Foster on Film
Norman Foster, who, as writer Mark Lamster has noted, “even in his 70s, has the look of a heavy in a Guy Ritchie film,” skis, sketches, and visits his childhood home in Manchester, England, in the film How Much Does Your Building Weigh, Mr. Foster?, a documentary produced by the architect’s wife that screened on January 25, at the IFC Center. Directed and dreamily photographed by Norberto Lopez-Amado and Carlos Carcas, the film moves seamlessly between irresistible images of Foster’s buildings, and the man himself, dashing between projects, reflecting on his career, and earning praise from scriptwriter Deyan Sudjic on everything from his work ethic to his wardrobe. “Everything inspires me,” says Foster early in the film. “Sometimes I think I see things others don’t.”
BREAKING: Henry Urbach Appointed Executive Director of Philip Johnson Glass House
The Architect’s Newspaper has learned that curator and gallerist Henry Urbach will become the new executive director of the Philip Johnson Glass House in New Canaan, Connecticut, a National Trust for Historic Preservation property. Urbach succeeds interim director Rena Zurofsky, who took the reins following the departure of executive director Christy MacLear in the fall of 2010. Read More
On View> Layered SPURA: Spurring Conversations Through Visual Urbanism
Layered SPURA: Spurring Conversations Through Visual Urbanism
Sheila C. Johnson Design Center
Parsons The New School
66 Fifth Ave.
Through February 25
The Seward Park Urban Renewal Area (SPURA) that occupies 14 square blocks on the Lower East Side has remained one of the largest underdeveloped city-owned parcels of land for more than 40 years. Very few of the originally-planned buildings came to pass, and vast parking lots created by slum-clearance on the south side of Delancey Street symbolize a hotly contested renewal plan. Gabrielle Bendiner-Viani and students of the New School’s City Studio have spent three years investigating the complex issues surrounding the site, and in an exhibition highlighting their research and artwork they propose to instigate a new grassroots conversation rather than a top-down planning vision.
SHFT+ALT+DEL: January 27
Stephen Cassell, principal of Architecture Research Office, has been elected Chair of the Van Alen Institute Board of Trustees. Cassell takes the reins from Abby Hamlin, president of the real estate development company Hamlin Ventures.
Gretchen Bank, who currently serves as the Marketing & PR Committee Co-Chair at AIA New York, steps into the position of Director of Business Development & Marketing at Cosentini Associates, effective February 6.
Architect and New York Institute of Technology (NYIT) alumnus Peter J. Romano has joined NYIT’s Board of Trustees. With his wife, Jane, Romano established an endowed scholarship fund for students attending NYIT’s School of Architecture and Design.
The bathroom fixtures company Duravit has appointed Frank Richter to succeed Franz Kook as Management Board Chairman; Kook has retired after 41 years with the company.
Have news on career moves in the architecture & design universe for SHFT+ALT+DEL? Send your tips to people@archpaper.com!
Hang up those snowshoes. The NYC Parks Department has officially canceled this year’s Winter Jam, an annual event that invites New Yorkers to come try out an array of snow sports in Brooklyn’s Prospect Park. What gives? Not only is there no snow in the forecast for the planned February 4 date, but average temperatures are too high for the city to even fake it. “It is simply too warm to make snow, and the long-range weather forecasts and current ground temperatures make it extremely unlikely that snow could be made,” said Parks Commissioner Adrian Benepe.
Three World Trade Tower Could be Lopped Off
Richard Rogers’ planned 80-story Three World Trade Center could come in a little short—okay, 73-stories short—if office tenants aren’t found for the under-construction tower by the end of the year. Crain’s reports that developer Larry Silverstein plans to cap the tower at seven floors and fill the podium with retail uses. If an anchor tenant is later found—as late as 2020—the building’s cap can be removed and construction resumed to reach its original height.
Times are tough for architecture, but is it time for starchitects to begin taking on other jobs on the side? John Hill over at A Daily Dose of Architecture spotted architect Charles Renfro’s newest gig—J. Crew model—which is helping Renfro to become a household name. Appearing in a two-page ad running in the latest issue of Fast Company, Renfro is sporting a trim, tailored outfit of fine Italian fabrics, otherwise known as the Ludlow Suit, and some dazzling multi-colored socks. “This is what they mean by style with substance,” says the copy. (Oh, that’s what they mean…) Who should J. Crew pick for its next architecture model?
Green markets, bike lanes, the design of street life—New York City zoning aims to impact your quality of life. “In the Bloomberg administration, as wielded by the New York City Planning Commission and its director, Amanda Burden, zoning has assumed a more activist role than ever before,” writes AN Executive Editor Julie Iovine about the ambitions of zoning 50 years after the New York Zoning Resolution was passed. Read the full article, “Zoning Grows Up,” in The Wall Street Journal.
Today the AIA released the December results of its Architecture Billings Index (ABI), and we’re happy to report that the overall score is holding steady in positive territory for the second month in a row. Like November, December’s score came in at 52 (anything over 50 is positive). But AIA Chief Economist Kermit Baker remains circumspect, noting “We saw nearly identical conditions in November and December of 2010 only to see momentum sputter and billings fall into negative territory as we moved through 2011, so it’s too early to be sure that we are in a full recovery mode.”
As Ice Cube said, the Eames “were doing mash-ups before mash-ups existed,” and the winner of our giveaway contest–featuring a limited edition poster of Ice Cube celebrating the Eames–was admiring the Eames before she knew who they were. Congratulations to AN reader/commenter Lori who proclaimed, “My grandparents collected mid-century furniture, and I loved the Eames before I had any idea what design was. Now that I know, I so appreciate that early introduction to clean, functional beauty.” As a consolation prize, we suggest rewatching archi-drafter-rapper Cube give a tour of an Eames Case Study House, catching up with the exhibition at Pacific Standard Time, or tuning in to the PBS documentary on the Eames’ life and work.
Walt Disney Concert Hall by Frank Gehry.
Frank Gehry will return to Walt Disney Concert Hall this spring—as a set designer. He’s at work on a “moving still-life on the stage” for the Los Angeles Philharmonic’s May production of Don Giovanni. The plans call for moving the orchestra upstage on raised lifts, about four feet above the action taking place downstage. Meanwhile, in a recent Q&A with Wallpaper* magazine, Gehry revealed that things are “getting slow” for his firm, to the point that he is considering—gasp!—proactive PR efforts. “We’ve got enough things for the next year, but it’s not the same as it was a few years ago,” he said. “I’m old enough to quit, though, you know what I mean? I’m 82.”
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