Reminding us that ski season is upon us, Portland-based architecture and design studio Rhiza A+D on October 3 opened the Entrance Tunnel of the Timberline Lodge on Mt. Hood in Oregon. Its undulating parabolic outer frame is more than a formal exercise – it translates to the interior’s parabolic frame that will carry the load for the eventual 20 feet of snow resting on top of it. The design, made of a dozen waterjet cut, half inch aluminum plate arches, will be constructed every year in October and taken down and stored every May. Read More
For those of you Silver Lake architects looking for new offices, may we recommend a great, and ironically cool spot. The Haven of Rest, once the 1970’s offices for a radio ministry of the same name (where you could “take the good ship Grace to Jesus with Captain Bill as your guide,”) is now a haven for creative workers. The spot, which opened in September (it sits next to the Haven’s original recording studio, which looks not unlike a giant boat) currently rents out workspaces and cubicles to filmmakers, writers, editors, a dancer, and a record company, among others. It was renovated back in the late 90’s by architect Barbara Bestor for record company Dust Bro’s, so it includes much of her brightly colored modern aesthetic. There are three or four offices left; contact Dirty Robber, the production company who leases the spaces, if you’re interested. Read More
The MAK Center‘s Silver Lake/ Los Feliz house tour yesterday helped once again put to rest the fallacy that Modernist homes have to be cold boxes with no regard for their contexts. On the contrary, the homes by Schindler, Ain, Ellwood, Soriano, and Harris focus on natural materials and highlight their landscapes: framing fantastic views, incorporating secluded gardens, and opening up with cross breezes, open courtyards, and double-height windows. Our favorite houses, Schindler’s Howe House (1926, just painstakingly restored by preservationist Michael LaFetra) and Ellwood’s Moore House (1965), induced zen-like contemplative states with their breathtaking landscapes, light-filled interlocking spaces, and warm wood cladding. And who knew that Soriano’s Schrage House (1952) had a waterfall and a killer model train setup in its garden? Read More
With its economy in the toilet and its legislature stuck in gridlock, California is .. hurting. But there is one area where the Golden State is still a leader. It’s one of the few states in the country to be developing an actual plan for rising sea levels: the California Climate Adaptation Strategy Draft. This, and other very relevant topics will be discussed tomorrow at a UC Berkeley symposium tomorrow called Battling The Sea Level Rise: Climate Adaptation Plans in California & Lessons for Developing World Cities. Read More
If you thought architects had no other talents outside of making shop drawings, you were wrong. But don’t take our word for it, check out “Unfrozen Music: Architects in Concert,” a show taking place in downtown LA this Saturday night with the talents of John Friedman Alice Kimm’s Alice Kimm (classical piano prodigy), NBBJ’s Jonathan Ward (Jazz legend), Landry Design Group’s Dan Murphy (guitar hero), and a bunch of others playing genres as varied as rock, country, and some form known as “Boogie.” (What exactly is Boogie?) The event will take place at 7:30 pm at the Colburn School’s Zipper Concert Hall, 200 South Grand Avenue. Tickets are $15, and all proceeds will benefit Habitat for Humanity. The host will be our good friend, KCRW’s Frances Anderton.
The Urban Land Institute is hosting a new awards program for Los Angeles called the ULI LARC (Los Angeles Real Creativity) Awards, which will be presented annually to “four recipients who, through their extraordinary vision and creative action, are helping to change our world” The winners will be divided into four categories: Design (conceptual designs), Enterprise (innovative companies or initiatives), Place (a completed building or space), and Idea (for a big idea with profound effects). The fun part is that anyone can nominate a candidate here until October 14. The awards ceremony will take place at 5900 Wilshire Blvd (former home of the A+D Museum) on December 5, and award presenters will include none other than Frank Gehry, who has also “designed” the award’s trophies. That is to say the ULI is handing over some Gehry-designed paperweights. Granted it’s a $975 paperweight the architect made for Tiffany’s, so it’s not too shabby of an award after all.
Gensler yesterday installed their shimmering Memorial to Fallen Officers, a 11,000 pound, backlit structure made up of hundreds of staggered brass plaques, in front of AECOM’s almost-finished Police Headquarters in Downtown LA. The structure travelled via trailer from Kansas City over the weekend. That was the good news. The not-so-good news, according to the LA Times, is that after the memorial was craned into place the designers realized it was facing the wrong way! Instead of swiveling the whole structure, they’re going to have to unscrew all the plaques and re-install them on the other side. Someone’s gonna have to investigate this one…
TV program developer William Wiegman is looking for a sexy architect (yes, that does exist) to host a new reality show he’s pitching that “takes viewers on an exploration of the world’s most famous rooftops.” Details on the show are still vague (the producers don’t want anyone stealing their ideas…), but according Wiegman, the “architect must be photogenic, male, 30-45, adventurous, and have an engaging personality on-camera. He must possess the physical agility of a rock climber and the intellectual prowess of an architectural historian.” Good idea, because this architect needs to be filmed standing on building roofs, among other things. Send resume and photos to firstname.lastname@example.org. Deadline for submissions is September 20.
After a recent visit we saw that Las Vegas’ 18 million square-foot City Center project, with buildings by Daniel Libeskind, Norman Foster, Cesar Pelli, Helmut Jahn, Rafael Vinoly, and KPF, among others, is well underway. In fact despite delays (remedied by foreign investors), the project’s web site still claims it will be done by this year. We also noticed that Libeskind’s new building is sporting a conspicuous Louis Vuitton logo. Only in Vegas.
LA architects Taalman Koch have taken their prefab sensibility from projects like the Off Grid iT House in Pioneertown to, of all places, The Americana at Brand, Grove-developer Rick Caruso’s latest lifestyle center/historic town recreation/playland in Glendale. The project, created for marketing and event company Sparks Exhibitions, is a temporary demo space for the new Palm Pre on the Americana’s large central lawn. The 12×20 structure (with a 12×16 deck) was constructed in about 12 hours on site. It was made with aluminum framing, swiss pearl walls, galvanized steel roof, and redwood floors, all prefabricated off site and tested at Spark’s factory. “When it got to the Americana it was completely ready; we didn’t even need a tape measure,” said Taalman Koch principal Alan Koch. The structure’s next stop, on Monday, is The Grove itself, where it will stay for two weeks. Read More
Plans for a $175 million expansion project for The Autry National Center of the American West in LA’s Griffith Park have been shelved. The expansion was proposed for the Autry’s Southwest Museum of the American Indian (the Center’s other two cultural facilities include the Museum of the American West, and the Institute for the Study of the American West). But according to the LA Times, its approval hinged on the Autry making a commitment to support the museum as a fully functioning art institution. And in a letter delivered to members of the Los Angeles City Council today, the Autry stated that such a commitment “would be irresponsible” and that it was withdrawing its proposal. As pointed out by Curbed LA, the Autry had put forward a contemporary-style proposal by architect Brenda Levin last spring, which would basically have doubled the museum’s size, from 142,000 square feet to 271,000 square feet, including exhibition and visible storage space for the collection. To see a walkthrough of the plans with Levin, visit here. The Autry says it will still care for the Southwest’s Native American art collection and historic building, and that they will convert Autry storage space into more galleries.
With the LA City Council banning multi-story supergraphics, digital billboards and some freeway signs last week (thanks Curbed, as always for the juicy details), we’ve suddently gotten nostalgic for these building-sized ads. So we thought we’d put together (ok, it was just me) some of our favorite mega-billboards from recent times, including the most ridiculous, of course. We encourage you to post your own favorite billboards here. C’mon people, let’s find some good ones! Here are some of our faves (oh, and check out our next issue to read about how the billboard ban will affect architects): Read More