

On View> Middle Eastern Ambitions at the Center for Architecture

East
Friday, March 16, 2012
.
A model of a Frank Lloyd Wright plan for Baghdad. (AN/Stoelker)

A model of a Frank Lloyd Wright plan for an opera house in Baghdad. (AN/Stoelker)

City of Mirages: Baghdad, 1952–1982
Through May 5

Change: Baghdad, 2000–Present
Through June 23

Center for Architecture
536 LaGuardia Place

Two complimentary exhibits at the Center for Architecture capture an aspirational past and equally ambitious present in the Middle East. City of Mirages: Baghdad, 1952–1982 shows a flourishing cosmopolitan city that—whatever the regime—commissioned an impressive array of international design talent for much of the last century resulting in an architecture combing modernist ideas with interpretations of the local climate and culture. Through models and drawings, including Walter Gropius and Hisham A. Munir’s campus building (top) at the University of Baghdad, rather than photographs in order to emphasize the optimistic intentions of the period, City of Miracles sheds light on a significant but rarely seen corner of global modernism. CHANGE: Architecture and Engineering in the Middle East, 2000–Present surveys 123 contemporary works from 20 countries in the wider Middle East, including Asymptote and Dewan Architects’ Yas Marina Hotel in Abu Dhabi (above), gathered through an open call for submissions. The impact of rapid growth and instant globalization is evident through supertalls, man-made islands as well as UNESCO monument sites under siege.

Read More

On View> Sarah Morris: Points on a Line

Midwest
Thursday, March 15, 2012
.
Philip Johnson’s Glass House in Connecticut. (Sarah Morris)

Philip Johnson’s Glass House in Connecticut. (Sarah Morris)

Sarah Morris: Points on a Line
The Wexner Center
1871 North High Street
Columbus, OH
Through April 15

Points On A Line, a 2010 film by artist Sarah Morris, takes two iconic buildings as its central characters, Mies van der Rohe’s Farnsworth House in Illinois and Philip Johnson’s Glass House in Connecticut (above). Commissioned by the National Trust for Historic Preservation, which owns both properties, the film is a meditation on the relationship between the buildings—Johnson, an acolyte of Mies and inspired by Farnsworth drawings, happened to complete his New Canaan house first—and the structures as they exist today. But it is the relationship of the architects themselves that becomes Morris’ narrative thread, serving as a springboard to explore their other architectural overlap: Johnson’s glamorized corporate interiors for the Four Seasons, the power-broker restaurant in the base of the Mies-designed Seagram building in Manhattan. Points on A Line underscores how our perception of a space is affected not just by its design but also its mythology.

On View> News Paper Spires at the Skyscraper Museum

East
Tuesday, March 13, 2012
.
Newspaper Row

Newspaper Row. (courtesy The Skyscraper Museum)

News Paper Spires
The Skyscraper Museum
39 Battery Pl.
Through July 2012

Focusing on the years between 1870 and 1930, News Paper Spires at the Skyscraper Museum considers the buildings where the most important events of the day were committed to the public record with ever-increasing speed. Just after the Civil War, The New York Times, The New-York Tribune, and The New York Post all were headquartered on the so-called “Newspaper Row” to the east of City Hall Park (above), each headquartered in early skyscrapers, where writers and editors worked above, while below typesetters and steam-engine powered printing presses churned out morning, afternoon and evening editions. In this exhibition, the history of these vertical urban factories—including their migration from downtown to midtown—is considered through films, architectural renderings, photographs, typesetting equipment, and the archival newspapers themselves.

More images after the jump.

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