1976: Movies, Photographs
and Related Works on Paper
Paul Kasmin Gallery
515 West 27th St.
Through February 11
British-born James Nares has lived in New York since the mid-1970s, when Lower Manhattan was “a beautiful ruin,” according to the artist. While most celebrated for his large, single-stroke kinetic paintings, the artist has a long track record of documenting his fascination with movement and bodies in motion dating back to the days when he delved into many other media such as films and chronophotographs. The exhibition features five films including Pendulum (1976), in which Nares clocks a large spherical mass swinging from a footbridge, against the industrial backdrop of downtown Manhattan—evocative of the foreboding, dreamlike qualities also seen in Giorgio de Chirico’s surreal paintings.
SOM returns to LA with a new office to be led by Michael Mann, Paul Danna, and Jose Palacios, all coming en masse from AECOM. The new studio will start out with ten to 40 people in a temporary office, with plans to eventually find a permanent home in downtown LA.
The Boston Society of Architects announced the departure of executive director Margaret Wigglesworth. Wigglesworth, who only assumed the ED role in February 2011 and oversaw BSA’s move to a new home, will be returning to the commercial real estate sector.
In Chicago, Crain‘s reports that FGB, an architecture firm based in Oak Brook, has acquired Deerfield-based SRBL, specialists in schools and institutional work, to create a 95-person strong office.
On January 18, John Hatfield will join Socrates Sculpture Park in Queens as executive director. Hatfield leaves the New Museum of Contemporary Art, where he has served as deputy director since 2008.
Fore Solutions, a green building consulting firm, has joined Thorton Thomasetti to create the Thorton Thomsetti Building Sustainability practice area, to be led by Gunnar Hubbard.
Update: The giveaway contest has ended and we’re pleased to congratulate AN reader and commenter Lori for winning the poster!
At the end of last year, a video of the rapper Ice Cube waxing poetic about the Eames (“They was doing mash-ups before mash-ups even existed.”) made the internet rounds, warming the hearts of nerdy architects and designers everywhere. The homage was part of the high-octane promotion of Pacific Standard Time (PST), a series of exhibits and events in L.A. celebrating that city’s art and design from the years between 1945 and 1980. Promo materials also included a limited run series of posters featuring Ice Cube and other celebs.
Well, AN readers, your response to our previous blog posts on Mr. Cube was so enthusiastic that our friends from the PST team sent us the above hand-numbered poster (36 inches by 24 inches) to give to you! It’s in the office right now waiting to be shipped.
For a chance to win it, simply leave a comment below with a note about why you’re crazy about the Eames. We’ll randomly select a name from the commentors on Monday at noon (PST, natch) and contact the lucky winner via email.
Pacific Standard Time runs through April. Visit the PST site to see their line-up of programming, including the Performance and Public Art Festival January 19-29.
The Greatest Grid:
The Master Plan of Manhattan, 1811–2011
Museum of the City of New York
1220 Fifth Avenue
Through April 6, 2012
In 1807, to head off health threats and a growing lack of habitable space, New York City’s Common Council commissioned a three-year project to organize massive land development north of Houston Street. The Museum of the City of New York presents The Greatest Grid: The Master Plan of Manhattan, 1811–2011 in honor of the bicentennial of the 1811 Commissioners’ Plan for New York, which established the iconic street grid from Houston to 155th Street. Along with the original, hand-drawn map of New York’s grid plan, other historic documents demonstrate the city’s physical development due to the grid’s application and evolution over time. Co-presented by the Museum of the City of New York, the New York Public Library, and The Architectural League of New York, and sponsored by the Office of the Manhattan Borough President, The Greatest Grid will be on display until April 6.
The House That Sam Built:
Sam Maloof and Art in the Pomona Valley, 1945–1975
The Huntington Library, Art Gallery, and Botanical Gardens
1151 Oxford Road
San Marino, CA
Through January 30, 2012
The exhibit explores over 100 works of renowned midcentury furniture craftsman, Sam Maloof (1916–2009) and his circle of friends, who gathered at the Maloof residence and workshop—which have become a central part of the dynamic Pomona Valley art community—to share a meal and their common interest of hand-crafted objects. The exhibit showcases some of the earliest Maloof pieces, such as a round, plywood coffee table with walnut legs, decorative arts and crafts such as ceramic works by Otto and Gertrude Natzler (above), an office chair made for the prominent industrial designer Henry Dreyfuss, three iterations of his classic rocking chair, a table lamp by William Manker, among other objects. Visitors will also find two rare watercolors produced early in Maloof’s career. The exhibit is part of Pacific Standard Time: Art in L.A. 1945–1980, a Getty collaboration spanning six months, bringing together over 60 cultural institutions all across Southern California.
Portuguese architect, curator, and writer Pedro Gadanho will join the Museum of Modern Art’s Department of Architecture and Design as a curator of contemporary architecture effective January 11. In addition to organizing exhibitions, Gadanho will supervise the annual Young Architect’s Program, which has recently expanded from New York to Rome and Chile. Read more details in AN‘s breaking news story.
In other museum news, James Cuno, the President and CEO of the J. Paul Getty Trust, has taken on yet another Getty role: acting director of the Getty Museum. In addition to supervising all of the Getty’s various holdings, Cuno, the former director of the Art Institute of Chicago, will now be back in familiar territory, overseeing the museum following the resignation of acting director David Bomford.
Other West Coast shifts: Behnisch Architekten closes their Venice, CA office, while Oakland, California-based VDK Architects, which specializes in the Science & Technology market sector, has merged with the architecture and engineering practice Harley Ellis Devereaux.
Dwell magazine regrouped this fall following the departure of editor-in-chief Sam Grawe and also established a New York editorial outpost; executive editor Amanda Dameron was promoted to editor-in-chief and Alejandro Chavetta was bumped up from art director to creative director. Kelsey Keith departed Curbed NY to join Dwell as a New York-based senior editor.
The Architecture Billings Index is up, hitting 52.0 in November, the first positive ground since touching 51 in August (anything over 50 indicates an increase in billings). The roller-coaster volatility of the past few months—we held our breath and skipped reporting September’s down and October’s up—suggests cautious optimism that the index which tracks the approximate nine-month lag time between architecture billings and construction spending is finally in a solid swing upwards.
In a surprise move Stanford University announced today that they are withdrawing their bid to build a tech campus on Roosevelt Island. In a statement, the university said that several weeks’ worth of negotiations prompted the Board of Trustees to determine that the East Coast expansion was not in their best interest. “We are sorry that together we could not find a way to realize our mutual goals,” wrote Stanford president John Hennessy.
The $200 million proposal with a master plan by Ennead was largely considered a front runner until this afternoon. The campus developed in a partnership with City College was to build more than 1.9 million square feet on the site now occupied by the Goldwater Hospital that would have brought housing for 200 profs and 2,000 students. While president Hennessy promised an accelerated launch—and a pledge of $1.5 bllion from a ten-year capital campaign—back in October, the plan seems to have fizzeled under pressure from students.
“I applaud the mayor’s bold vision for this transformative project and wish the city well in turning that vision into a reality,” said Hennessy. “Stanford was very excited to participate in the competition, and we were honored to be selected as a finalist. We were looking forward to an innovative partnership with the city of New York.” The San Jose Mercury News noted that “Hennessy had cautioned that unless Stanford could get guarantees that it could build what it needs to build, plans will be abandoned.”
In a flurry of statements that followed, both the city and City College looked for the silver lining. City College noted that the two institutions established a “strong on-going relationship during this process.” And Julie Wood from the mayor’s office essentially added that the show must go on. “We are in serious negotiations with several of the other applicants, each of whom has a game-changing project queued up. We look forward to announcing a winner soon.” That leaves the Cornell proposal with a team led by SOM as the only other contender for the Roosevelt Island site.