[ Editor's Note: The following comment was left on archpaper.com in response to our Unveiled on the Gensler-designed Alessandra Hotel in Houston (AN 03_04.30.2014_SW). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email email@example.com. ]
“Glass ceilings permit guests in the lobby to see through to the top floor restaurant.” That lobby will become the biggest gentlemen’s club in Houston.
Rangeview High School
AN recently got word of 1,500 vintage glass art blocks that are up for sale over on Etsy. These slabs won’t just add color to your home or garden, they will represent a donation to a great cause as the seller, the Unearthed Gallery in Madison, Wisconsin, is donating 15 percent of its proceeds to Heifer International.
Word has it that Art Center, which seems to already own all of Downtown Pasadena, has just bought the area’s massive Jacobs Engineering Building. Also on the move, USC Dean Qingyun Ma has relocated his firm’s offices to none other than Downtown LA’s Bradbury Building. How’s that for pressure? And we’ve learned of the initiation beverage of our favorite architecture-related women’s drinking and discussion group: Denise Scotch Brown. What group would Venturi inspire? We shudder to think… Something about Vermouth?
One of Morphosis’ earliest projects, the Beverly Hills restaurant Kate Mantilini (1986), is now up for landmarking by the city of Beverly Hills. We hear that Beverly Hills Mayor Lili Bosse is obsessed with getting this done, but ironically the restaurant’s owners are not so happy about it. The rumor mill says they’re afraid of being locked into a design forever. Especially one from the 80s. Imagine if someone told you that you had to keep your 80s hair for the rest of your life?
Art Institute of Chicago
111 South Michigan Avenue, Chicago, Ilinois
Through January 4, 2015
Chicagoisms is an ongoing exhibition at the Art Institute of Chicago that focuses on key historical principles—“Chicagoisms”—that went into creating and shaping the city that we know today. The exhibition was put together by architectural theorist Alexander Eisenschmidt and art historian Jonathan Mekinda working with designer Matt Wizinsky.
Thirty-four months have gone by since the Scott Johnson–designed Museum Tower hove into view and the Nasher Sculpture Center is still, er, gnashing its teeth. Every afternoon at around three o’clock glaring sunlight reflects off of the condo’s mirror like glass curtain wall, invading the Renzo Piano–designed skylit galleries, burning holes in the lawn, defoliating the trees, and no doubt increasing the air conditioning bill. Thirty-four months and nothing has been done to make it right, until June.
Lenny Kravitz married Lisa Bonet. Lenny Kravitz won a bunch of Grammys. Lenny Kravitz is a member of the Ordre des Artes et des Lettres in France. Lenny Kravitz has washboard abs. Lenny Kravitz sometimes wears high heels. Lenny Kravitz produced Madonna’s “Justify My Love.” Lenny Kravitz designs hardwood floors. The flooring company BR-111 has partnered with Kravitz Design to create a line of hardwood planks that “speaks to urban elegance with a masculine vibe like touches of dark woods,” according to a release. Lenny Kravitz’s hardwood is “sure to become the gold standard in flooring.”
Allan Houser: A Celebration
Philbrook Museum of Art
116 East Brady Street, Tulsa, Oklahoma
Through November 2
Allan Houser: A Celebration is an ongoing exhibition at the Philbrook Museum of Art in Tulsa that honors the paintings and sculptures of late Native American artist Allan Houser. The exhibition commemorates Houser’s 100th birthday this year and highlights his contributions to Native American painting and sculpture during his time as an active artist.
[Editor's Note: The following comment was left on archpaper.com in response to the editorial “Motoring Toward Destruction?” (AN 08_06.05.2014), which parsed the wisdom of Detroit’s blight removal program.Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email firstname.lastname@example.org. ]
I’m failing to find a thesis in here, other than wholesale demolition = bad, which is something we’re well aware of. Other considerations that weren’t even mentioned in this are aspects of public safety (arson and the use of dilapidated structures in which to commit crimes, peddle drugs, etc.) and the question of revenue (clearing blighted structures for redevelopment). The article even mentions that of the 80,000 blighted structures, we’re attempting to save more than half.
Fujiko Nakaya: Veil
Philip Johnson Glass House
199 Elm Street, New Canaan, CT
Through November 30
For its 65th anniversary, Philip Johnson’s Glass House in New Canaan, Connecticut, is hosting an exhibition by Fujiko Nakaya that utilizes the historic site itself. Veil shrouds the Glass House as well as the surrounding landscape with fog by running fresh water through high-pressure pumps. The fog will be heavily released then dissipated at set time intervals to obscure the visibility of the area and create a unique experience for visitors.