Before & After> Gustafson Guthrie Nichol Imagines a Pedestrian-Friendly Seattle

seattle-streetscape-01bseattle-streetscape-01a

The streets of downtown Seattle are set for a major overhaul, thanks to a new masterplan by Gustafson Guthrie Nichol. As AN reported in our recent West Coast edition, the Seattle-based firm has made recommendations to improve the pedestrian realm “centers on uniting the fragmented parts of the Pike-Pine corridor, two major thoroughfares at the heart of the retail core running east-west from Interstate 5 to the waterfront.”

Check out their dramatic proposed transformations overlayed on Seattle’s existing streetscape for a better look at how pedestrians and cyclists will fare under the plan.

More after the jump.

Yeezus! What a Jury! The Living and The Dead at MoMA PS1′s Young Architects Program

Design, East, Eavesdroplet
Thursday, April 10, 2014
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The Living's pavilion, Hy-Fi. (Courtesy The Living)

The Living’s pavilion, Hy-Fi. (Courtesy The Living)

The MoMA PS 1 jury process that selected the “100 percent organic pavilion Hy-Fi” for its 2014 pavilion may have been a contentious group. The museum announced last month that David Benjamin, the principal of Brooklyn-based firm The Living, would design the temporary structure. But several sources have told Eavesdrop that one of the short listed firms (Collective-LOK, PARA-Project, WOJR, over,under, Fake Industries Architectural Agonism, LAMAS, Pita + Bloom) was in fact told that it—not Benjamin—had won the design competition.

The story unfolds after the jump…

On View> “Apex: Tip Toland” at the Portland Art Museum

Art, On View, West
Thursday, April 10, 2014
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04-portland-tip-toland-archpaper

Apex: Tip Toland
Portland Art Museum
1219 SW Park Avenue
Portland, Oregon
Through May 11

Washington-based artist Tip Toland creates larger than life figures with painfully accurate details that highlight her subjects’ imperfections: wrinkles, sunspots, and other blemishes. Toland’s work has always dealt with figurative subject matter, though her approach has ranged from the surreal to the super-real. This exhibition focuses on the plight of albino children in Africa, many of whom face a never-ending nightmare of bigoted, superstitious persecution at the hand of the communities into which they are born. Deeply rooted in psychology, Toland’s carefully crafted portraits seek to disturb viewers, teasing out their deepest human sympathies only to clobber them with the cudgel of political subtext. The artist has said that her work “softens our hearts to what we are afraid of.” Unflinching in the face of terrible realities, it is certainly provocative.

On View> The Cincinnati Museum of Art Presents The Modernist Jewelry of Art Smith

Art, Midwest, On View
Wednesday, April 9, 2014
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(Courtesy Brooklyn Museum)

(Courtesy Brooklyn Museum)

From the Village to Vogue: The Modernist Jewelry of Art Smith
Cincinnati Museum of Art
953 Eden Park Drive
Cincinnati, OH
Through May 18

From the Village to Vogue: The Modernist Jewelry of Art Smith consists of twenty-four pieces of silver and gold jewelry created by the Brooklyn-reared modernist jeweler Arthur Smith (1917–1982). Smith trained at Cooper Union and opened his first shop on Cornelia Street in Greenwich Village in 1946. Art was an active supporter of the black and gay rights movement and early black modern dance groups. He included these themes in his works.

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Planner Friends of Dorothy: Chicago Launches LGBT Urban Planning Social Group

Eavesdroplet, Midwest
Monday, April 7, 2014
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(Courtesy Moxie)

(Courtesy Moxie)

Chicago’s urban planning history is epic and, therefore, it’s no surprise that the city draws young folks fresh out of school with their MUPs, MPAs, and MPPs in droves (yours truly was one these eight years ago). However, Eavesdrop had no clue how many of them were gay until a couple weeks ago. A young buck, Daniel Ronan—fresh (meat) off the boat from Portland, Oregon—started an LGBT social group for planner and policy folks called Moxie. The inaugural meeting, which took place at Hubbard Inn, was well-attended, including not one, but two AN contributors and Dr. Curtis Winkle, the department head at UIC’s College of Urban Planning and Public Affairs. And some hot guy from our gym whom Eavesdrop didn’t know was a planner—heyyy!

The next meetup takes place on Thursday, April 17 at the Vinyl Lounge Chicago. RSVP here.

Hooked on Fonts: Chicago Typographers Party Like They Just Don’t Kern

Eavesdroplet, Midwest
Friday, April 4, 2014
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The typographic bunch. (Courtesy Typeforce 5)

The typographic bunch. (Courtesy Typeforce 5)

Apparently, Chicagoans are bonkers for typography. Jeff Sanchez, Graphic Design Manager for the International Interior Design Association, invited us to Typeforce 5, “the annual showcase of typographic all-stars.” Hosted by the Co-Prosperity Sphere down in Bridgeport, this was the most well attended opening we’ve been to in ages. Eavesdrop bumped into old AN pals, like local designer Michael Savona and Gravity Tank power players Robert Zolna and Moritsugu Kariya. Robert, Eavesdrop wouldn’t mind a new day job, so, if you hire us, rest-assured we’d never use Comic Sans or Chiller in communications with clients. Call us!

On View> Pasadena’s Williamson Gallery puts Ray Eames in the spotlight

Art, Design, On View, West
Wednesday, April 2, 2014
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(Charles Eames / Eames Family Collection)

(Charles Eames / Eames Family Collection)

Ray Eames: In the Spotlight
Alyce de Roulet Williamson Gallery
Art Center College of Design, Hillside Campus
1400 Lida Street, Pasadena
Through May 4

Ray Eames: In the Spotlight features; letters, sketches, notes, photographs, paintings, films, process drawings, furniture, and collections that follow the great American designer’s interests and interactions with key places, people and institutions. Taken altogether, the presentation is an intimate study of Ray Eames’ world and seeks to get to the heart of her intensive hands-on creative process and the “way-it-should be-ness” that defined how Ray and Charles Eames lived and worked. In the Spotlight allows visitors to make their own connections to this great body of work, to explore their own creativity, and to apply Eames’ tools to their own lives.

Letter to the Editor> Brain Drain

Letter to the Editor, West
Tuesday, April 1, 2014
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"The Groove," Bangkok, Synthesis Design + Architecture. (Courtesy SDA)

“The Groove,” Bangkok, Synthesis Design + Architecture. (Courtesy SDA)

[ Editor's Note: The following are reader-submitted responses in reference to Sam Lubell’s editorial “Export Issues” (AN10_11.27.2013_West), in which Lubell argued that the U.S. is experiencing an architectural “brain drain” with all of the best talent and the best projects now going to Asia. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

This is one of the most poorly reasoned pieces I’ve ever read. When opportunities arise these firms will once again design for the U.S. in a snap. But in the meantime they are prospering, keeping their U.S. workers employed, and in essence “exporting” an American product—nothing wrong with any of that.

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Filed Under: 

Attack of the Drones: Architects Turn to Flying Robots for Design Help

Eavesdroplet, West
Tuesday, April 1, 2014
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[Researchers have also turned drones into builders, here laying bricks for a parametric tower.]

Look up in the sky: It’s a bird! It’s a plane! Nope, it’s a drone. Yes, the U.S. military isn’t having all the fun… Architects are now getting into the drone game as well. In order to get a better look at their sites—particularly views from higher elevations—word has it that firms like AC Martin and Moore Ruble Yudell have developed their own drones, hovering high in the clouds and rotating in all directions. Air traffic rules for these sorts of things are still rudimentary, so flyers need to take things like etiquette and safety into their own hands. But for now it’s the Wild West. And it’s a virtual thrill that more may be taking off soon.

Shortlist Specials: West Coast Projects Name Names

Development, Eavesdroplet, West
Friday, March 28, 2014
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The Herald Examiner Building in Los Angeles. (Atomic Hot Links / Flickr)

The Herald Examiner Building in Los Angeles. (Atomic Hot Links / Flickr)

As the economy continues to roll we’re again awash in shortlists and competition wins. The Santa Monica City Services Building has a shortlist that includes SOM and Frederick Fisher. Teams shortlisted for the Herald Examiner Building include Christof Jantzen and Brenda Levin. LA’s Wildwood School shortlist includes Gensler, Koning Eizenberg, and one unknown team. The UC San Diego Biological Building has gone to CO Architects (recent winners of the AIACC Firm of the Year award). EHDD has won the Long Beach Aquarium of the Pacific, and Harley Ellis Devereaux has won the Long Beach Belmont Plaza Pool.

On View> Princeton Art Museum presents “Edvard Munch: Symbolism in Print”

Art, East, On View
Friday, March 28, 2014
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(Courtesy Princeton University Art Museum)

(Courtesy Princeton University Art Museum)

Edvard Munch: Symbolism in Print
Princeton University Art Museum
McCormick Hall, Princeton, NJ
Through June 8

Edvard Munch is best known for his 1893 painting The Scream. Like the majority of his work, this piece deals with psychological themes that were mainstays of late nineteenth century symbolist art, which greatly influenced German Expressionism. The symbols that Munch used contain universal meanings, but also meanings specific to his life.

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On View> “On the Thresholds of Space-Making” at Washington University in St. Louis

Midwest, On View
Thursday, March 27, 2014
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Shinohara Kazuo, Great room (hiroma), House in White, Suginami Ward, Tokyo, 1964‐66. (Murai Osamu / Courtesy Tokyo Institute of Technology)

Shinohara Kazuo, Great room (hiroma), House in White, Suginami Ward, Tokyo, 1964‐66. (Murai Osamu / Courtesy Tokyo Institute of Technology)

On the Thresholds of Space-Making
Sam Fox School, Washington University
One Brookings Drive
St. Louis, Missouri
Through April 20

The work of Shinohara Kazuo (1925–2006), one of Japan’s most influential architects of the postwar generation, is surveyed in On the Thresholds of Space-Making. Shinohara gained popularity as an architect with his series of sublime purist houses designed over a thirty-year period that went through the 1980s. Shinohara scrutinized and reframed fundamental architectural conventions, such as public/private, body/space, and openness/enclosure.

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