In a recent issue of The New Yorker, writer Ben McGrath profiles Steve Clarkson, the private football coach to the quarterbacks of tomorrow. The writer interviews several adolescent clients attending Clarkson’s elite practice camp, including 10-year old Miller Moss (also featured on the article’s only photo). During a workout McGrath finds Moss’ father in the stands—California-based architect Eric Owen Moss.
“I would be completely disingenuous if I didn’t say I really enjoy this stuff,” said the elder Moss of the high-stakes training. “I’m embarrassed a little bit. It’s contagious in a way that even parents who should know better don’t always.” The design influence of the architect—once called the “jeweler of junk” by Philip Johnson—may be evident on the field: his son sports silver Nike cleats with the nickname “Miller Time” embroidered in gold.
Past Futures, Present Futures
Storefront for Art and Architecture
97 Kenmare Street
Gallery open Tuesday to Saturday, 11:00pm-6:00pm
Through January 12, 2013
Lucky you! The Storefront for Art & Architecture has extended the run of one of their most ambitious exhibitions to date, Past Futures, Present, Futures. Thanks to a spectacular design by LEONG LEONG, the modest proportions of the gallery seem to expand through both space and time. Visitors enter a pleasantly disorienting limbo by stepping from the street through a shimmering wall of silver vertical blinds.
On October 16 thieves nabbed a handful of valuable paintings, including works by Picasso, Matisse, and Monet, from the Kunsthal gallery in Rotterdam. At least one person points the finger at the architecture by home team OMA. Citing an interview with Dutch security expert Ton Cremers, Dezeen.com reports that the open plan and glass walls are a nightmare for guards. Cremers appreciates the design aesthetic of the museum, which was completed in 1992, but noted, “It’s an awful building to protect.”
Lehman Collage Art Gallery
250 Bedford Park Boulevard West, Bronx, NY
Through January 9, 2013
Space Invaders is a collaborative site-specific art installation, curated by Karin Bravin at the Lehman College Art Gallery. The spaces both inside and outside the gallery, including the walls, ceiling, floor and balcony, are used as the artists’ canvas and the art—a mix of photographs, fabric installations, text installations, drawings, sculptures and more, seem to grow into and with the space. Pieces like Heeseop Yoon’s Still-Life #2 (above) or Dewitt Godfrey’s Layman (below) also transform ordinary materials, like electrical tape and mylar, into otherworldly constructions. The work incorporates and mirrors the Gallery’s structure and also accounts the effects of exterior factors such as light and wind.
The Architect’s Newspaper extends our best wishes to all our readers for Thanksgiving. We’d also like to thank our 40,000+ twitter and nearly 30,000 facebook followers for your engagement throughout the year. We enjoy the conversation and hope more of you will join us. Happy Holidays from AN. We’ll be back on Monday.
Noted author and critic Jane Holtz Kay passed away November 5 at the age of 74 from complications of Alzheimer’s disease. Her book Asphalt Nation: How the Automobile Took Over America and How We Can Take It Back propelled her into the national spotlight as she chronicled the affects of cars on the American landscape. Jane Jacobs remarked about the book, “Jane Holtz Kay’s book has given us a profound way of seeing the automobile’s ruinous impact on American life.” She had been working on a sequel to Asphalt Nation, documenting climate change and global warming, called Last Chance Landscape. Holtz Kay was also architecture critic for The Nation and formerly for the Boston Globe. She is survived by her sister, Ellen Goodman, daughters, Julie Kay and Jacqueline Cessou, and four grandchildren. The staff at The Architect’s Newspaper sends our condolences to her family, friends, and colleagues.
AN was back at Greenbuild this year in San Francisco, and we offered readers at the expo a chance to win an iPad Mini and $250 to stock it with the latest tunes, apps, or anything else, really. Over 130 of you participated in the Greenbuild Booth Crawl Contest, and we’re pleased to announce that Joshua Hickman of California was drawn as the lucky winner. Congrats Joshua!
On Saturday, December 1st, head to a fundraiser for an exhibition co-curated by AN West Coast Editor Sam Lubell called Never Built: Los Angeles. The show, which features a mesmerizing selection of unbuilt LA work from throughout the city’s history, will be held at the A+D Architecture and Design Museum in March. But the fundraiser, held at Koning Eizenberg’s Sobieski House—a beautiful series of pavilions in South Pasadena—will take place on Saturday, December 1. You’ll be able to nosh on bites by Little Flower Cafe (the best food in Pasadena) bid on prints by Julius Shulman and many other famous Los Angeles figures, and meet Ray Kappe and others involved with Never Built projects around the city. Purchase tickets here. And preview a few Never Built projects below.
The Dutch are known to love their flowers. They’re even building an entire city dedicated to them for a horticultural expo in 2022. On a smaller scale, the Bloemencorso flower parade covers imaginative and incredibly detailed floats in thousands of colorful blooms, and this year it featured a miniature flower city of its own.