Coincidentally, this video of legendary art critic Robert Hughes’s 1980s television series The Shock of the New was passed around the AN offices yesterday morning. We were saddened to hear of Hughes death at the age of 74 later that day. This television series and his role as chief art critic for Time magazine made him a fixture of the cultural world, and his opinionated, sometimes combative, no holds barred attitudes on art and architecture made him a lively and engaging writer and commentator. In describing Damien Hirst’s The Virgin Mother then on display at the Lever House in Manhattan, Hughes said, “Isn’t it a miracle what so much money and so little ability can produce. Just extraordinary.” And there you have it.
Melissa Feldman has stepped into the role of East Coast Editor for Better Homes and Gardens magazine. Prior to this, Feldman was a freelance design writer whose work appeared in The New York Times, The New York Post, and Azure among other publications. She previously served as Senior Style Editor at House & Garden magazine.
Brien McDaniel was appointed Assistant Director of Communications at the Museum of Modern Art. Until July, McDaniel was the Director of PR for architecture firm FXFowle.
The Rhode Island School of Design has tapped Pradeep Sharma as dean of architecture. Sharma, who starts this fall, comes to Providence from the Bath School of Art and Design at Bath Spa University in England.
New York School of Interior Design has appointed David Sprouls as president of the college. Sprouls became Acting President in January, following tenures as Vice President for Enrollment Management and Director of Admissions for the school.
Venturi, Scott Brown and Associates has officially evolved to VSBA, with president and principal Daniel K. McCoubrey at the helm. McCoubrey leads the firm with principal Nancy Rogo Trainer.
Collaboration: The Art and Science of Facades
Symposium: Thursday, July 26, 8:00 a.m. to 5:00 p.m.
UCSF Mission Bay Conference Center, San Francisco
Workshops: Friday, July 27, 9:00 a.m. to 6:00 p.m.
California College of the Arts, San Francisco
This week in San Francisco architects and engineers at the forefront of facade design and fabrication will gather to present their latest work and research. Sponsored by The Architect’s Newspaper and Enclos, the first-day line-up for Collaboration: The Art and Science of Facades includes Craig Dykers of Snohetta as the keynote speaker along with presentation by leaders at SOM, Thornton Thomasetti, Firestone Building Products, IwamotoScott, Future Cities Lab, Gensler, Kreysler & Associates, Gehry Technologies, Buro Happold and more. On the second day, participants receive hands-on practical instruction through workshops with industry leaders.
Those attending both days will receive 16 AIA Continuing Education credits.
One day left to register! For registration click here.
Can’t make it out West this week? Check out the next call for papers: AN‘s Facades + Innovation Conference, October 10-12, Chicago. Download PDF.
Financial giant Goldman Sachs has received lots of attention recently for its headquarters at 200 West St. New York Times architecture critic Michael Kimmelman waxed poetic about the building’s glass canopy by Preston Scott Cohen. The canopy, said Kimmelman, “elevates what is really just a gap between two buildings into something almost as inspired as the nave of a great Gothic cathedral. That’s the power of architecture.” Or, in this case, the architecture of power.
The latest, and more critical, take on Goldmans’ HQ by Times writer N. R. Kleinfield outlines the firm’s impact on the surrounding area which at the time of the buildings completion in 2009, was short on shops and restaurants. So using its $1.65 billion in Liberty Bonds plus $115 million in tax breaks, Goldman just created a neighborhood in its own image.
Socrates Sculpture Park
3205 Vernon Boulevard
Through October 21
Socrates Sculpture Park and the Architectural League of New York present the inaugural recipients of the park’s “Folly” grant and residency for emerging architects and designers to New Yorkers Jerome Haferd and K. Brandt Knapp. The residency was established to investigate the intersection of architectural and sculptural disciplines and the increasing overlap in references, materials, and techniques between the two. To this end, young architects and designers were asked to propose a contemporary interpretation of the folly, a structure whose purpose is purely decorative but architectural in form. Haferd and Knapp’s winning submission, Curtain (above), is composed of a series of slender wooden posts that define a space of 20 feet on each side and a triangulated roof canopy approximately 8 to 12 feet high. White chains, some suspended between posts and some left hanging, will suggest occupiable spaces within the structure and will sway with the breeze off the East River—a play on the modernist conception of the “curtain wall.”
Storefront for Art and Architecture
97 Kenmare Street
Through July 28
Storefront for Art and Architecture presents 30 newly commissioned drawings of its gallery space by emerging and established architects, now being auctioned on the Storefront website through Saturday. The gallery is plastered in wallpaper composed of images sourced from architectural drawings produced in the past ten years and describes graphic tools deployed to express properties of drawing that the architectural drawing itself cannot represent, such as birds suggesting movement or green surfaces conveying ecologic awareness.
Curator and director of Storefront Eva Franch writes in a statement, “An image (and its after-image) carries within itself a history or performative script of characters, discourses, and conventions. During the last ten years there has been a resurgence of certain representational devices and clichés that operate almost as placeholders or decorative devices to an architecture unable to draw itself.”
The hanging gardens inside the atrium of Jean Nouvel’s 100 Eleventh Avenue sound idyllic: “From planting boxes built into the structure, trees soar upward and plants cascade down the walls, lending their scent to the atmosphere,” states the building’s website. But the smell may not be so sweet. A source familiar with the project told AN that the huge suspended planters lack proper drainage, leading to standing water and the early onset of rust. Maybe Nouvel can argue that he’s taking a cue from the Cor-ten laden High Line next door?
OHNYopenstudios in Red Hook
Saturday, July 28, 12:00-5:00 p.m.
Reception to follow at the Red Hook Winery, 5:00-7:00 p.m.
Tickets $30 / $20 for students and seniors.
Purchase tickets here.
As part of the Open House New York openstudios series, artists’ studios in Red Hook will throw open their doors this weekend. In addition, metalworkers, furniture designers, and glassblowers will be thrown into the mix, making it a good fabrication tour as well. The self guided event kicks off Saturday at noon and a wine reception will quench thirst around 5:00 p.m. at the Red Hook Winery.