Creative Time’s annual spring benefit at the defunct Domino Sugar factory in Brooklyn received lots of press coverage for its glittering guests, including honoree Julian Schnabel. But GalleristNY was one of the few to flag the fly on the soup: Across the street from the entrance, protestors in hazmat suits handed out “invitations” blasting the controversial company hired by Two Trees—the developer with big plans for Domino—to oversee asbestos abatement. So…that wasn’t powdered sugar on the chocolate soufflé?
There has been no official confirmation, but we’ve heard from several people involved with the show that Thom Mayne and his firm Morphosis are now leading the show, not curator Christopher Mount. Participants confirm that emails are now coming from Morphosis, not MOCA, while the show’s assistant curator Johanna Vandemoortele last week sent out an email that she had already departed from MOCA. Mount was not available for comment, but Mayne’s spokesperson Legier Stahl noted: “It is a collective, community effort. We are just helping to facilitate.” Rumor has it that Mayne is considering adding more participants, including Wes Jones, John Enright, Hitoshi Abe, and Qingyun. Stay tuned as the saga continues.
One of the few regions that superstar Bjarke Ingels has yet to invade is Southern California, and he’s made it clear that he wants that to change. It just might, soon. Ingels, we hear from an unnamed source, has been added to one of the teams competing to design the city’s 4th and Arizona mixed use project in Santa Monica, a city experiencing the beginnings of a building boom. They’ll replace RTKL on a team that also includes local firms Koning Eizenberg and Rios Clementi Hale. So now this shortlist is the most starchitect-heavy of any in the region, including not just BIG, but OMA with VTBS and Robert A.M. Stern with Brooks + Scarpa. In addition to a building that could reach up to 130 feet, the RFP calls for a “programmable gathering space that adds to the community’s civic life with public gatherings and seasonal activities.” Currently, the city hosts an ice skating rink on the site in the winters. According to the RFP a winner is expected to be chosen by Santa Monica’s city council by this August. Stay tuned.
It’s finally here! Well, in a few more excruciating days, New Yorkers will be able to hop on a bright blue City Bike and cruise through the city (or at least those 12,000 or so founding members, the rest of us will have to wait one more week). While some locals haven’t taken to the alien bike docking stations popping up on city streets quite yet, it appears that the vast majority of the city is ready to roll. With the docking stations in place, crews are now distributing bikes. According to a tweet from the NYC DOT this afternoon, some 850 bikes have already been docked around the city, and Transportation Commissioner Janette Sadik-Khan and a few of the bike share team took the opportunity to pose on some of the bikes today. The official opening day is May 27.
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It is hard to believe that The MIT Press published Jill Stoner’s Towards a Minor Architecture based on the kind of prose indicated in Jeffrey Hogrefe’s review of the book (Literary Unbuilding AN 03_03.06.2013). Stoner writes, “Architecture can no longer limit itself to the aesthetic pursuit of making buildings; it must now commit to a politics of selectively taking them apart.” Really? We think we know what she “means,” but this really is bad writing. There is no architecture, only works of architecture. People are involved in aesthetic or other pursuits, not architecture.
Maybe You Lost My Number: Eavesdrop wants to know why we weren’t invited to your Kentucky Derby party, De Leon and Primmer. You guys are practically the only cool architecture firm in the River City! We were down in Louisville the weekend of the Derby and wandered (hungover, naturally) past your office on Sunday morning.
Don’t miss out on your chance to get the inside scoop on the future of digital design workflows at the Autodesk: Intro To Cloud Based Design workshop happening this afternoon at ICFF. The era of cloud-based design is upon us, making it possible to access data from anywhere, at any time, and on any platform. This hands-on lab will introduce designers to a typical Autodesk Fusion 360 workflow, including importing 2D sketches and reference material to develop a design using T-Spline modeling strategies. There’s still time, so head on down to the Javits center and sign up for the seminar, which begins at 2:30p.m. today.
Are you eager to put your architectural design skills to the test? Here are some exciting upcoming competitions that will be sure to present you with the type of challenge you’ve been waiting for. AN‘s editors have combed through our online listing of architecture and design competitions to bring you five of the most interesting competitions happening right now. If you’d like your competition to be included in the listing, please submit it here.
Remodelista & Gardenista Considered Design Awards. Remodelista is inviting its dedicated readers to submit their successful personal design endeavors for its first Design Awards. All kitchen, dining, bedroom, bath, and office projects are welcome for submission. For outdoor enthusiasts, Gardenista is searching for projects in five other categories. Judges will select up to five finalists in each category and then readers will vote for their favorites. Winners will be featured in a post and will receive a hand-wrought iron Symi Lantern in black matte finish with a hand-stitched leather handle from Casamidy.
Submission Deadline: June 14, 2013
Richard Serra: Early Work
David Zwirner Gallery
537 West 20th Street
New York, NY
Through June 15
David Zwirner presents an exposition of early work by artist Richard Serra. The works on display, dating from 1966 to 1971 and compiled from museum and private collections, represent Serra’s earliest innovative, process-oriented experiments that employ nontraditional materials. He uses vulcanized rubber, neon, and lead to emphasize weight in relationship to the nature of materials. The exhibition, on view through June 15 at David Zwirner, examines the innovative methods and ideas that so decisively place Serra in the history of Twentieth-Century art.