Don’t miss out on your chance to get the inside scoop on the future of digital design workflows at the Autodesk: Intro To Cloud Based Design workshop happening this afternoon at ICFF. The era of cloud-based design is upon us, making it possible to access data from anywhere, at any time, and on any platform. This hands-on lab will introduce designers to a typical Autodesk Fusion 360 workflow, including importing 2D sketches and reference material to develop a design using T-Spline modeling strategies. There’s still time, so head on down to the Javits center and sign up for the seminar, which begins at 2:30p.m. today.
Are you eager to put your architectural design skills to the test? Here are some exciting upcoming competitions that will be sure to present you with the type of challenge you’ve been waiting for. AN‘s editors have combed through our online listing of architecture and design competitions to bring you five of the most interesting competitions happening right now. If you’d like your competition to be included in the listing, please submit it here.
Remodelista & Gardenista Considered Design Awards. Remodelista is inviting its dedicated readers to submit their successful personal design endeavors for its first Design Awards. All kitchen, dining, bedroom, bath, and office projects are welcome for submission. For outdoor enthusiasts, Gardenista is searching for projects in five other categories. Judges will select up to five finalists in each category and then readers will vote for their favorites. Winners will be featured in a post and will receive a hand-wrought iron Symi Lantern in black matte finish with a hand-stitched leather handle from Casamidy.
Submission Deadline: June 14, 2013
Richard Serra: Early Work
David Zwirner Gallery
537 West 20th Street
New York, NY
Through June 15
David Zwirner presents an exposition of early work by artist Richard Serra. The works on display, dating from 1966 to 1971 and compiled from museum and private collections, represent Serra’s earliest innovative, process-oriented experiments that employ nontraditional materials. He uses vulcanized rubber, neon, and lead to emphasize weight in relationship to the nature of materials. The exhibition, on view through June 15 at David Zwirner, examines the innovative methods and ideas that so decisively place Serra in the history of Twentieth-Century art.
[ Editor's Note: The following letter is an excerpt of a comment left on archpaper.com. It pertains to the new Museum of Contemporary Art (MOCA) Cleveland designed by Farshid Moussavi, which Stephanie Murg critiqued for AN's Midwest edition last November. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email email@example.com. ]
MOCA’s form is a simple game of extruded geometry. The base form shifts from a hexagon as it rises to a square at its top. A third year architecture student would have been given a C- and asked, “Is that all you could come up with?” The exterior is clad in black stainless steel panels that are already streaking at the corners. They also present a range of colors that indicate the material selection and/or production was not up to the task of producing uniformity.
do it (outside)
Socrates Sculpture Park
3205 Vernon Boulevard
May 12 to July 7, 2013
Socrates Sculpture Park, in collaboration with Independent Curators International (ICI), presents do it (outside), an exhibition curated by art critic and historian Hans Ulrich Obrist. The exhibition is a selection of 65 artist instructions interpreted by other artists, performers, and the public. The results will be displayed in a site-specific architectural pergola by Christoff : Finio Architecture, a New York based architecture and design studio.
Sharing Space: Creative Intersections in Architecture and Design
The Art Institute of Chicago
111 South Michigan Avenue
Through August 4
This new exhibition at The Art Institute of Chicago explores the influential impact that color inevitably has on our perception of geometry. It presents an extensive collection of modern and contemporary works ranging from the 1940’s to 2012 created by architects, urban planners, graphic designers, and industrial designers. One of the works prominently featured in the exhibit is Camouflage House (above), Doug Garofalo and David Leary’s theoretical project in which the pair “colored-in” the contours of a building, blurring the rigid lines and sharp angles of the structure and causing it to blend in with the surrounding natural landscape. The exhibition underlines the contrasting relationship between color and geometry and highlights the effect this relationship can have on architecture and design.
After nearly two years of intense debate and student protests, Cooper Union has announced that it will end its 155-year tradition of tuition-free education—a hallmark of the prestigious institution. The school’s board of trustees said in a statement that budget-cutting measures could not relieve the $12 million annual deficit it has on its hands. The new policy will cut the full tuition-free scholarship to 50 percent for the undergraduate class beginning in fall 2014. Depending on financial need, a student could pay nothing or up to $20,000. Industrialist Peter Cooper founded the school in 1859 on the premise of providing a first-rate, free education to the working classes.
Get Out Your Scotch Guard—Eavesdrop Is Coming! If the hors d’ouevres make a party, Luminaire threw quite the fête last month. The huge design showroom in Chicago’s River North staged the top floor with more affordable items from their inventory, alongside of pop-ups from local artisans, including European bike-lifestyle guru J.C. Lind Bike Co. This was our first stop of several that evening, so the substantial hors d’oeuvres—a.k.a. Prosecco sponges—were fully appreciated. What didn’t appreciate them?
OVERDRIVE: LA Constructs the Future, 1940-1990
The J. Paul Getty Museum
Through July 21
Gleaming cars speeding down an intricate freeway system, flashy movie theatres, quirky coffee shops, sleek corporate towers and residential spaces, drive-in churches, the infamous Hollywood sign, LAX Airport (above), and a lucrative petroleum industry are just some of the many impressive characteristics associated with the rich culture of Los Angeles. This exhibition at The J. Paul Getty Museum explores a metropolis that remained in “overdrive” throughout the 20th century, implementing cutting-edge architectural design to effectively respond to civic, environmental, and socioeconomic challenges that plagued the city. In just 50 years, the city rapidly evolved into one the most influential industrial, creative, and economic capitals in the world. Through drawings, photographs, models, animations, oral histories, and ephemera, the exhibition celebrates the notable transformation of the city of Los Angeles from 1940–1990.
Low Rise High Density
The Center for Architecture
536 LaGuardia Place
New York, NY
Through June 29
The 1960’s saw a transformation of the architectural landscape of urban and suburban neighborhoods across the United States. The introduction of a new kind of low-rise, high-density public housing type diverged from the conventional high-rise buildings that had previously characterized American cities. These new, low-rise living spaces increased suburban and urban connectivity by eliminating the need for elevators. Also, as more and more of these buildings continued to rise in suburban neighborhoods, distant from the hustle and bustle of the city, people were increasingly encouraged to use public transportation.