Culver City firm wHY Architecture has been selected to design a new art museum in Los Angeles for Maurice and Paul Marciano, the founders of clothing empire Guess? Inc. The museum will be located inside a marble-clad, four story Scottish Rite Masonic Temple on Wilshire Boulevard near Lucerne Boulevard.
When retrofitted in 2015, the austere building, originally designed by legendary artist Millard Sheets, will contain 90,000 square feet of exhibition space, showing off the Marciano’s impressive collection, which will be open for “periodic exhibitions for the public.”
wHY has also designed L&M Arts and Perry Rubenstein Gallery in LA, an expansion of the Speed Art Museum in Louisville, and the Tyler Museum of Art in Texas. They’re also working on a Studio Art Hall at Pomona College outside of LA.
SOM’s first major project in Los Angeles in years, the Los Angeles U.S. Courthouse, broke ground last week. Those in attendance included new LA mayor Eric Garcetti, who’s just beginning his rounds of ceremonial events around the city. The downtown commission, located at First Street and Broadway, was awarded late last year.
The 600,000 square foot building will include 24 courtrooms and 32 judicial chambers and will house the U.S. District Court and the Central District of California, among other facilities. Renderings reveal a serrated, glassy cube resting on a narrow, solid pedestal, and a sky-lit central courtyard at the building’s core. The project is pursuing a LEED Platinum rating. The design build team also includes Clark Construction and Jacobs Project Management.
Completion is scheduled for summer 2016.
The California airport boom continues. AN has recently taken a look at new or expanded terminals in Los Angeles, San Francisco, San Jose, and Long Beach. The latest is San Diego, where the $865 million “Green Build Expansion,” the largest in the airport’s history, is getting ready to open to the public tomorrow. It’s being designed and built by a joint venture made up of architects HNTB and construction specialists Turner/PCL/Flatiron.
Los Angeles Mayor Eric Garcetti last week named Global Green CEO Matt Petersen as the city’s first-ever Chief Sustainability Officer. Peterson, according to the mayor’s office, will be tasked with “making the city’s departments greener and neighborhoods healthier, and fulfilling Garcetti’s campaign promise of creating 20,000 new green jobs.” Peterson should also have his hands full, not only getting each city department to cooperate, but on thorny issues like regulation of the city’s ports and transit corridors.
Global Green, if you’re wondering, is a non-profit dedicated to “advocating for smart solutions to global warming including green building for affordable housing, schools, cities and communities that save money, improve health and create green jobs.” Since its founding almost 20 years ago it has organized design competitions, testified in congress, hosted awards, and raised money on behalf of green causes.
While RVCA and Handel Architects‘ Capitol Records–blocking Millennium Hollywood towers have received LA city approval, the controversial $600 million project is now facing another obstacle: mother nature. Geologists say that the 35-story and 39-story towers may sit on top of the active Hollywood Fault, and the state is demanding more testing to find out if the location presents a threat.
Things didn’t work out for installation experts Ball-Nogues Studio at MOCA’s New Sculpturalism show, but the firm has rebounded nicely. They’ve just completed mounting one of their most ambitious works yet: a 70-foot-tall upside-down replica of William Pereira’s Transamerica Pyramid, for the show Modernist Maverick: The Architecture of William Pereira, on view at the Nevada Art Museum in Reno, NV. The installation, made out of chain link and stainless steel plates, hangs from the ceiling via steel cables attached to the museum building’s structure.
“We distilled it to its barest essentials. It looks like the ghost of the building,” said Ball-Nogues principal Gaston Nogues. Each chain could only be attached at a specific point, so the hardest part was fine tuning the model, stretching and moving each possible iteration, added Nogues. “It’s quite labor intensive to make sure it looked flat, and that each chain had the right tension,” he said. The show, which opens next week, runs from through October 13. It looks at many other noted Pereira projects, including the Los Angeles County Museum of Art; the University of California, San Diego Geisel Library, and the Theme Building at LAX.
Los Angeles-based firm Synthesis Design + Architecture (SDA) has won the “Switch to Pure Volvo” competition to design a portable pavilion showing off the Swedish car company’s V60 plug-in electric hybrid. The 13-foot-tall, 16-foot-wide project’s sinuous form is composed of a moiré-patterned, vinyl-coated polyster fabric imbedded with flexible photovoltaic panels tensioned over CNC-bent aluminum rods. The display’s three sections echo the three modes of the car—hybrid, gas, and all-electric—and its curving form is also practical—its torqued compression between frame and skin enables the structure to stand without any extra support.
In 2005, the Ambassador Hotel in Los Angeles became one of the most notable buildings in U.S. history to be torn down. Now a new documentary, After 68: The Rise and Fall of the Ambassador Hotel, is hoping to tell its story. Its filmmakers are raising money to finish the project through a Kickstarter campaign. Directed by Camilo Silva, the film explores the history of the hotel, once a symbol of LA’s opulent westward expansion.
The Ambassador hosted, among others, Albert Einstein, F. Scott Fitzgerald, Winston Churchill, Amelia Earhart, Salvador Dali, Buzz Aldrin, Charles Lindbergh, Babe Ruth, Frank Sinatra, and Charlie Chaplin, and every U.S. president from Herbert Hoover to Richard Nixon. And of course Robert F. Kennedy was assassinated at its Coconut Grove nightclub, a location that also hosted six Academy Awards ceremonies.
In 2005 the beleaguered hotel was torn down to build a $600 million school complex for the LA Unified School District. The film digs into the building’s past and the controversy over its end, and captures the oral histories that are some of its only remaining memories. The Kickstarter campaign ends in two weeks.
We like to think of the Hollywood Palladium, recently renovated by Coe Architecture, as a groovy place to see a show. But it looks like it’s about to become a whole lot more, as one of the future centers of Hollywood’s unprecedented building boom. Curbed LA reports that a mixed use development is now being planned on the parking lots behind the landmark theater, including residential units, street level shops and restaurants, and, potentially, a hotel.
Welton Becket’s 1958 Santa Monica Civic Auditorium, once a beacon of midcentury optimism, this weekend shuttered its doors. The bending, intricately ornamented auditorium hosted several Academy Awards in the 1960s, as well as concerts by the likes of Eric Clapton, Frank Sinatra, James Brown, Ella Fitzgerald, Prince, and Bob Dylan.
But the facility recently fell on hard times, as bands gravitated to larger venues (leaving it mostly hosting trade fairs), and as a planned $52 million renovation was recently cancelled when California abolished its Community Redevelopment Agencies.
Santa Monica Civic, a working group strategizing the venue’s future, told the LA Times that it will take several months to develop a new plan for the landmarked structure, including film screenings, live theater, or even restaurants.