On View> The Graham Foundation presents Zak Kyes Working With…

Midwest
Monday, June 4, 2012
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(Courtesy Graham Foundation)

(Courtesy Graham Foundation)

Zak Kyes Working With…
Graham Foundation
4 West Burton Place
Chicago
Through September 22

The first American solo exhibition of Swiss-American graphic designer Zak Kyes, founder of the design studio Zak Group and art director of London’s Architectural Association, will be on view at the Graham Foundation. Representing a wide array of his work, the show will feature projects arranged and presented not as a chronological body of work, but as collaborations with architects, artists, writers, curators, editors, and graphic designers. These working relationships highlight the impact of graphic design on its related fields, but also show how it is simultaneously shaped by those disciplines. By focusing on the intimate intellectual, formal, and business links of the collaborations, from conceptual to pragmatic, urgent to abiding, and ephemeral to long lasting, the exhibition focuses on the creative potential of collaboration to transform our understanding of graphic design, art, and architecture.

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SHFT+ALT+ DEL: June 1, 2012

Shft+Alt+Del
Friday, June 1, 2012
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D.B. Kim has joined Daroff Design as a principal and will lead the firm’s luxury hotel and resort practice. Kim was previously at Pierre-Yves Rochon and prior to that at Starwood Hotels and Resorts.

Design Trust for Public Space‘s executive director Susan Chin was elected Vice President of the 2013-2014 AIA National Board at the recent national convention in Washington, D.C.

More after the jump.

On View> Ball-Nogues Studio: Yevrus 1, Negative Impression

West
Friday, June 1, 2012
.
(Courtesy SCI-Arc Gallery)

(Courtesy SCI-Arc Gallery)

Ball-Nogues Studio: Yevrus 1, Negative Impression
SCI-Arc Gallery
960 East 3rd Street
Los Angeles, CA
June 1–July 8

On display at the SCI-Arc Gallery is Los Angeles–based architecture practice Ball-Nogues Studio’s Yevrus 1, Negative Impression, which attempts to call into question the current fashionability of abstracted and digital forms. Through an assemblage of non-architectural objects represented very literally, the project represents a new type of site survey. The objects selected to be part of the structure were picked from the Los Angeles suburban landscape (a pool, above) and become the elements of an installation. The architects used digital scanning technology to make biodegradable paper-pulp castings of 1973 Volkswagen Beetles and speedboats for a lookout tower in the gallery. Yevrus (“survey” spelled backwards) is a new technique pioneered by the firm that rethinks the site survey by utilizing it not as a tool for construction and engineering, but as a methodology of deriving form, creating structures, and realizing meaning.

More images after the jump.

Event> June 1-7 Benefit Screenings of One Day on Earth

East
Friday, June 1, 2012
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From the film One Day on Earth. (Courtesy One Day on Earth/Kristina Ruzela)

From the film One Day on Earth. (Courtesy One Day on Earth/Kristina Ruzela)

One Day on Earth Benefit Screenings
June 1 to 7
The Quad Cinema
34 West 13th Street
between 5th and 6th Avenue
New York

On October 10, 2010 (10.10.10), 19,000 filmmakers around globe shot the daily life unfolding around them. Their subjects ranged from people, to plants to bugs to the heavens. Over 3,000 hours of collective footage was edited down into one hour and 45 minutes, and the result is a stunning cinematic snapshot of our world today: the rhythms of nature and life (in that 24-hour period 363,000 babies were born), quotidian human habits, and the rites of passage in different civilizations.

Continue reading after the jump.

ICFF: Editors’ Finds From the Floor

International
Friday, May 25, 2012
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The Losanges collection for Nanimarquina by Studio Bouroullec.

The Losanges collection for Nanimarquina by Studio Bouroullec.

New York’s Design Week 2012 might be over, but the abundance of furniture displayed in private lofts, showrooms, and on the vast floor of the Javits Center at the International Contemporary Furniture Fair (ICFF) is still fresh in our minds. Between handing out hundreds of copies of the newspaper at our booth, AN‘s editors combed the floor at ICFF and selected an array of products that caught our eyes from chairs, to rugs, to lighting and more.

Check out the editors’ picks after the jump.

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Times Columnist Slatalla Takes a Walk in the Garden.  Times Columnist Slatalla Takes a Walk in the Garden Remodelista has just launched a new site dedicated to the outdoor life Gardenista.com. The editor is Michelle Slatalla, a former New York Times columnist and current writer for Real Simple. With Gardenista, “we aim to make gardening accessible, the way Remodelista demystified—while celebrating—interior design,” Slatalla said.

 

On View> Lara Favaretto: Just Knocked Out

East
Thursday, May 17, 2012
.
(Courtesy MoMA PS1)

(Courtesy MoMA PS1)

Lara Favaretto: Just Knocked Out
MoMA PS1
22-25 Jackson Avenue
Long Island City, NY
Through September 10

Lara Favaretto’s installations and sculptures at once perform and memorialize their decay. Often incorporating elements from previous installations in new works and using discarded industrial material, Favaretto makes futile and impermanent gestures, ephemeral monuments to aspiration and failure. The works describe loss: found paintings encased in yarn, obscuring and preserving the original; cubes made of confetti, decomposing throughout the span of an exhibition; car-wash brushes, whirling and wearing down against metal plates (above). These mechanisms celebrate futile motions, becoming memorials imbued with the reality of their own obsolescence.

On View> Craft Spoken Here at the Philadelphia Museum of Art

East
Tuesday, May 15, 2012
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Rebecca Medel's "The One, 1985." (Courtesy PMA)

Rebecca Medel's "The One, 1985." (Courtesy PMA)

Craft Spoken Here
Philadelphia Museum of Art
26th St. and Benjamin Franklin Pkwy.
Philadelphia, PA
Through August 12

Since it was founded in 1876, the Philadelphia Museum of Art has collected and exhibited crafts; the collection today includes 20th- and 21st-century works from across the globe. With Craft Spoken Here, the Museum presents the medium of crafting as a common language of technique, material, and form that defies cultural boundaries and historical categorization. Drawing from the museum’s collection as well as works on loan from artists and private collections, the exhibition will include some 40 works by acclaimed and lesser-known craftsman alike, with contemporary pieces from 1960 to the present, including The One, 1985 by Rebecca Medel (above). Representing the Americas, Africa, Asia, and Europe with works in ceramic, glass, metal, wood, lacquer, paper, and fiber, the works on display show the breadth of the medium and highlight the qualities of craft that transcend culture and time.

On View> The Outdoor Office at the Art Institute of Chicago

Midwest
Monday, May 14, 2012
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The Outdoor Office. (Courtesy AIC)

The Outdoor Office. (Courtesy AIC)

The Outdoor Office
The Art Institute of Chicago
111 South Michigan Avenue
Chicago
Through July 15

Jonathan Olivares takes a human-centered approach to industrial design and research. His 2011 book A Taxonomy of Office Chairs, published by Phaidon, provides an encyclopedic history of the office chair from 1840 to present day; building on this research, Olivares presents the speculative project The Outdoor Office (above). The advent of mobile communication means that work can be done outside of traditional offices and that the utility of outdoor space is no longer limited to recreation and leisure. Olivares examines how productive work environments can be created with new types of outdoor furniture and architecture, with consideration of privacy, shelter, and adaptability. The exhibition showcases the research and results of his findings, with images drawn from television, film, and existing offices, in addition to conceptual projects and models developed for new outdoor work spaces.

Cornell Chooses Thom Mayne; SOM Forges Ahead with Master Plan

East, Newsletter
Wednesday, May 9, 2012
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Cornell has made an object-ive choice in Thom Mayne. (Brnandon Thomas / Flickr)

Cornell has made an object-ive choice in Thom Mayne. (Brnandon Thomas / Flickr)

Cornell University has named 2005 Pritzker Prize winner Thom Mayne as architect for the first building at its Tech Campus on Roosevelt Island called the Technion-Cornell Innovation Institute. The selection should overshadow some sour grapes that were emanating from Stanford in the past few days regarding their losing bid. Mayne bested an all-star list, including Rem Koolhaas of OMA, Diller, Scofidio + Renfro, Steven Holl, and SOM. The choice of Mayne, whose iconic building 41 Cooper Square still jams traffic at Astor Place, hints that Cornell is looking for a traffic stopper of its own on the East River.

Read More

High Holiday

East, Eavesdroplet
Friday, May 4, 2012
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The world's tallest Holiday Inn under construction in Manhattan. (Rendering via ReBusiness Online)

The world's tallest Holiday Inn under construction in Manhattan. (Rendering via ReBusiness Online)

We heard rumblings, but now it’s official—a 400-room, 50-story high Holiday Inn will be joining the ranks of downtown hotels at 99 Washington Street near the World Trade Center. It will be the world’s tallest Holiday Inn and the go-to architect for New York hotels, Gene Kaufman of Gwathmey Siegel Kaufman & Associates Architects, will be doing the honors. Kaufman’s other high-profile hotel projects, the Chelsea Hotel renovation and the new Hyatt near Union Square, seem to be moving full steam ahead, despite legal wrangling at the Chelsea. The Holiday Inn will likely open to guests by the end of this year.

On View> Stefan Sagmeister: The Happy Show

East
Wednesday, May 2, 2012
.
(Matthias Ernstberger)

(Matthias Ernstberger)

Stefan Sagmeister: The Happy Show
Institute of Contemporary Art
University of Pennsylvania
118 South 36th St., Philadelphia, PA
Through August 12

While Stefan Sagmeister is known as a graphic designer, his work often subverts the boundary between design and art. For his first museum exhibition in the United States, Sagmeister will present a vision of his journey to find happiness, taking over the second-floor galleries and Ramp in addition to interstices throughout the museum. The narrative of the exhibition is structured using personal maxims as expressed through typographic investigations. Alongside these maxims appears social data from psychologists, anthropologists, and historians, contextualizing Sagmeister’s experience within the larger factors of age, gender, race, and economics. “I am usually rather bored with definitions,” Sagmeister explains. “Happiness, however, is just such a big subject that it might be worth a try to pin it down.”

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