What is Green, Anyway? Join Us for an Online Conversation on Sustainability

National
Tuesday, April 17, 2012
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John Stein (left) and Angela Brooks (right) in front of the Raleigh Museum of Art by Brooks+Scarpa. (Montage by AN)

John Stein (left) and Angela Brooks (right) in front of the Raleigh Museum of Art by Brooks+Scarpa. (Montage by AN)

Join us for a live Facebook discussion, “What Is Green, Anyway?”
Wednesday, April 18
12:00 p.m. PST, 3:00 p.m. EST

You’re invited to talk about sustainability with AN‘s West Coast Editor Sam Lubell, Angela Brooks, partner at Brooks + Scarpa, and John Stein, president of Kirei, a green materials company. The open discussion will cover what exactly makes a project green, how effective green standards are, how sustainability is driving design (and whether it should), and where green design is heading.

The best part is that the questions will be all yours, answered live by our participants. To participate in “What Is Green, Anyway?,” simply visit the AN Blog tomorrow at 3:00 p.m. eastern. We’ll publish a post to the AN Blog before the event and you can join the discussion and ask questions of the experts live over Facebook Live Stream. You can even share your comments with your Facebook friends directly. See you Wednesday!

Read about the experts after the jump.

On View> Heather Hart: The Eastern Oracle

East
Monday, April 16, 2012
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Hart's Eastern Oracle is on display in the Brooklyn Museum’s fifth-floor rotunda. (Courtesy Brooklyn Museum)

Hart's Eastern Oracle is on display in the Brooklyn Museum’s fifth-floor rotunda. (Courtesy Brooklyn Museum)

Heather Hart: The Eastern Oracle
Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY
Through June 24

For the fourth exhibition in its Raw/Cooked series displaying the work of budding Brooklyn artists, the Brooklyn Museum presents an installation by Heather Hart. Occupying the museum’s fifth-floor rotunda, the installation will consist of a single rooftop that lies flat on the ground, without walls and outside its original context. As Hart describes it: “A rooftop can refer to home, stability, or shelter, but in this context, it is also an action of reclaiming power.” The roof makes specific reference to the oldest architecture in the museum’s period room collection—the Jan Martense Schenck House, built in 1676, the second-oldest Dutch-American building in Brooklyn. Visitors are encouraged to physically interact with the structure, fulfilling Hart’s intention to create a place of self-reflection and self-empowerment.

View the inside after the jump.

BIG Wins Culture Center in Bordeaux.  Bjarke IngelsOn April 14 the Regional Council of Bordeaux, France announced that BIG (Bjarke Ingels Group) was selected to design the new Maison de l’économie créative et de la culture en Aquitaine, a.k.a. “la Méca.” The new building on the riverfront site will house three regional visual and performing arts agencies. The website of France’s SudOuest newspaper reports that BIG beat out SANAA and the Toulouse-based firm W-Architectures with a design for a 120-foot-tall arch-shaped building featuring a 14,000-square-foot roof terrace. The 52-million-euro scheme awaits final approval at a May 21 council meeting…stay tuned for the renderings!

 

Kamin: Humana Resurrecta.  Michael Graves Humana building, Louisville, 1986 (Courtesy AIAArchiblog). Blair Kamin seems to have joined the reconsider PoMo chorus, stating in his Sunday column that the movement “deserves a more sophisticated reappraisal.” The focus of the Tribune tribute was Michael Graves’s Humana building in Louisville, Kentucky.  By drawing comparisons to Johnson’s AT&T building in its unabashed commercialism and to Kohn Pedersen Fox’s 333 Waker Drive for its national significance, Kamin writes that “Graves crafted a tower that could only have been built in Louisville.” The reassessment comes on the heel of Graves receiving the Richard H. Driehaus Prize for classical and traditional architecture in Chicago last month, which in turn came after last fall’s PoMo Conference at New York’s Institute for Classical Architecture and Art. Seems that the classicists are going gaga for PoMo.

 

On View> Pedro E. Guerrero: A Retrospective

West
Tuesday, April 10, 2012
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(Pedro Guerrero / Woodbury)

(Pedro Guerrero / Woodbury)

Pedro E. Guerrero: A Retrospective
WUHO Gallery
6518 Hollywood Blvd., Los Angeles
Through April 25

At age 22, Pedro E. Guerrero made a spontaneous visit to Taliesin West to meet Frank Lloyd Wright; upon seeing his portfolio Wright immediately gave Guerrero the position of principal photographer. Guerrero’s relationship with Wright would define his career; nearly all publications about Wright include his work. Moving to New York, Guerrero went on to work for journals including Architectural Record and Vogue, documenting the works of modernists like Saarinen and Breuer. His photography approaches architecture as sculpture, displaying an eye for composition and form that led to close personal and working relationships with Alexander Calder and Louise Nevelson.

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On View> Urban Visions: American Works on Paper, 1900-1950

Midwest
Wednesday, April 4, 2012
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(Courtesy IMA)

Night Shadows by Edward Hopper, 1921. (Courtesy IMA)

Urban Visions: American Works on Paper, 1900-1950
Indianapolis Museum of Art
4000 Michigan Road
Indianapolis, IN
Through September 30

An upcoming exhibition at The Indianapolis Museum of Art’s Alliance Gallery will explore the ways in which artists dealt with the rise of industrial modernization and urbanity. In the first half of the 20th century, rapidly changing cities served as inspiration for new portrayals of human expression within these new environments. “The spectacle of metropolitan life” is presented through 25 works from IMA’s print collection, including lithographs, etchings, and engravings from well-known artists such as George Bellows, Childe Hassam, Edward Hopper, Reginald Marsh, and Isabel Bishop. The exhibition will display the art alongside vintage construction photos from the Chicago and New York skyscraper boom, providing context for these early interpretations of the city. Pieces from lesser-known artist and architect Gerald Kenneth Geerlings, whose aquatinted technical drawings of the emerging cityscape highlight the juxtaposition of emotional romanticism and technological progress, will be on display at IMA for the first time since 1970.

On View> Chinese American Architects in Los Angeles, 1945-1980

West
Monday, April 2, 2012
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Choy Residence. (Julius Schulman)

Choy Residence. (Julius Schulman)

Breaking Ground: Chinese American Architects in Los Angeles (1945–1980)
The Chinese American Museum
425 North Los Angeles St., Los Angeles
Through June 3

As part of the Pacific Standard Time initiative, the Chinese American Museum presents Breaking Ground to showcase the pioneering contributions made by four Southern California–based Chinese American architects. These architects, Eugene K. Choy, Gilbert Leong, Helen Liu Fong, and Gin Wong, all made contributions to the development of postwar California architecture, from Choy and Leong’s playful Chinatown Modernism to Wong’s radical masterplan for LAX and Fong’s development of the Googie style (think neon signage and cantilevered boomerang-shaped roofs). Original and reproduced photographs, blueprints, renderings, and drawings of works by the architects are on display, including original photographs by architectural photographer Julius Shulman (above, The Choy House).

More images after the jump.

Channeling Mumford.  NYC DOT Commissioner Janette Sadik-Khan lauds Grand Army Plaza. (Branden Klayko) DOT Commissioner Janette Sadik-Khan has been invited to deliver the prestigious 2012 Lewis Mumford Lecture on Urbanism at the Spitzer School of Architecture at City College on April 5. The lecture will be held in the freshly restored Shepard Hall.  

 

Billings Remains in the Black Four Months in a Row

National
Wednesday, March 21, 2012
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BILLINGS (BLUE) AND INQUIRIES (RED) FOR THE PAST 12 MONTHS.

BILLINGS (BLUE) AND INQUIRIES (RED) FOR THE PAST 12 MONTHS.

With the moody Architectural Billings Index landing in positive territory for the fourth straight month in February, the architectural community might begin to exhale a sigh of relief. Project inquiries alone saw its highest spike since 2007, up from 61.2 to 63.4 (anything over 50 indicates an increase in billings).

Continue reading after the jump.

On View> Architecture in the Expanded Field

West
Wednesday, March 21, 2012
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(Courtesy CCA Wattis Institute)

(Courtesy CCA Wattis Institute)

Architecture in the Expanded Field
CCA Wattis Institute for Contemporary Arts
1111 8th St., San Francisco
Through April 7

Theorist and critic Rosalind Krauss’s 1979 text “Sculpture in the Expanded Field” attempts to identify the scope of sculpture in a time when artists were redefining its traditional limits to include considerations of architecture, landscape, and space. The Wattis attempts a similar redefinition of the field of architecture; installations explore material, spatial, and perceptual concerns with emerging experimental technologies outside the limits of traditional architectural practice. A full-scale installation within and outside of the gallery transports visitors into the immersive environment, while a surface component presents the mapped expanded field of architectural installation.

Diamond studded Eco-Developer?  Diamond studded Eco-Developer? Having successfully covered the world (or at least all 11 outposts of the global Gagosian empire) in colorful spots, Damien Hirst is turning his attention to architectural matters. The artist is planning to build more than 500 homes on the land he owns in Devon, England as part of a broader expansion of the glam seaside resort town of Ilfracombe. Mike Rundell of London-based MRJ Rundell+Associates is putting his undergrad degree in fine art to good use and working with Hirst on the project. “He has a horror of building anonymous, lifeless buildings,” said Rundell of his artist client. Pressed for details, Rundell described the houses as modern and possibly incorporating eco-friendly touches such as photovoltaic panels and wind turbines nestled in the roofs. Pickled sharks or spin art not included.

 

WTC security extends to streets beyond site..  Downtown Express reports that NYPD will be battening down access to  WTC “campus” in lower Manhattan. This week a new safety plan was presented at Community Board 1′s Redevelopment Committee meeting, and community members were dismayed by the multiple Checkpoint Charlie-like blocks on streets around the site proper. Said one resident of neighboring Cedar Street, “I don’t see a way to go home in a cab in front of my door without going through two checkpoints. We’re not talking about parking – we’re talking about access to the front door the Tuesday before Thanksgiving, with a cab full of groceries and 24 people for dinner.”

 

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