A couple of months ago we introduced you to the W Hotel in Hollywood, a collaboration of some of the leading design talent in LA. One of those firms, Sussman Prejza, just sent us a video that shows off their all-important fiery red and multi-colored “W” signs, seen throughout the building. In addition to the behemoth 35-foot-tall W on top of the hotel, the firm designed a slew of animated signs, which sparkle thanks to LED’s, red and/or crystalline filters, and faceted, laser-cut acrylic surfaces. The signs vary from 2.5 to 5.5 feet tall and are programmed with their own dedicated control computer, 10 network switches, 61 power supplies and over 24,000 LEDs. And you thought all that Hollywood sparkle was simple, didn’t you?
Even though we already knew who had won ahead of time, we couldn’t help getting excited about AIA/LA’s ARCH IS__ awards, crowning “two exceptional young architects” at SCI-Arc on Monday night. The winners: Oyler Wu Collaborative and Tom Wiscombe/ Emergent. Both are pushing the envelope in terms of design, materials, engineering, and program, and are even starting to (slowly) build things. Read More
Ok, we promise this is our last link to AN contributor Alissa Walker’s Fast Company posts for a while. But this one is definitely worth it. The other day she focused on a subject we’ve been pondering for a long time: how despite their design expertise, most architects’ sites aren’t very good. Many, she points out, overuse gimmicks and make finding information and projects way too difficult. Sites for Jean Nouvel, Zaha Hadid, Renzo Piano, Rem Koolhaas’ OMA, she says, are all completely Flash-reliant (a no-no in the new i-Phone, i-Pad world) and “use label-less maps, wordless grids, sketches and other graphic devices with rollovers as navigation, with no easy way to locate or share projects.” One site that we at AN find particularly confusing is that of Lorcan O’Herlihy (one of our favorite architects, by the way), which puts projects into a grid that resembles the Periodic Table of the elements. Sure, it looks great, but.. Well, you get the idea.
Here’s another bad sign for the shaky real estate industry: The California Real Estate Journal, CA’s only statewide commercial real estate publication, is folding. The last issue of the weekly will be on April 5. We received confirmation from the CREJ this morning, but have not yet been able to speak in depth to anyone there. More word as we get it.. For what it’s worth, the pub has received 20 regional and national awards for excellence in journalism. Ah, excellence in journalism. What a quaint phrase..
The New York Times reports on a company called Calera, which says it can capture carbon dioxide emissions from coal and gas power plants and inject it into concrete. The company is pretty secretive about the process, but says that it combines carbon dioxide with seawater or groundwater brine, leaving calcium carbonate and magnesium carbonate, which are used in making cement. Many are skeptical that they can do this on a large scale, though, and others wonder about new environmental problems, like the creation of harmful acids. But if their claim is legit it could be a major boon to environmentalists and to the construction industry. This could be construction’s version of the Bloom box, which is essentially a little power plant in a box. What other inventions will transform our industry? Any ideas? Please chime in..
Our good friend Alissa Walker reports on Good’s blog about a trip this past Saturday led by BLDG BLOG author Geoff Manaugh to California City, a giant unbuilt city in the Mojave Desert, about 2 hours from LA. The trip was part of Obscura Day, described by its founders, Atlas Obscura, as “a day of expeditions, back-room tours, and hidden treasures in your home town. California City is about 80,000 acres of land that was purchased in 1958 by developer Nat Mendelsohn, who hoped to eventually make it the third largest city in California. Unfortunately that never happened. He only managed to corral about 10,000 people. The rest is just a desert carved with an empty grid of dirt streets. Walker points out that the streets, with names like Oldsmobile Drive, still show up on maps. More of the 70 strange places visited on Obscura Day included a visit to Berkeley’s spooky Bone Room, a tour of the Integatron sound chamber in Joshua Tree, and a visit to Baltimore’s Museum of Dentistry. Read More
Our friends at Curbed LA reported that Downtown LA’s legendary funicular Angel’s Flight finally re-opened yesterday after a 9 year hiatus (it closed in 2001 after an accident killed a tourist). The Victorian-era Flight, known as the “world’s shortest railway,” at 315 feet, was built in 1901 and has seen several iterations, the latest of which is being operated by Angels Flight Railway. It received its LA Public Utilities Commission safety approval earlier this month, so we consider it safe enough for our intrepid transit expert Alissa Walker to try it out. Stay tuned for her upcoming essay on the ride. To help you wait it out, check out a couple of our favorite photo compilations, here and here, of the Flight when it was first built. Especially fun to look at the now-defunct Victorians of Bunker Hill, the ornate masonry buildings, the city trolleys, and the great Victorian outfits.
Last night, thanks to our friends at deLab, we were lucky to check out one of the coolest paper structures ever assembled, called Fat Fringe. Hung from the ceiling of the new Fix Gallery in LA’s Pico Union, the die-cut canopy was put together by a team of loyal contributors who sliced, punched, and folded the structure (made up of 800 inter-connected origami-like components). The project was organized by LA gallery and arts incubator Materials and Applications, and was developed by designers Lisa Little and Emily White of the firm Layer. The wavy collection of white paper seems to morph into hundreds of fluttering shapes and it’s especially fun to see how light tries to make its way through, glowing, reflecting, and creating beams of light and mesmerizing shadows in the process. Layer will create another ambitious installation (this time made of more durable materials than paper ) for M+A’s outdoor courtyard this summer. Check out more pictures of Fat Fringe via deLab’s Marissa Gluck below: Read More
Finally, the roundup we’ve all been waiting for… Las Vegas Weekly just shared its five favorite Vegas nightclub bathrooms. Yes, the toilet has always been a particularly rich muse for design in Sin City, and let us tell you these ones don’t disappoint. The Vanity Nightclub at the Hard Rock Hotel & Casino, for instance, has flat screens over the urinals, faux reptile-skin walls, and giant blinking eye graphics. Another favorite is the loo at Déja Vu Erotic Ultra Lounge, where unisex (yes unisex) restrooms, hidden behind a waterfall, have LED lights that change color inside stalls with glass doors that fog up when locked. The ladies stall at the Mix Lounge at the Hotel at Mandalay Bay offers floor-to-ceiling windows that look out on the glittering Vegas Strip. Who knew you could have so much fun in a Vegas Bathroom? Well, scratch that. A lot of people do..
Gagosian Gallery is apparently trying to take over the world, with locations in New York, London, Rome, La Jolla, Hong Kong, and another coming to Paris. Its latest project is Richard Meier & Partners’ expansion of its Beverly Hills gallery which Meier originally designed in 1995. The new space adds 5,000 square feet to what was a 6,600 square foot building. We were able to step inside the project, which opened today on Beverly Hills’ swank Camden Drive, and we weren’t disappointed. The extension combines Meier’s signature pristine white walls and abundant natural light (long acid-etched skylights on both sides of the space are semi-opaque, but still reveal the color of the sky) combined with the grittiness of a wonderful existing barreled vaulted wood truss roof, which was discovered when the firm removed the ceiling from the building’s former tenants, Umberto’s Hair Salon. A huge translucent glass and aluminum sliding door at the street also lets in glowing light, and provides an easy entry for oversized works.
Jennifer Siegal’s Prefab Showhouse has been sitting on Venice’s Abbott Kinney Blvd since 2006, giving clients a preview of what they can get if they invest in a work by her firm, OMD (Office of Mobile Design). Well it’s no longer there. It was recently transported via semi and (once in the desert) robotic tank (yes, robotic tank) to Joshua Tree, where it has found its place as an off-the-grid guest residence for film producer Chris Hanley. The 720 square-foot steel frame structure, with a high sloping ceiling and a steel support chassis, uses solar panels for electricity and also has tankless water heaters, radiant heat ceiling panels, and translucent polycarbonate glazing. It’s not too far from one of our favorite desert houses, Taalmankoch’s iT House, in what is becoming a precious little off-the-grid architecture community. Oh, and if you go, make sure to check out one of our favorite bars in the world, Pioneertown’s Pappy and Harriet’s. Read More
Just when things were looking bleak for print, here comes new bi-monthly European publication Panorama, which has already been billed by one blogger as Europe’s answer to the Architect’s Newspaper. The printed (yes, PRINTED!) glossy broadsheet is published by the makers of Future Arquitecturas, a magazine on international competitions. A one year subscription will cost £15.00 in Europe and £17.00 in the rest of the world. We found its Facebook page here. No response yet from the pub, but it appears Panorama began last year, and is published in both English and Spanish. According to the RIBA bookshop, the January issue included an interview with Spanish architect Carlos Ferrater as well as stories on the new Dallas Theater Center, on plans for the new home of the National Archives of France, and Andalusia’s tallest building, The Towers of Hercules. We’re so proud of our little printed sibling.