It’s been (another) terrible year for Jeanne Gang! From being awarded the MacArthur Genius Grant to starring in the just opened solo exhibition, Building: Inside Studio Gang Architects, at the Art Institute, there appears to be no slowdown in Studio Gang momentum. Of course, Eavesdrop stopped by the opening and we have a few things to say. The first has little to do with Jeanne and more with the Art Institute. Their openings are always so snoozy! Get more of the students and younger folks in there, in addition to your stodgy museum patrons! We probably wouldn’t have stuck around long, accept a little bird told us that Mayor Rahm Emanuel would be making an appearance and we wanted to see how short he is in real life.
Zoë Ryan, the museum’s chair of the department of architecture and design, looked nervous awaiting Rahm’s arrival, while Jeanne looked quite at ease, milling about in a really cute dress. One of the hottest architects in the world is certainly in the same power echelon as the mayor of the Second City.
The Freelon Group showed off renderings for their renovation of Mies van der Rohe’s Martin Luther King Jr. Memorial Library in downtown Washington, D.C. Presented to the library’s Board of Directors as part of a long-running discussion over what to do with the central library, the scheme includes a four-story atrium, two additional floors for new tenants, a landscaped public roof garden, and a new ground-level café. According to developer Jair Lynch, the project would cost $175 to $200 million.
Andrea Zittel: Fluid Panel State
Andrea Rosen Gallery
524 West 24 Street
Through October 27
Andrea Zittel’s tenth solo show, Fluid Panel State, at the Andrea Rosen Gallery, her expands on her previous ideas that our culture is fixated on assigning order to a chaotic world by defining the personal and social significance of objects and by creating a distinction between everyday objects and art. Zittel demonstrates through a panel, a nebulous form, how an object can exceed functional properties, such as shelter or clothing, to convert into an art object, such as a tapestry or a painting. The gallery is compiled mostly of handmade textiles, designed by Zittel, but also includes large enamel paintings, smaller framed paintings on paper, and a large carpet placed in the center of the installation. A PowerPoint presentation further discusses the properties of the fluid panel state expanding on the importance positioning has in attributing meaning to a flat panel. Ultimately the exhibit leaves viewers to decide if they are experiencing art or object.
With the last digitally fabricated piece of rusty Cor-ten steel in place, crowds have begun to pack the newly opened SHoP-designed Barclays Center in Brooklyn. Last week, AN spotlighted the arena and its adjacent Atlantic Yards mega-project in a three-part feature on the arena’s design and public space, a look at the next phase of AY set to break ground by the end of the year, a 32-story residential tower that could be the largest modular construction building in the world, and a look at the complex digital design and fabrication process employed by SHoP Architects to design and build the complex geometry of the structure.
While we’re waiting for the next phase of construction to begin, take a look back at this time lapse construction view of the arena. [h/t Gothamist.]
Chicago’s collective IQ, no doubt already impressive, may rise a few points even higher this Thursday and Friday. The city is hosting a gathering of international thinkers and innovators who specialize in the tools that enable the creation of some of the world’s most high-tech and visually arresting building skins. The conference, Collaboration: The Art and Science of Building Facades, is sponsored by The Architect’s Newspaper and Enclos.
On Thursday, the conference features a high-powered line-up of speakers on Thursday, including Fernando Romero of FREE as the keynote. Then on Friday, the conference turns practical with a series of hands-on workshops that will lead participants through the very latest tools, programs, and applications. For example, Florin Isvoranu of Austria-based firm Evolute, which has collaborating with Zaha Hadid, Asymptote and others, will host a workshop on parametrically driven optimization of freeform facades, a topic that even has industry experts signing up to learn something new.
From students to seasoned veterans, those currently attending include staffers from firms like Sapa, Thornton Tomasetti, Interface, Cannon Design, Adrian Smith + Gordon Gill Architcture, Perkins + Will, NBBJ, SOM, and KieranTimberlake, with roles ranging from engineer to BIM manager, market analyst to company president. PhD candidates, MArchs, and undergrads are flocking in from area universities and colleges including The School of the Art Institute, IIT, and Cranbrook Academy, as well as a hefty contingent of 12 students and three profs from the University of South Dakota State University‘s new Department of Architecture (DoArch).
Collaboration is the industry conference you can’t afford to miss. There’s still time to sign up! Registration details here.
Attend a Nemetschek Vectorworks BIM Camp, and learn how easy it can be to adopt a BIM workflow! BIM Camps will take place November 1 in New York City and November 9 in San Francisco. Attendees will better understand how IFC-based standards benefit design teams, create sustainable and high-performing designs, and enable collaboration through Open BIM.
Don’t miss this chance to earn 4 AIA/CES/HSW or LA CES PDH learning units and receive a BIM Survival Kit, loaded with presentation materials and other resources.
Event sponsors and participants include: buildingSMART alliance; buildingSMART alliance Interest Group NYC; François Lévy Architect; Novedge; Nemetschek Scia; Severson & Werson, A Professional Corporation, and Zetlin & De Chiara LLP.
Questions? Email BIMcamp@vectorworks.net or call 888-646-4223.
American conceptual artist Mary Ellen Carroll (MEC, design studios) and the British architect Simon Dance (Simon Dance Design) are throwing a party this evening in New York to celebrate Open Outcry Furniture, a new sculptural seating arrangement that can be configured in a variety of shapes and forms. Join the designers at the R 20th Century Gallery at 82 Franklin Street between 6 and 8:00p.m. for the opening reception.
Wyst, the social media app that allows users to tag locations in New York City with an emoticon, has published a mood map of New York City. Wyst’s tagline: “a new kind of message in a bottle.” The app launched in August 2011, and now has a year’s worth of data to analyze.
It’s predictable that the angriest nabe is the high-testosterone Financial District. More unexpected is Hasidic-hipster South Williamsburg’s status as the flirtiest. Cheers, East Village, you’re the drunkest. Roosevelt Island? The most surprised (“You can only drive here from Queens?” “There’s a Louis Kahn-designed park?”). Poor Clinton Hill ranks as the absolute saddest—chin up, Pratt students! Cross the river and get some liquid courage with your NYU friends.
In September, AN reported on the three proposals to replace Los Angeles’ iconic but crumbling Sixth Street Viaduct by HNTB, AECOM, and Parsons Brinckerhoff. The three teams have notably added pedestrian amenities and adjacent lush landscaping to the 3,500-foot-long cable-stayed span. While the renderings were compelling for each design, these video renderings fly the viewer in and around each proposal for a more detail view of what might soon be built in LA. Take a look.
Layer: A Loose Horizon
Pasadena Museum of California Art
490 East Union Street
Through October 14, 2012
While digital design and fabrication continue to transform architecture, architect/artists Lisa Little and Emily White have decided to challenge these trends. Although digital forms expand the horizons of design and create intricate patterns, these designs often boils down to mere eye candy. This idea sparked White and Little, the founders of the Los Angeles-based architecture practice Layer, to take the computational approach of digitized aesthetics combined with a perceptual method to create both a physically and intellectually engaging space. The result of this can be seen at their exhibit Layer: A Loose Horizon. Beginning on the exterior of the museums facade, visitors see a web-like structure that toys with depth and proportion while also bridging the exterior and interior space of the museums lobby. Upon entering, guests experience a continuous interaction with the exhibit and become enveloped by the surrounding shapes. To understand the artists’ process, sketches and early digital iterations of the project are also be on view.