We can’t resist when architects bring out the knives and engage in the fall ritual of pumpkin carving. Jenny Wu of the LA-based Oyler Wu Collaborative shared the results of their annual pumpkin carving contest set in front of the firm’s Screenplay installation. Happy Halloween!
CRITICAL HALLOWEEN : On Banality, on Metaphor
Saturday, October 27
10pm til Late
The Autumn Bowl
67 West Street, Greenpoint, Brooklyn
The second annual Critical Halloween hosted by the Storefront for Art and Architecture promises to generate a spooky skyline on Saturday. Mixing in a new theme of “Metaphor” with last year’s banner of “Banality,” guests are invited to critique and comment through costume. Judging by 2011 event (see below), it’s the ultimate cathartic carnival for all things architecture and design. Get inspired here.
Seattle has approved Skanska USA’s controversial five-story “deep green” Brooks Sports headquarters building dubbed Stone34 at Stone Way North and North 34th Street under a new code provision that allows the developer to build 20 feet higher than zoning normally allows. While community leaders and activists opposed the project, claiming that it is out of scale with the neighborhood, Skanska says the extra height is necessary to make the project work economically.
Last month in this column, we conjured up a fake rivalry between Cincinnati, Cleveland, and East Lansing, MI, as they all have high profile projects opening this fall. Of all the blabber we’ve scattered across these pages, that piece stirred up the most voices. One fan wanted to know, “What about Indianapolis?” In our opinion, it’s a classic quantity versus quality situation. There’s a lot of development going on in Indianapolis right now, including City Way, along with a lot of forgettable architecture. There was the opening of the JW Marriott, with its nifty, curved blue glass curtain wall, design by HOK and CSO Architects. But does a convention hotel really stand up against starchitect designed museums and boutique art hotels? Not in this case.
9 + 1 Ways of Being Political
Museum of Modern Art
11 West 53 Street
Through March 25, 2013
In the early part of the last century, political engagement and social uplift were central goals of modern architecture and design. By midcentury those ideals were largely lost, as modern architecture became associated with the very power structures avant-gardists had long critiqued. A new exhibition at MoMA, 9 + 1 Ways of Being Political, drawn from the Museum’s current collection, examines the neo-avant-garde of the 1960s and 1970s (such as Jason Crum’s Project for a Painted Wall, 1969, above), which sought to revive progressive practice, as well as contemporary examples that continue that project today.
Architects do a lot of things outside of CAD details. Don’t believe us? Check out Unfrozen Music tomorrow night at the Santa Monica Public Library’s MLK Jr. Auditorium, hosted by AN West Coast Editor Sam Lubell. The concert will feature classical piano, chamber music, and jazz performed by LA architects like John Friedman Alice Kimm’s Alice Kimm, Gensler’s Terrence Young, NBBJ’s Gary Popenoe. And trust us, these guys are good. This is our third year going. More details here.
It’s probably best to eat before you get to the to the new Barclays Center—a can of Red Bull and a bag of chips will set you back almost $12. But at a recent sneak peek of the arena guests were treated to complimentary hors d’oeuvres, an open bar, and an up-close look at the intricate and oddly sweet-smelling building model—wait, that’s no model, that’s a cake! The confection was a tour de force by Brooklyn-based BCakeNY, who carefully rendered the delicious-looking Core-ten exterior in chocolate and cinnamon, “Your cake looks better than the actual building!” wrote one of BCakeNY’s Facebook fans. Take note architects—a model of devil’s food rather than foam core might be just the thing for your next community board meeting.