On View> Aesthetics/Anesthetics at the Storefront for Art and Architecture through July 28

East
Monday, July 16, 2012
.
(Courtesy Storefront for Art and Architecture)

(Courtesy Storefront for Art and Architecture)

Aesthetics/Anesthetics
Storefront for Art and Architecture
97 Kenmare Street
Through July 28

Storefront for Art and Architecture presents 30 newly commissioned drawings of its gallery space by emerging and established architects, now being auctioned on the Storefront website through Saturday. The gallery is plastered in wallpaper composed of images sourced from architectural drawings produced in the past ten years and describes graphic tools deployed to express properties of drawing that the architectural drawing itself cannot represent, such as birds suggesting movement or green surfaces conveying ecologic awareness.

(Courtesy Storefront for Art and Architecture)

(Courtesy Storefront for Art and Architecture)

Curator and director of Storefront Eva Franch writes in a statement, “An image (and its after-image) carries within itself a history or performative script of characters, discourses, and conventions. During the last ten years there has been a resurgence of certain representational devices and clichés that operate almost as placeholders or decorative devices to an architecture unable to draw itself.”

Rusticated: That Nouvel Smell

East, Eavesdroplet
Monday, July 16, 2012
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(jesarqit/Flickr)

100 Eleventh Avenue in Manhattan. (jesarqit/Flickr)

The hanging gardens inside the atrium of Jean Nouvel’s 100 Eleventh Avenue sound idyllic: “From planting boxes built into the structure, trees soar upward and plants cascade down the walls, lending their scent to the atmosphere,” states the building’s website. But the smell may not be so sweet. A source familiar with the project told AN that the huge suspended planters lack proper drainage, leading to standing water and the early onset of rust. Maybe Nouvel can argue that he’s taking a cue from the Cor-ten laden High Line next door?

Saturday! OHNY openstudios Takes on Red Hook

East
Friday, July 13, 2012
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OHNY's openstudios series will explore the artists studios of Red Hook on Saturday.

OHNY's openstudios series will explore the artists studios of Red Hook on Saturday. (Courtesy OHNY)

OHNYopenstudios in Red Hook
Saturday, July 28, 12:00-5:00 p.m.
Reception to follow at the Red Hook Winery, 5:00-7:00 p.m.
Tickets $30 / $20 for students and seniors.
Purchase tickets here.

As part of the Open House New York openstudios series, artists’ studios in Red Hook will throw open their doors this weekend. In addition, metalworkers, furniture designers, and glassblowers will be thrown into the mix, making it a good fabrication tour as well. The self guided event kicks off Saturday at noon and a wine reception will quench thirst around 5:00 p.m. at the Red Hook Winery.

SHFT+ALT+DEL: July 13, 2012

Shft+Alt+Del
Friday, July 13, 2012
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Quentin Bajac will become the chief curator of photography at MoMA in January 2013. Bajac is currently at Centre Pompidou, Musée Nationale d’art moderne in Paris, where he has led the photography department since 2007. He will succeed Peter Galassi, who retired from MoMA as chief photography curator in 2011.

Mason Currey joined Print magazine as executive editor. Previously, he was managing editor at Metropolis.

Trinity Simons has been named director of the Mayors’ Institute on City Design (MICD), an organization that helps mayors prepare for the role as chief urban designers of their cities. Simons previously was a program officer in the Wellesley, Massachusetts office of Enterprise Community Partners.

PROFILE> Kevin McClellan + Andrew Vrana Decode Parametric Facades, July 27

Newsletter, West
Friday, July 13, 2012
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Winning entry by Vlad Tenu by TEX-FAB's REPEAT competition.

Winning 2011 entry by Vlad Tenu by TEX-FAB's 2.0 and REPEAT competition.

Kevin McClelland and Andrew Vrana of TEX-FAB, the Texas-based fabrication think tank, are also pioneering members of the Digital Fabrication Alliancean international network of  digital fabricators, academics, architect, designers, and developers of hardware and software with a goal of sharing information and knowledge. The TEX-FAB partners bring their expertise into the classroom at Texas A&M, and also host the annual REPEAT conference and competition.

On July 27  McClellan and Vrana will delve into the making of such facades in “Parametric Facade Tectonics,” a special workshop that is part of AN‘s upcoming conference Collaboration: the Art and Science of Building Facades, taking place July 26-27 in San Francisco.

Continue reading after the jump.

On View> The Future of Yesterday

Midwest
Monday, July 9, 2012
.
Crystal Palace. (Ives Maes & Christian Nagel)

Crystal Palace. (Ives Maes & Christian Nagel)

The Future of Yesterday: Photographs of Architectural Remains at World’s Fairs
Nelson-Atkins Museum
45th and Oak Streets, Kansas City, MO
Through September 9

In conjunction with Inventing the Modern World: Decorative Arts at the World’s Fairs 1851–1939, the Nelson-Atkins Museum presents the first solo American exhibition of Belgian artist Ives Maes. In contrast to the technological and stylistic innovation showcased in the companion exhibition, Maes provides a study of the lasting artifacts of the world’s fair utopian aspirations. The photographs uncover fair grounds as they stand today, sometimes repurposed but often abandoned or in ruins (such as the site of London’s Crystal Palace, above), juxtaposing the optimism of the architects’ vision with the reality of the present. Co-curator Catherine L. Futter explains, “Ives’ visually compelling images and sculptural presentation lead us to examine the condition, context and activities of the sites in the present, yet evoke the magnificent and progressive ideals of these global events.”

BUCKY ON FILM.  BUCKY ON FILM There’s something about Buckminster Fuller. Already there have been a spate of documentaries about the eccentric, geodesic dome-loving designer. They include The World of Buckminster Fuller, by Robert Snyder; Buckminster Fuller: Thinking Out Loud, by Karen Goodman and Kirk Simon; and A Necessary Ruin, by Evan Mather. But now we hear a rumor that filmmaker Steve Reiss is working on a full-length feature about Fuller called “Bucky,” based on a screenplay by Ron Bass. Stay tuned as we get more details. And hold on to your domes.

 

Design Submission.  Design Submission David Hecht of San Francisco firm Tannerhecht recently presented the plans for a mid-rise condo in the city’s SoMa district in a community meeting held on site at an S&M Club. No, the architects are not into bondage. In fact Hecht had originally been told the site was vacant, but it turned out that the longstanding club was still around, so instead of presenting in a community hall the plans were displayed, we hear, among leather costumes and lots of Purell bottles.

 

On View> Skyscraper: Art and Architecture Against Gravity

Midwest
Thursday, July 5, 2012
.
(Courtesy Marie Bovo & Kamel Memmour)

(Courtesy Marie Bovo & Kamel Memmour)

Skyscraper: Art and Architecture Against Gravity
Museum of Contemporary Art Chicago
220 East Chicago Avenue, Chicago
Through September 23

The Museum of Contemporary Art Chicago brings together 50 international 20th and 21st century artists for a show that investigates our enduring fascination with building into the sky. Skyscraper: Art and Architecture Against Gravity presents a history of these iconic structures and their impact on our understanding of technology, society, and myth. The exhibition is divided into five themed sections. “Verticality” reflects the optimism of building upward and the pursuit of iconic form. “Personification of Architecture” juxtaposes human and architectural form, placing the body in terms of building and vice-versa. “Urban Critique” examines the effects of modern housing on its inhabitants and the dislocation and alienation that can result from architecture’s utopian impulse. “Improvisation” records occupants’ responses to their built environment and the ways they transform and humanize buildings as documented in Marie Bovo’s courtyard perspective, above. “Vulnerability of Icons” considers our changing relationship to tall buildings post-9/11.

Filed Under: , ,

Happy Fourth from the Editors!

National
Wednesday, July 4, 2012
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From coast to coast, we editors at The Architect’s Newspaper hope you have a fun and safe Independence Day! We’ll be out of the office on the Fourth, but here’s an innovative take on fireworks for your enjoyment, a birds-eye perspective taken from a camera attached to balloons right in the middle of the action. [Via Boing Boing.]

On View> Design for the Real World REDUX

East
Tuesday, July 3, 2012
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(Courtesy White Box)

(Courtesy White Box)

Design for the Real World REDUX
White Box
329 Broome Street, New York
Through July 15

Forty years ago, the Austrian designer and scholar Victor J. Papanek wrote in his influential book Design for the Real World, “Design, if it is to be ecologically responsible and socially responsive, must be revolutionary and radical.” His aim was to alert designers to their impact on the world, arguing for sustainable design generations before the term became a buzzword. This exhibition, organized by the Victor J. Papanek Foundation at the University of Applied Arts Vienna and the Museum of Arts and Design in New York City, in partnership with the Austrian Cultural Forum New York, will showcase four winning entries and thirteen finalists from the inaugural international competition Design for the Real World REDUX. The winning projects include a social mapping platform for local sustainability initiatives, One Laptop Per Child XO-3 Tablet computer by Fuseproject, and Planetary ONE + Terreform ONE’s Urbaneering Brooklyn 2110: Ecological City of the Future, and wind powered streetlights by Alberto Vasquez (above).

Filed Under: ,

Get ‘Em While You Can Afford ‘Em.  Coil Lamp by Craighton Berman. Local hot-shot designer, Craighton Berman, has left the firm gravitytank to go solo. He’s keeping himself busy with all kinds of stuff—from illustration to design workshops. Craig, whose illustrations regularly don the pages of Dwell, designed the Coil Lamp, which graced the pages of this paper and many others. The Coil Lamp was recently added to the permanent collection of the Art Institute of Chicago. Better get one before they become pricey collectibles.

 

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