This morning AN reported that a massive collection of Frank Lloyd Wright’s architectural drawings, photographs, models, and more are heading to a new home at New York’s Museum of Modern Art and Columbia University’s Avery Architectural and Fine Arts Library, opening up the archive to academic and scholarly research. For your enjoyment, below is a sampling of the treasures encompassed in the collection and a video about the news.
Studio Mode | modeLab is excited to announce a promotional offer for the upcoming NON-LINEAR LAB: Growth Systems and Digital Fabrication with Skylar Tibbits. With generous support from The Architect’s Newspaper and Fabrikator, we are giving away a Complimentary Seat to this intensive design workshop. The Lab is scheduled for September 8th/9th and will be a weekend full of programming, parametric design, and digital fabrication. Come design and make some wild prototypes with us!
Promotional Details: “Like” us and enter to win a free seat in the Lab. Winner announced Friday, August 31st at 11:59PM EST.
Lab Details: NON-LINEAR LAB is two-day workshop on Growth Systems, Parametric Detailing, and Digital Fabrication. This Lab is the next installment in our coLAB series and is the result of collaborative research undertaken by Skylar Tibbits [SJET + Previous coLAB Instructor] and Ronnie Parsons + Gil Akos [Studio Mode/modeLab]. In a fast-paced and hands-on learning environment, we will cover Fundamental Concepts of Programming and Parametric Design as well as an introduction to Laser Cutting Constraints and Best Practices. Emphasis will be placed on iterative prototyping, allowing for a thorough investigation of a series of Growth, Component, and Detailing Scripts using Python and Grasshopper while working directly with our CNC equipment.
Between glass curtain walls and art installations, birds just can’t catch a break. For their Venice Architecture Biennale project Pigeon Safari Swiss artist Julian Charrière and German photographer Julius von Bismark captured, airbrushed, then released the pigeons of St. Mark’s Square. The resulting rainbow-colored flock has caused Biennale-goers and tourists alike to do a double take. Charrière told the Italian newspaper Corriere della Sera, “Pigeons make up part of our urban landscape, but we view them as though they are an unrecognizable mass, whereas each one has its own identity.” While a newly teal pigeon may imagine itself a peacock, conservationists expressed concern that the birds’ unusual colors would deter mating.
Architecture & the Media #3: Trade Press, an Evolving Role
Thursday, September 6
Center for Architecture
536 LaGuardia Place
Traditionally, publication in a trade magazine was an effective way to reach peers and demonstrate credibility to clients. Are trade publications becoming hybrids of journalism and networking sites, two-way streets where users are more engaged with editors?
Join us at the Center for Architecture on September 6 for a panel discussion on design reporting, the third installment of Architecture & the Media, a four-part series exploring today’s media landscape co-produced by the Center for Architecture, AIANY’s Oculus and Marketing & PR Committees, and The Architect’s Newspaper.
For Trade Press: An Evolving role, moderator and AN executive editor Alan Brake will be joined by editors Katie Weeks of Eco-Structure magazine, Linda Barr of Real Estate Weekly, Stacy Shoemaker Rauen of Hospitality Design magazine, and Diana Moser of Multi-Housing News.
Tickets: $10 for members and students, $20 for non-members.
PURCHASE TICKETS HERE
California’s Designing Women
The Autry in Griffith Park
4700 Western Heritage Way
Through January 6, 2013
It was uncommon for women to practice industrial design throughout late 19th and early 20th centuries. However, California’s newness and frequent population growth provided various opportunities for women to get involved with the creation and production of design. Autry National Center’s California’s Designing Women, 1896–1986 with works from over fifty women designers from California celebrates female designers who made major contributions to Californian and American design. The exhibition displays approximately 240 examples of textiles, ceramics, furniture, lighting, tapestries, jewelry, clothing, and graphics all inspired by California’s amalgam of society which include Indigenous American, Chinese, Japanese, Anglo, and Mexican cultures. Upholding California’s reputation for unlimited creativity, the displayed work includes materials such as wood, abalone, glass cotton, steel, silver, acetate, acrylic, and fiberglass, spanning a century of design movements from arts and crafts to art deco to mid-century modern and beyond.
The Architect’s Newspaper is on the ground in Italy for the 2012 Venice Biennale. Here’s the second edition of a three-part series on the best of the Biennale, brought to you by The Architect’s Newspaperand Il Giornale Dell’Architettura. (View the first issue here.)
While we editors toil in a rainy New York City (and Chicago and LA), AN‘s outgoing executive editor Julie V. Iovine and incoming executive editor Alan G. Brake (and editor-in-chief William Menking, photographer) are dealing with their own challenges, like their daily commute to the Venice Biennale by boat. Thanks for sharing, guys!
Whether you’re in Venice this week or just checking in on the highlights from afar, stay up to date with AN‘s special coverage from the Venice Biennale. We posted the first of three editions published on the ground in Italy this morning and will have two more issues coming your way later this week. Ciao!
A good portion of our editorial staff just boarded an airplane headed for the Venice Biennial, so AN headquarters is pretty quiet this afternoon. For your Friday afternoon enjoyment, check out this time-lapse video of the Manhattan skyline viewed from the Empire State Building being drawn with amazing detail by illustrator Patrick Vale. [h/t E Minor]
With the official grand opening of the Venice Biennale set for Wednesday, August 29, following a two-day preview, it’s time to start planning your visit with the only comprehensive guide to the Who, What, and Where of the Biennale. Download your own copy to keep on hand or look for the guide to be printed in the first issue of Guida alla Biennale di Architettura, a partnership between The Architect’s Newspaper and Il Giornale Dell’Architettura.
Century of the Child
Museum of Modern Art
11 West 53rd Street
Through November 5
Is design for grown ups? Hardly. While a child’s own designs might be limited to block towers or crayon masterpieces, design touches nearly every part of early life. Children use toys, wear clothing, play in playgrounds, use furniture, and sit in classrooms, all of which are created specifically for them. Opening at the Museum of Modern Art, Century of the Child: Growing by Design, 1900–2000 surveys the material world constructed for the child over the 20th Century. Visions of children and how design has followed or shaped their perceptions over the past century are considered in the exhibition. Take Frederich Froebel, whose famous toys (a gift box edition, pictured below) were favorites of Frank Lloyd Wright as a child. Froebel designed his blocks to be given in a sequence, educating children as they learned and matured over time. The exhibition identifies and merges the many facets of design that consider children, presenting these products together and revealing the ideas and ambitions of the designers who created them.