Joseph Albers Painting on Paper
The Morgan Library & Museum
225 Madison Avenue
Through October 14
Josef Albers (1888–1976) was both a student and professor at the Bauhaus, one of the most influential art and design schools of the 20th century. Known for his precise use of line and unparalleled sense of color, Albers meticulously worked through his ideas in successive studies on paper. Josef Albers in America: Painting on Paper is an opportunity to see Albers’ process at work. The exhibition features approximately 60 studies spanning most of Albers’ career, from the 1930s through the 70s, many of which include hand written notations, including architectural inspirations. The studies, evidence of his mind and hand working toward final painting, are expressive and moving in their own right. The Morgan exhibition is the only US venue for the show, which will travel to several European cities.
835 North Kings Road
West Hollywood, CA
Through August 12
The SCI-Arc Media Archive, comprising four decades of lectures, symposia, and events from many of the most creative contemporary architects and thinkers, is scheduled to go online this fall. In anticipation of this resource becoming publicly accessible, the MAK Center (above) presents selected material from the archive curated by architects and architectural historians, each composing a singular argument out of their selections. Focusing on Peter Cook’s record 11 talks, architect Roger Sherman presents “Cook Off,” portraying the architect as a SCI-Arc “doppelganger” and lens through which the school may consider its “alternative” status. Scholar Dr. Paulette Singley offers “Teasers, Ticklers, and Twizzlers,” a look at interdisciplinary performance and architectural research. The architect, historian, and curator Anthony Fontenot presents “City Talk,” reflecting on the evolving dialogue on cities at SCI-Arc with a monitor dedicated to excerpts from each decade. Architect Marcelyn Gow investigates the role of drawing in architectural practice with “Drawn Out,” focusing on its evolution in our era of computational design.
Coincidentally, this video of legendary art critic Robert Hughes’s 1980s television series The Shock of the New was passed around the AN offices yesterday morning. We were saddened to hear of Hughes death at the age of 74 later that day. This television series and his role as chief art critic for Time magazine made him a fixture of the cultural world, and his opinionated, sometimes combative, no holds barred attitudes on art and architecture made him a lively and engaging writer and commentator. In describing Damien Hirst’s The Virgin Mother then on display at the Lever House in Manhattan, Hughes said, “Isn’t it a miracle what so much money and so little ability can produce. Just extraordinary.” And there you have it.
Melissa Feldman has stepped into the role of East Coast Editor for Better Homes and Gardens magazine. Prior to this, Feldman was a freelance design writer whose work appeared in The New York Times, The New York Post, and Azure among other publications. She previously served as Senior Style Editor at House & Garden magazine.
Brien McDaniel was appointed Assistant Director of Communications at the Museum of Modern Art. Until July, McDaniel was the Director of PR for architecture firm FXFowle.
The Rhode Island School of Design has tapped Pradeep Sharma as dean of architecture. Sharma, who starts this fall, comes to Providence from the Bath School of Art and Design at Bath Spa University in England.
New York School of Interior Design has appointed David Sprouls as president of the college. Sprouls became Acting President in January, following tenures as Vice President for Enrollment Management and Director of Admissions for the school.
Venturi, Scott Brown and Associates has officially evolved to VSBA, with president and principal Daniel K. McCoubrey at the helm. McCoubrey leads the firm with principal Nancy Rogo Trainer.
Collaboration: The Art and Science of Facades
Symposium: Thursday, July 26, 8:00 a.m. to 5:00 p.m.
UCSF Mission Bay Conference Center, San Francisco
Workshops: Friday, July 27, 9:00 a.m. to 6:00 p.m.
California College of the Arts, San Francisco
This week in San Francisco architects and engineers at the forefront of facade design and fabrication will gather to present their latest work and research. Sponsored by The Architect’s Newspaper and Enclos, the first-day line-up for Collaboration: The Art and Science of Facades includes Craig Dykers of Snohetta as the keynote speaker along with presentation by leaders at SOM, Thornton Thomasetti, Firestone Building Products, IwamotoScott, Future Cities Lab, Gensler, Kreysler & Associates, Gehry Technologies, Buro Happold and more. On the second day, participants receive hands-on practical instruction through workshops with industry leaders.
Those attending both days will receive 16 AIA Continuing Education credits.
One day left to register! For registration click here.
Can’t make it out West this week? Check out the next call for papers: AN‘s Facades + Innovation Conference, October 10-12, Chicago. Download PDF.
Financial giant Goldman Sachs has received lots of attention recently for its headquarters at 200 West St. New York Times architecture critic Michael Kimmelman waxed poetic about the building’s glass canopy by Preston Scott Cohen. The canopy, said Kimmelman, “elevates what is really just a gap between two buildings into something almost as inspired as the nave of a great Gothic cathedral. That’s the power of architecture.” Or, in this case, the architecture of power.
The latest, and more critical, take on Goldmans’ HQ by Times writer N. R. Kleinfield outlines the firm’s impact on the surrounding area which at the time of the buildings completion in 2009, was short on shops and restaurants. So using its $1.65 billion in Liberty Bonds plus $115 million in tax breaks, Goldman just created a neighborhood in its own image.
Socrates Sculpture Park
3205 Vernon Boulevard
Through October 21
Socrates Sculpture Park and the Architectural League of New York present the inaugural recipients of the park’s “Folly” grant and residency for emerging architects and designers to New Yorkers Jerome Haferd and K. Brandt Knapp. The residency was established to investigate the intersection of architectural and sculptural disciplines and the increasing overlap in references, materials, and techniques between the two. To this end, young architects and designers were asked to propose a contemporary interpretation of the folly, a structure whose purpose is purely decorative but architectural in form. Haferd and Knapp’s winning submission, Curtain (above), is composed of a series of slender wooden posts that define a space of 20 feet on each side and a triangulated roof canopy approximately 8 to 12 feet high. White chains, some suspended between posts and some left hanging, will suggest occupiable spaces within the structure and will sway with the breeze off the East River—a play on the modernist conception of the “curtain wall.”
Storefront for Art and Architecture
97 Kenmare Street
Through July 28
Storefront for Art and Architecture presents 30 newly commissioned drawings of its gallery space by emerging and established architects, now being auctioned on the Storefront website through Saturday. The gallery is plastered in wallpaper composed of images sourced from architectural drawings produced in the past ten years and describes graphic tools deployed to express properties of drawing that the architectural drawing itself cannot represent, such as birds suggesting movement or green surfaces conveying ecologic awareness.
Curator and director of Storefront Eva Franch writes in a statement, “An image (and its after-image) carries within itself a history or performative script of characters, discourses, and conventions. During the last ten years there has been a resurgence of certain representational devices and clichés that operate almost as placeholders or decorative devices to an architecture unable to draw itself.”