Letter to the Editor> Health Food and Historic Preservation

The Coignet Building in Gowanus, Brooklyn is believed to be the first concrete building in New York City. (David Gallagher / Flickr)

The Coignet Building in Gowanus, Brooklyn is believed to be the first concrete building in New York City. (David Gallagher / Flickr)

[Editor's Note: The following are reader-submitted responses to a pair of articles about the opening of an urban Whole Foods in Gowanus, Brooklyn, “Suburbs Meet City” (AN 03_03.05.2014), and the pending redevelopment of the Coignet Building on the site, “Set in Stone” (AN 03_03.05.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

Thanks for the article (“Suburbs Meet CityAN 03_03.05.2014). About the note at the end referring to the project’s intent—is it possible that what could be a corporate marketing ploy on the front end positively contributes to a vibrant local culture? If consumers keep demanding this type of sensitive response from national corporations, I hope with time this business strategy evolves and matures from just local products and signs that say “Brooklyn” all the way to careful stewardship of a community, i.e. good use of the Coignet Building, etc. Thanks again.

Chris Hoal
Intern Architect
Gresham Smith & Partners

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De Blasio, Schumer Announce A Flood of Cash for Sandy Relief

East
Monday, April 21, 2014
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Houses damaged by Hurricane Sandy (Courtesy of David Sundberg)

Houses damaged by Hurricane Sandy. (David Sundberg / ESTO)

Seventeen months after Superstorm Sandy pummeled New York City, Mayor de Blasio and U.S. Senator Charles Schumer announced major changes to the city’s Sandy relief efforts. At an announcement in late March in the Rockaways, Mayor de Blasio said that $100 million of federal money has been reallocated into the city’s Build it Back program, which will help storm victims regardless of their income or priority level. The mayor’s office says that funds from this program are already being sent out.

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Photo of the Day: Final Segment of Calatrava’s NYC Transit Hub Arch Set In Place

Santiago Calatrava's World Trade Center Transit Hub. (Courtesy AN Tipster)

Santiago Calatrava’s World Trade Center Transit Hub. (Courtesy AN Tipster)

A tipster shared with us the above view of Santiago Calatrava‘s World Trade Center Transit Hub receiving the final piece of its giant steel arch. According to the tipster, “they JUST set the final tooth on the World Trade Center Transit Hub to complete the supporting structural system. Once welding is complete they will proceed with installing the “wings,” the cantilevered outriggers that complete the structural form.” Looks like this thing is about to soar.

Letter to the Editor> Competition Slayer

SOURCES OF ARCHITECTURAL SPECULATION. (COURTESY MARSHALL BROWN PROJECTS)

SOURCES OF ARCHITECTURAL SPECULATION. (COURTESY MARSHALL BROWN PROJECTS)

[Editor's Note: The following is a reader-submitted response to a backpage comment by Marshall Brown, “Kick the Architectural Competition Habit” (AN02_02.19.2014_Midwest). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

Bravo. This “addiction” at the top of the field inspires exploitation of architects all the way down the line. While I was in graduate school, a professor “employed” a classmate to pull all-nighters on a competition entry, which had no relation to his coursework.

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Before & After> Gustafson Guthrie Nichol Imagines a Pedestrian-Friendly Seattle

seattle-streetscape-01bseattle-streetscape-01a

The streets of downtown Seattle are set for a major overhaul, thanks to a new masterplan by Gustafson Guthrie Nichol. As AN reported in our recent West Coast edition, the Seattle-based firm has made recommendations to improve the pedestrian realm “centers on uniting the fragmented parts of the Pike-Pine corridor, two major thoroughfares at the heart of the retail core running east-west from Interstate 5 to the waterfront.”

Check out their dramatic proposed transformations overlayed on Seattle’s existing streetscape for a better look at how pedestrians and cyclists will fare under the plan.

More after the jump.

Yeezus! What a Jury! The Living and The Dead at MoMA PS1′s Young Architects Program

Design, East, Eavesdroplet
Thursday, April 10, 2014
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The Living's pavilion, Hy-Fi. (Courtesy The Living)

The Living’s pavilion, Hy-Fi. (Courtesy The Living)

The MoMA PS 1 jury process that selected the “100 percent organic pavilion Hy-Fi” for its 2014 pavilion may have been a contentious group. The museum announced last month that David Benjamin, the principal of Brooklyn-based firm The Living, would design the temporary structure. But several sources have told Eavesdrop that one of the short listed firms (Collective-LOK, PARA-Project, WOJR, over,under, Fake Industries Architectural Agonism, LAMAS, Pita + Bloom) was in fact told that it—not Benjamin—had won the design competition.

The story unfolds after the jump…

On View> “Apex: Tip Toland” at the Portland Art Museum

Art, On View, West
Thursday, April 10, 2014
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04-portland-tip-toland-archpaper

Apex: Tip Toland
Portland Art Museum
1219 SW Park Avenue
Portland, Oregon
Through May 11

Washington-based artist Tip Toland creates larger than life figures with painfully accurate details that highlight her subjects’ imperfections: wrinkles, sunspots, and other blemishes. Toland’s work has always dealt with figurative subject matter, though her approach has ranged from the surreal to the super-real. This exhibition focuses on the plight of albino children in Africa, many of whom face a never-ending nightmare of bigoted, superstitious persecution at the hand of the communities into which they are born. Deeply rooted in psychology, Toland’s carefully crafted portraits seek to disturb viewers, teasing out their deepest human sympathies only to clobber them with the cudgel of political subtext. The artist has said that her work “softens our hearts to what we are afraid of.” Unflinching in the face of terrible realities, it is certainly provocative.

On View> The Cincinnati Museum of Art Presents The Modernist Jewelry of Art Smith

Art, Midwest, On View
Wednesday, April 9, 2014
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(Courtesy Brooklyn Museum)

(Courtesy Brooklyn Museum)

From the Village to Vogue: The Modernist Jewelry of Art Smith
Cincinnati Museum of Art
953 Eden Park Drive
Cincinnati, OH
Through May 18

From the Village to Vogue: The Modernist Jewelry of Art Smith consists of twenty-four pieces of silver and gold jewelry created by the Brooklyn-reared modernist jeweler Arthur Smith (1917–1982). Smith trained at Cooper Union and opened his first shop on Cornelia Street in Greenwich Village in 1946. Art was an active supporter of the black and gay rights movement and early black modern dance groups. He included these themes in his works.

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Planner Friends of Dorothy: Chicago Launches LGBT Urban Planning Social Group

Eavesdroplet, Midwest
Monday, April 7, 2014
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(Courtesy Moxie)

(Courtesy Moxie)

Chicago’s urban planning history is epic and, therefore, it’s no surprise that the city draws young folks fresh out of school with their MUPs, MPAs, and MPPs in droves (yours truly was one these eight years ago). However, Eavesdrop had no clue how many of them were gay until a couple weeks ago. A young buck, Daniel Ronan—fresh (meat) off the boat from Portland, Oregon—started an LGBT social group for planner and policy folks called Moxie. The inaugural meeting, which took place at Hubbard Inn, was well-attended, including not one, but two AN contributors and Dr. Curtis Winkle, the department head at UIC’s College of Urban Planning and Public Affairs. And some hot guy from our gym whom Eavesdrop didn’t know was a planner—heyyy!

The next meetup takes place on Thursday, April 17 at the Vinyl Lounge Chicago. RSVP here.

Hooked on Fonts: Chicago Typographers Party Like They Just Don’t Kern

Eavesdroplet, Midwest
Friday, April 4, 2014
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The typographic bunch. (Courtesy Typeforce 5)

The typographic bunch. (Courtesy Typeforce 5)

Apparently, Chicagoans are bonkers for typography. Jeff Sanchez, Graphic Design Manager for the International Interior Design Association, invited us to Typeforce 5, “the annual showcase of typographic all-stars.” Hosted by the Co-Prosperity Sphere down in Bridgeport, this was the most well attended opening we’ve been to in ages. Eavesdrop bumped into old AN pals, like local designer Michael Savona and Gravity Tank power players Robert Zolna and Moritsugu Kariya. Robert, Eavesdrop wouldn’t mind a new day job, so, if you hire us, rest-assured we’d never use Comic Sans or Chiller in communications with clients. Call us!

On View> Pasadena’s Williamson Gallery puts Ray Eames in the spotlight

Art, Design, On View, West
Wednesday, April 2, 2014
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(Charles Eames / Eames Family Collection)

(Charles Eames / Eames Family Collection)

Ray Eames: In the Spotlight
Alyce de Roulet Williamson Gallery
Art Center College of Design, Hillside Campus
1400 Lida Street, Pasadena
Through May 4

Ray Eames: In the Spotlight features; letters, sketches, notes, photographs, paintings, films, process drawings, furniture, and collections that follow the great American designer’s interests and interactions with key places, people and institutions. Taken altogether, the presentation is an intimate study of Ray Eames’ world and seeks to get to the heart of her intensive hands-on creative process and the “way-it-should be-ness” that defined how Ray and Charles Eames lived and worked. In the Spotlight allows visitors to make their own connections to this great body of work, to explore their own creativity, and to apply Eames’ tools to their own lives.

Letter to the Editor> Brain Drain

Letter to the Editor, West
Tuesday, April 1, 2014
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"The Groove," Bangkok, Synthesis Design + Architecture. (Courtesy SDA)

“The Groove,” Bangkok, Synthesis Design + Architecture. (Courtesy SDA)

[ Editor's Note: The following are reader-submitted responses in reference to Sam Lubell’s editorial “Export Issues” (AN10_11.27.2013_West), in which Lubell argued that the U.S. is experiencing an architectural “brain drain” with all of the best talent and the best projects now going to Asia. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

This is one of the most poorly reasoned pieces I’ve ever read. When opportunities arise these firms will once again design for the U.S. in a snap. But in the meantime they are prospering, keeping their U.S. workers employed, and in essence “exporting” an American product—nothing wrong with any of that.

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