A Film About Rem By his Son and OMA

Eavesdroplet, International
Monday, June 25, 2012
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CCTV Building. (Courtesy Tomas Koolhaas)

CCTV Building. (Courtesy Tomas Koolhaas)

The film My Architect, the story of Louis Kahn’s son on a mission to discover and understand his father, won over the hearts and praise of even the lay-est of architectural laypersons. The effects of which—a fresh spotlight on the work and life of a brilliant designer—did not fall on blind eyes. Tomas Koolhaas is making a film about his father, Rem Koolhaassee the Facebook page!—called REM set to debut in 2013. It also appears from rough clips that the CCTV building in China will play a central role in the story. Awesome! We can’t wait to see this quaint little film about a humble and modest architect and his role in designing the media headquarters for political oppression and censorship in China. We’ll get the popcorn!

Teaser clips from Tomas Koolhaas after the jump.

Profile> Architect Chris Lasch Presents Tooling Scripted Facades on July 27

West
Monday, June 25, 2012
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Chris Lasch (left) and Benjamin Arranda (right) of the New York-based firm Arranda Lasch. On July 27 Chris Lasch will lead a workshop on "Scripted Facades."

Chris Lasch (left) and Benjamin Arranda (right) of the New York-based firm Aranda/Lasch. On July 27 Chris Lasch will lead the workshop Scripted Facades.

“We’ve always been interested in the tools used in architecture and have always tried to be critical of these tools,” stated the partners of Aranda/Lasch after being named finalists in MoMA PS 1’s Young Architect Program (YAP) in 2005. “At a certain point we began making our own computational tools and realized that we could make structures that organize space and put forth a way to practice architecture.” Fast forward seven years, and Benjamin Aranda and Chris Lasch continue to pioneer new forms through innovative scripting.

On July 27, Chris Lasch will lead Scripted Facades, a special workshop that is part of AN‘s upcoming conference Collaboration: the Art and Science of Building Facades, taking place July 26-27 in San Francisco.

More about Lasch and his Scripted Facades workshop after the jump.

The Gift that Keeps on Giving.  Lucien Lagrange. He’s back, y’all! Without a doubt, he’ll once again spread his Nouveau Beaux Arts buildings across Chicago. Wait, what? Who are we talking about? Who else? Lucien Lagrange. After a strong decade or two spreading an upscale Disney-esque version of Paris-on-Steroids across Chicago’s skyline (see: the Waldorf Astoria, 65 East Goethe, Lincoln Park 2520), a public divorce from designer Jessica Lagrange, his namesake firm’s bankruptcy (which we’re sure had nothing to do with the divorce), his retirement, his joining VOA (just joking about retirement!), his bitter divorce from VOA, and now the recent announcement of HKS Lucien Lagrange Studio, a boutique practice within the HKS. Think of this next installment as the architecture version of a pop-up store. The question is, how long will it last?

 

On View> Architectural League Prize for Young Architects + Designers 2012: No Precedent

East, Newsletter
Thursday, June 21, 2012
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MMX Studio's temporary pavilion for the Fashion Night Out exhibition, Mexico City. (Courtesy MMX Studio)

MMX Studio's temporary pavilion for the Fashion Night Out exhibition, Mexico City. (Courtesy MMX Studio)

Architectural League Prize for Young Architects + Designers 2012: No Precedent
Arnold and Sheila Aronson Galleries
Parsons The New School for Design
66 Fifth Avenue
June 21–August 3

2012 marks the 25th anniversary of the Architectural League Prize for Young Designers and Architects. Each year, up and coming talent, defined as less than ten years out of school, is recognized for excellent and inspiring work. This year’s theme was No Precedent, and reflects the committee’s perception of young architects’ careers as “suggestive, speculative, and on the brink,” according to a statement. The exhibition includes Jorge Arvizu, Ignacio del Rio, Emmanuel Ramirez, and Diego Ricalde, MMX Studio, Mexico City; Jimenez Lai, Bureau Spectacular, Chicago; Sean Lally, WEATHERS/Sean Lally (above), Chicago; Seung Teak Lee and Mi Jung Lim, STPMJ, Brooklyn; Michael Szivos, SOFTlab, New York; Koji Tsutsui, Koji Tsutsui & Associates, San Francisco and Tokyo.

Going Local.  Courtesy Google Maps We hear that the mighty Pritzker family from Chicago (namely Anthony Pritzker) has built an ultra-large estate in Beverly Hills. A 49,000 square foot chateau, to be exact. We haven’t been able to identify who the architect is, but it’s apparently a firm “from Paris.” What ever happened to hiring locally? The compound brings new meaning to the concept of mega-mansion, but plans for an even larger house of 70,000 square feet for a Saudi prince are taking shape nearby. But maybe this means a sop to a West Coast architect for the next Pritzker?

 

Renaissance Critic.  Renaissance Critic It’s common knowledge that before Michael Kimmelman became the New York Times’ architecture critic he used to be one of the paper’s art critics. But did you know that before delving into the visual arts, Kimmelman had a passion for the lively arts? He even considered a professional career as a concert pianist. In fact, on his days off you can still find Kimmelman performing, most recently on May 19 and 20 with Bargemusic, a chamber music group that holds concerts on a barge near the Brooklyn Bridge. The pianist in a quartet, Kimmelman was down for a little Hayden, Beethoven, and Mozart. “Hoping people will come to my concerts at Bargemusic,” the critic tweeted beforehand, in what may count as one his few reviews of an actual, if nautical, structure. “Nice program, cool place.”

 

Profile> Jason Kelly Johnson talks Responsive Building Facades July 27

West
Friday, June 15, 2012
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Jason Kelly Johnson of  Future Cities Lab will lead the workshop "Responsive Building Facades" on July 27.

Jason Kelly Johnson of Future Cities Lab will lead "Responsive Building Facades" workshop July 27.

To get a sense of Jason Kelly Johnson’s vision for buildings of the future, drop by the Buckminster Fuller show on view at SFMOMA through July 29. Johnson’s San Francisco-based studio Future Cities Lab was one of the firms chosen to represent Fuller’s legacy in the Bay Area. You’ll see the motorized model for the HYDRAMAX Port Machine, a waterfront “urban-scale robotic structure” that harvests rainwater and fog, designed by Johnson and his partner Nataly Gattegno—a dynamic concept that makes today’s built environment look positively lazy by comparison.

Better yet, go learn from Johnson firsthand. On July 27 Johnson will explore how technical tools like Grasshopper, Firefly, and Arduino can help tap the potential of  buildings in “Responsive Building Facades,” a special workshop that is part of AN‘s upcoming conference Collaboration: the Art and Science of Building Facades, taking place July 26-27 in San Francisco.

Watch a video about the Hydramax Port Machine project after the jump.

To Russia, With Love.  To Russia, With Love Is Russia the new China? Probably nyet, but there are a couple of projects to watch in Putinland. Rem Koolhaas has locked up the commission to transform a crumbling Soviet-era building into a hip new home for the Garage (pictured), the contemporary art center in Moscow run by Dasha Zhukova. Bankrolling the creation of a 58,000-square-foot kunsthalle, complete with the obligatory café, shop, and “learning center,” is billionaire Roman Abramovich, Zhukova’s longtime boyfriend.

 

WTF WI-FI.  WTF WI-FI That didn’t take long. We hear that the funds promised for the LA Unified School District’s innovative prefabricated prototype schools by the likes of Craig Hodgetts, Swift Lee and Gonzalez Goodale have been routed instead to updating LAUSD schools’ wifi systems. We know that getting on the Internet without a cord is cool, but more important than shelter from the storm? Say it ain’t so! Now that the program is on hold there is one silver lining. It appears that LA’s charter schools are jumping over themselves to get a prefab prototype. Stay tuned.

 

On View> The Architecture and Legacy of Pietro Belluschi

West
Wednesday, June 13, 2012
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(Sally Painter)

(Sally Painter)

The Architecture and Legacy of Pietro Belluschi
Oregon Historical Society
1200 Southwest Park Avenue
Portland, OR
Through September 9

Shortly after migrating from Italy in 1922 and graduating from Cornell, Pietro Belluschi began practicing architecture in Portland with A. E. Doyle. He would quickly become one of the most important architects in America, first building churches, homes, and office buildings in Oregon and later throughout the country. Belluschi’s early work in Oregon contributed to the style of Pacific Northwest Regionalism, reflecting the influence of Frank Lloyd Wright and the Arts and Crafts movement as well as the nascent modernist style. In 1951, when he became dean of the School of Architecture and Planning at the Massachusetts Institute of Technology, Belluschi continued to innovate in the field of modernism by collaborating with firms on buildings around the country. For the first time, Belluschi’s contributions to architecture will be exhibited along with personal mementos from the Belluschi Family archive.

Bye Bye Blair!.  Blair Kamin. Pulitzer-prize winning Chicago Tribune architecture critic Blair Kamin had better go hat shopping. He’s got another feather for his chapeau! A super prestigious Neiman Fellowship from Harvard! “My aspirations for the fellowship are straightforward: To return to my job refreshed and refocused, so I can provide our readers with the most sophisticated, discerning coverage of architecture—and, in the process, to demonstrate anew why newspapers should cover this inescapable art,” Kamin told Time Out Chicago. Congratulations Blair. Don’t get tempted to stay on the coast. The Midwest needs you!

 

On View> Currents 35: Tara Donovan at the Milwaukee Art Museum

Midwest
Tuesday, June 12, 2012
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Unititled, 2008. (Tara Donovan/Courtesy The Pace Gallery)

Unititled, 2008. (Tara Donovan/Courtesy The Pace Gallery)

Currents 35: Tara Donovan
Milwaukee Art Museum
700 North Art Museum Drive
Milwaukee, WI
Through October 7

The work of Tara Donovan demands close reading. By using strict rule-based systems, Donovan accumulates individual pieces of material into installations that defy easy identification. Milwaukee Art Museum chief curator Brady Roberts explains, “Donovan’s process involves selecting one material and finding one unique solution for its construction, whether it’s folding, gluing, stacking, or pressing.” Taking cues from 1960s conceptual artists like Donald Judd and Sol LeWitt, whose works rely on rule-based processes, Donovan obscures her quotidian materials to compose spectacular objects. The exhibition includes several major works including Haze, a 32-foot wall covered in approximately three million straws, Unititled, 2008 on polyester film (detail, above), and Drawing (Pins), 2011 composed of gatorboard, paint, and nickel-plated steel pins.

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