Denver Art Museum has appointed William Morrow as its curator of contemporary art. Morrow was the founding director of the 21c Museum in Louisville, KY, where he gained recognition for developing programming to introduce wider audiences to contemporary art.
NYC-based architect David Katz has launched Katz Consulting, a new branch of his firm that will work with management companies and co-op and condo boards through building, design and maintenance projects.
Trespa Design Centre New York announced the appointment of Steve Manning as President of Trespa North America. Manning comes the building products company Ardex Americas, where he served as president and supervised North and South American businesses.
Parsons The New School for Design has appointed two new deans: Anne Gaines as the new dean of its School of Art, Media and Technology and of Alison Mears as dean of its School of Design Strategies. Other Parsons news: Bill Morrish, dean of the School of Constructed Environments at Parsons since 2009, will step down and rotate into a full-time teaching and research position. Faculty member David J. Lewis, principal at Lewis.Tsurumaki.Lewis Architects, will serve as interim dean during a search for Moorish’s successor.
Have news on movers and shakers in the architecture & design universe for SHFT+ALT+DEL? Send your tips to firstname.lastname@example.org!
|Chris Payne: One Steinway Place|
|Bonni Benrubi Gallery
41 East 57th Street
Through September 29
South Street Seaport Museum
One Steinway Place, the address of the venerable Steinway & Sons piano factory in Astoria, Queens, is also the title of photographer Chris Payne‘s latest show at the Bonni Benrubi Gallery in midtown Manhattan. The series of large-format photographs are the result of his days and weeks spent in the factory, to which Steinway gave him full access. Payne captures the unexpected and striking forms, patterns, and textures that emerge when he turns his lens to pianos-in-the making. “A piano is something we all think of and love as a whole, but like anything complex, it is really just a kit of parts, built up gradually out of raw, messy materials. And yet, the deeper I look into its construction, the more I revere it as one of the supreme accomplishments of the human hand and imagination,” said Payne.
On September 13 at the South Street Seaport Museum, Payne will speak about his Steinway project as well as his photographic series about North Brother Island. The lecture (6:30-8pm) is hosted by Open House New York. For information and tickets, click HERE.
Grete Marks: When Modern Was Degenerate
Milwaukee Art Museum
700 North Art Museum Drive Milwaukee, WI
Through January 1
Grete Marks was born in Cologne in 1899 to an artistic Jewish family, and she enrolled in the ceramics program at the Bauhaus School in 1920. In 1923 she left the school to marry a young industrialist with whom she founded the Haël Factory for Artistic Ceramics to produce her designs. These works are composed of simple geometric shapes, glazed with striking colors and patterns in the style of Soviet Constructivist painters and showcasing the Bauhaus ideal of uniting industrial mass-production with Modernist aesthetics. Marks’ legacy as a potter was cut short by the Nazi party when in 1935 they declared her artwork “degenerate,” and her avant-garde pottery career ended with the onset of World War II. This will be the first American exhibition to explore Marks’ work and the circumstances that have prevented her name from entering the list of Bauhaus greats.
Despite the recent opening of LA County’s Grand Park, County Supervisor Gloria Molina generally seems to have it in for contemporary design. Add to her list of architect victims Lehrer Architects, whose striking San Angelo Community Center north of Los Angeles was set to move forward, receiving community reviews and preliminary local sign off. In stepped Molina, who apparently didn’t like the modern look of the project. She killed it immediately. Now that’s power.
This morning AN reported that a massive collection of Frank Lloyd Wright’s architectural drawings, photographs, models, and more are heading to a new home at New York’s Museum of Modern Art and Columbia University’s Avery Architectural and Fine Arts Library, opening up the archive to academic and scholarly research. For your enjoyment, below is a sampling of the treasures encompassed in the collection and a video about the news.
Studio Mode | modeLab is excited to announce a promotional offer for the upcoming NON-LINEAR LAB: Growth Systems and Digital Fabrication with Skylar Tibbits. With generous support from The Architect’s Newspaper and Fabrikator, we are giving away a Complimentary Seat to this intensive design workshop. The Lab is scheduled for September 8th/9th and will be a weekend full of programming, parametric design, and digital fabrication. Come design and make some wild prototypes with us!
Promotional Details: “Like” us and enter to win a free seat in the Lab. Winner announced Friday, August 31st at 11:59PM EST.
Lab Details: NON-LINEAR LAB is two-day workshop on Growth Systems, Parametric Detailing, and Digital Fabrication. This Lab is the next installment in our coLAB series and is the result of collaborative research undertaken by Skylar Tibbits [SJET + Previous coLAB Instructor] and Ronnie Parsons + Gil Akos [Studio Mode/modeLab]. In a fast-paced and hands-on learning environment, we will cover Fundamental Concepts of Programming and Parametric Design as well as an introduction to Laser Cutting Constraints and Best Practices. Emphasis will be placed on iterative prototyping, allowing for a thorough investigation of a series of Growth, Component, and Detailing Scripts using Python and Grasshopper while working directly with our CNC equipment.
Between glass curtain walls and art installations, birds just can’t catch a break. For their Venice Architecture Biennale project Pigeon Safari Swiss artist Julian Charrière and German photographer Julius von Bismark captured, airbrushed, then released the pigeons of St. Mark’s Square. The resulting rainbow-colored flock has caused Biennale-goers and tourists alike to do a double take. Charrière told the Italian newspaper Corriere della Sera, “Pigeons make up part of our urban landscape, but we view them as though they are an unrecognizable mass, whereas each one has its own identity.” While a newly teal pigeon may imagine itself a peacock, conservationists expressed concern that the birds’ unusual colors would deter mating.
Architecture & the Media #3: Trade Press, an Evolving Role
Thursday, September 6
Center for Architecture
536 LaGuardia Place
Traditionally, publication in a trade magazine was an effective way to reach peers and demonstrate credibility to clients. Are trade publications becoming hybrids of journalism and networking sites, two-way streets where users are more engaged with editors?
Join us at the Center for Architecture on September 6 for a panel discussion on design reporting, the third installment of Architecture & the Media, a four-part series exploring today’s media landscape co-produced by the Center for Architecture, AIANY’s Oculus and Marketing & PR Committees, and The Architect’s Newspaper.
For Trade Press: An Evolving role, moderator and AN executive editor Alan Brake will be joined by editors Katie Weeks of Eco-Structure magazine, Linda Barr of Real Estate Weekly, Stacy Shoemaker Rauen of Hospitality Design magazine, and Diana Moser of Multi-Housing News.
Tickets: $10 for members and students, $20 for non-members.
PURCHASE TICKETS HERE
California’s Designing Women
The Autry in Griffith Park
4700 Western Heritage Way
Through January 6, 2013
It was uncommon for women to practice industrial design throughout late 19th and early 20th centuries. However, California’s newness and frequent population growth provided various opportunities for women to get involved with the creation and production of design. Autry National Center’s California’s Designing Women, 1896–1986 with works from over fifty women designers from California celebrates female designers who made major contributions to Californian and American design. The exhibition displays approximately 240 examples of textiles, ceramics, furniture, lighting, tapestries, jewelry, clothing, and graphics all inspired by California’s amalgam of society which include Indigenous American, Chinese, Japanese, Anglo, and Mexican cultures. Upholding California’s reputation for unlimited creativity, the displayed work includes materials such as wood, abalone, glass cotton, steel, silver, acetate, acrylic, and fiberglass, spanning a century of design movements from arts and crafts to art deco to mid-century modern and beyond.
The Architect’s Newspaper is on the ground in Italy for the 2012 Venice Biennale. Here’s the second edition of a three-part series on the best of the Biennale, brought to you by The Architect’s Newspaperand Il Giornale Dell’Architettura. (View the first issue here.)
While we editors toil in a rainy New York City (and Chicago and LA), AN‘s outgoing executive editor Julie V. Iovine and incoming executive editor Alan G. Brake (and editor-in-chief William Menking, photographer) are dealing with their own challenges, like their daily commute to the Venice Biennale by boat. Thanks for sharing, guys!
Whether you’re in Venice this week or just checking in on the highlights from afar, stay up to date with AN‘s special coverage from the Venice Biennale. We posted the first of three editions published on the ground in Italy this morning and will have two more issues coming your way later this week. Ciao!