542 West 22nd St.
Through February 11, 2012
Dating back to the 17th century, Mobilier National is the institution specifically dedicated to decorating the French Republic’s official palaces and residences, at home and abroad. For the first time in America, Demisch Danant presents more than 20 rare commissions realized in the 1960s by the Atelier de Recherche et Création (ARC), a program launched by Mobilier National to promote a distinctly French contemporary style in decorative arts and design. With research and design development subsidized, these pieces were meant to be commercially produced in limited quantities. Many of the ARC creations have become icons of modernity, including Pierre Paulin’s famous designs for President Georges Pompidou’s private apartments at the Palais de l’Elysée and the President’s Desk (1968) by Henri Lesêtre (above).
Adding to his pop culture resume (appearing on the Simpsons, designing a hat for Lady Gaga, starring in a documentary) Frank Gehry has designed the official poster for the 54th Grammy Awards, which takes place in February. It appears that Gehry simply placed the Grammy trophy in front of a collection of models at his office, leaving the question, can you spot any specific projects? If so leave a comment. We’d like to see Gehry’s interpretation of the iconic gramophone made of his signature curving titanium forms. Neil Portnow, president of the Recording Academy, said in a statement, “Frank’s exemplary creative accomplishments through a variety of artistic platforms have been inspirational. We are honored to work with such a well-respected talent who has served as an influential figure within the arts on a global scale.”
Coincidentally, Gehry will be designing sets for the LA Philharmonic’s production of Don Giovanni at Disney Hall this May. The Philharmonic is nominated for a Grammy this year for its performance of Brahms Symphony Number Four.
It must have been a rough day at MVRDV’s Rotterdam offices after their newly unveiled Cloud tower set to be built in Seoul, South Korea went viral in a bad way. MVRDV envisioned two towers shrouded in pixelated mist, but others saw the image of a plane hitting the World Trade Center in New York, half a world away. MVRDV released the following statement on their Facebook page along with an early conceptual drawing showing the inspiration for the tower, in a much more literal cloud:
A real media storm has started and we receive threatening emails and calls of angry people calling us Al Qaeda lovers or worse.
MVRDV regrets deeply any connotations The Cloud projects evokes regarding 9/11, it was not our intention.
The Cloud was designed based on parameters such as sunlight, outside spaces, living quality for inhabitants and the city. It is one of many projects in which MVRDV experiments with a raised city level to reinvent the often solitary typology of the skyscraper. It was not our intention to create an image resembling the attacks nor did we see the resemblance during the design process. We sincerely apologize to anyone whose feelings we have hurt, the design was not meant to provoke this.
Check out all of the renderings over here. What do you think? Is this too reminiscent of the Twin Towers? Do you see a cloud or an explosion frozen in time?
Earlier this fall the rapper Ice Cube pleasantly surprised us by turning up in posters promoting the Getty’s exhibition series Pacific Standard Time: Art in L.A. 1945-1980, a sweeping SoCal round-up that also covers the work of architects and designers. It turns out that before founding the group N.W.A., Ice Cube studied architectural drafting, and in the process he became a fan of Ray and Charles Eames.
In a video just released by the Getty, Ice Cube communes with the designer couple’s famous Case Study #8 house in Pacific Palisades, walking around the exterior to admire the “off-the-shelf factory windows, prefabricated walls” and then kicking back in a 670 lounge chair inside to hold forth on the Eames’ approach of mixing the new with the old, comparing it to sampling in music: ” They was doing mash-ups before mash-ups even existed.” But the most instructive part of the video may be Ice Cube’s decoding of the traffic specific to L.A. freeways…watch for it here:
For more on Ice Cube’s take on design, read his interview with the New York Times.
Jürgen Mayer H.: Wirrwarr
The Art Institute of Chicago
111 South Michigan Avenue, Chicago
Through January 22, 2012
While the Berlin-based architect Jürgen Mayer H. is known for his highly sculptural, honeycomb-like buildings, such as the Metropol Parasol in Seville or the the Court of Justice in Hasselt, Belgium (above), one of his quirky obsessions is not as widely known: a fascination with secret codes and numbers encrypted into patterns. Used by institutions such as banks to ensure that sensitive information such as PINs and passwords are only visible to the recipient, these intricately patterned data sheets are largely unexamined. To Jürgen Mayer H., however, this visual expression of our fear of exposure and desire for protection is fascinating and relevant to architecture.
High Bento. For this year’s Thanksgiving dinner, Inhabitat thought up quite a creative centerpiece: an edible miniature High Line? It’s ingredients include, among others, good old mashed potatoes, stuffing, and cranberry sauce. For an additional garnish, simply add enoki mushroom people.
Valuing Education. The Center for an Urban Future is conducting a study on the economic and entrepreneurial importance of New York City’s design and architecture schools. They have set up a survey for practicing NYC architects to share their interactions with these schools, but hurry, the survey only runs through the end of the week. Take the survey here.
Ice Conditioned. Ulan Bator, the Mongolian capital, decided to adopt an ambitious, city-wide air conditioner: an artificial glacier. The $700,000 geoengineering project is expected to cool down the city during the summer while also supplying residents with water. More on The Guardian and The Atlantic.
Building New Delhi. Jane Ridley, professor of history at the University of Buckingham and the great granddaughter of Edwin Lutyens, illuminates some of the personal struggles the celebrated architect faced while undertaking his greatest achievement, designing and building New Delhi. Read at the WSJ.
Geothermal + Batteries. Although lithium isn’t exactly rare—it’s the 25th most abundant element—society still faces challenges keeping up with the demand. According to Treehugger, we might have inadvertently stumbled on a solution.
Postal nostalgia. During the Great Depression, the WPA built a post office with a tile roof, marble steps, and an intricate mural in Venice, CA. The LA Times noted that the historic post office may now close down due to USPS budget cuts, much to the chagrin of Venice residents.
A place for bikes. The number of indoor bicycle storage rooms at offices is slowly increasing throughout New York City. Though expensive to maintain and space consuming, the NY Times asserted the presence of a bike room benefits the real estate industry (by increasing interest) as well as residents.
Biking Memphis. StreetsBlog reports Memphis Mayor AC Wharton has proposed 55 miles of bike lanes to be inserted into existing streets. Local businesses are subsequently concerned about slower traffic.
Parking in LA. The LA Times reported LA Mayor Villaraigosa has announced he wants to build 50 “pocket parks” in the next two years. First on the agenda, is the construction of several parks ranging from 5,000 to 20,000 square feet in Southern Los Angeles that begins next month.
Hadid no diva. Zaha Hadid sat down with Newsweek and Daily Beast editor Tina Brown to discuss her life, her career, and her reputation.
Form follows People. According to the NY Times, there might be a significant mismatch between “the housing New Yorkers need” and “the housing that gets built.” That’s why last monday, various NY architects gathered together to pitch their proposals to city commissioners for artist, musician, and other creative-type housing.
Surrounded by Superfunds. Four of the most polluted water-ways in the country—all declared Superfund sites—are located in the Tri-State area around New York City. WNET’s Metro Focus breaks down of each waterway’s problematic histories and the difficult task of cleaning them up.
3-D Printed. Wired reports that we could be only 2 years away from building circuit boards with 3-D printers. Implications? Printed out PCs, printed printers (if a part breaks, that part can be printed out), inventory-less virtual stores, and easier work collaboration across the country or the globe.
Costco Bonito. While it might be difficult to call a big-box store beautiful, designers at Costco are certainly trying to punch up the retailer’s design in Los Angeles The LA Times has more on the proposed beautification efforts which include adding dark, woodlike metal-slats to the facade.
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New Galleries of the Art of the Arab
Lands, Turkey, Iran, Central Asia, and
Later South Asia
The Metropolitan Museum of Art
Permanent galleries opened November 1
After a hiatus of nearly eight years, the Metropolitan Museum’s Department of Islamic Art and its extensive collection—one of the most comprehensive gatherings of this material in the world—will permanently return to view this November in a completely renovated space of fifteen galleries. The suite of galleries was constructed by a fleet of Moroccan craftsmen (in action above) recruited specifically for their experience and the precision of their work. Nearly as impressive as the handiwork of different trades is the team of planners, architects, and scholars who collaborated with them. Nadia Erzini, Achva Benzinberg Stein, and other experts worked with Metropolitan’s own curators to create spaces of contextual authenticity. The galleries are arranged geographically, further highlighting the rich and complex diversity of the Islamic world and its distinct cultures within.
Midcentury American Art and Design
Museum of Arts and Design
2 Columbus Circle
Through January 15, 2012
Crafting Modernism: Midcentury American Art and Design presents the evolution of the design industry spanning 25 years, from the late 1940s to 1969. The show explores the contributions of artists and designers using craft media—defined here as clay, fiber, wood, metal, glass, and alternative materials—within a culture focused on mass-production in the years following World War II. Through their work, designers and craftsmen reacted to the plethora of machine- and mass-produced consumer appliances, furniture and textiles; at the same time a there was a growing consumer interest in the individualistic aesthetic of handmade works. Craft, which spanned the fields of product design to architecture, became a medium for social commentary, philosophy and wit, as seen in the My Mu terracotta vase by Isamu Noguchi (above), an idiosyncratic, three-legged ceramic containing a central cavity that provocatively references the Zen concept of mu, meaning “nothingness.” In addition to Noguchi, the exhibition features the work of Harry Bertoia, George Nakashima, Ray and Charles Eames, and Alexander Calder, among others.