Famed California modernist William Krisel is getting his day in the sun tomorrow. A documentary about his life and career, called William Krisel, Architect, is premiering as part of Palm Springs Modernism week at the Camelot Theater. The 86 minute film, directed by Jake Gorst, tracks, as the above preview suggests, a 60-year career in which Krisel built over 40,000 housing units and countless other buildings. And read our next issue for a Q+A with the designer, in which he talks about his latest ventures, his career, and his very favorite topic: the ailing state of the architecture profession.
Burdened by more than $3 million in debt, the Pasadena Playhouse closed its doors on Sunday. The nonprofit company intends to “explore viable options of financial reorganization, including bankruptcy, to determine a responsible solution for its ongoing operations,” according to a statement. While the theater’s fate is resolved, the Mission-style building itself, designed by Elmer Grey (who also designed much of CalTech’s campus) in 1925, will be protected, since it’s a California state landmark and owned by the city of Pasadena. But the situation doesn’t bode well for the two-phase project that Frank Gehry had agreed to undertake for the playhouse pro bono. That work included a renovation of its balcony performance space, the Carrie Hamilton Theater, and the creation of a new 300-400 seat theater across the street. Read More
It all seems so hush-hush, which is surprising in Hollywood, but the Hollywood Sign has apparently been in trouble for some time. Chicago-based Fox River Financial Resources has been trying to sell large parcels on the hill just next to its “H” for luxury homes. The company bought the land from the estate of Howard Hughes in 2002. Luckily the Trust For Public Land has secured an option to buy the 138-acres on Cahuenga Peak for about $12 million, hoping to maintain views of and around the sign, and to preserve local recreation and habitats. The Trust has already raised about $6 million from sources like the Tiffany & Co Foundation and from Hollywood celebrities like Julia Louis-Dreyfus, Virginia Madsen, and Aisha Tyler. Now all that’s left is for the group to raise another $6 million more by April 14 to complete the deal. To donate, go here.
Just when we thought budget cuts couldn’t get any deeper in LA, the City Council has put forward a motion to eliminate the Department of Cultural Affairs’ only regular revenue stream, the 1% allocation from the city’s Transient Occupancy Tax. The tax now funds a large portion of the department’s operations and programs. Local non-profit Arts For LA is hoping to block this move by organizing testimony against it at the LA city council meeting this Wednesday. They’re also calling on all concerned to reach out to their local council people. Here’s a link to find yours. So go ahead. Save the day.
Now that downtown LA has tossed its hat into the ring to compete for Eli Broad’s new contemporary art museum, we’ve finally reached Broad saturation. Broad has gotten the cities of Santa Monica, Culver City, and Beverly Hills to also compete for the museum, assuring that he gets the sweetest of sweetheart deals. Meanwhile, he basically controls most of the major public architecture and art in the city. There’s now the Broad Stage in Santa Monica, the Broad Contemporary Art Museum in Miracle Mile, the Broad Art Center at UCLA, as well as MOCA (bailed out and greatly influenced by Broad), the LA High School For the Performing Arts (largely funded by Broad), Disney Hall (pushed and funded by Broad), and the Grand Avenue Project (also largely supported by Broad). Phew. It’s great to have a guiding hand and all, but GEEZ! Ok, we promise not to mention the name Broad again. Until at least tomorrow…
Steven Spielberg has captured some dicey events on film: World War II, Alien Invasions, and Dinosaurs gone wild. But none of that can prepare him for the mess that he’s about to cover: the World Trade Center. Spielberg is producing a documentary for the Science Channel called Rebuilding Ground Zero, a six-part series set to run next year. The show is the brainchild of architect Danny Forster, who hosts and produces the Science Channel’s Build It Bigger, and it will be directed by Jonathan Hock, who shot Through the Fire, a documentary about Coney Island basketball star and NBA dud Sebastian Telfair. Each episode of Rebuilding will chronicle one aspect of the ultra-slow redevelopment, including the Freedom Tower, the memorials, the park, the museum, and the transportation hub. Perhaps Spielberg will conjure up some CGI magic to make the site look like more than a hole in the ground? We’ll have to wait and see.
Just when we thought that Santa Monica was all set to get Eli Broad’s new art museum (Santa Monica City Council is expected to vote on an “agreement in principal” for the museum on January 19), the LA Times gets an email from the Broad Foundation saying it wouldn’t make up its mind on a location for a few months. In the email, dated January 13, the Broad Foundation said: “There are more than three cities that have expressed an interest in the Broad Art Foundation headquarters/museum. Discussions are still ongoing, so we can’t say more at this point. But we’re keeping our options open and hope to make a decision on a location this spring.” The story also seems to resolve the location of that mysterious third possible location for the museum: a 10-acre parcel on the campus of West L.A. College in Culver City (although West L.A. College President Mark Rocha said he hasn’t heard a peep from Broad). This saga will obviously be drawn out until 2050, so we prescribe patience for those who want an answer soon.
Stanley Saitowitz’s highly original Conduit restaurant in San Francisco, which used slender and sculptural copper piping as a unique design focus, closed its doors in mid-January. Located on Valencia Street, the restaurant had won several design awards, including a 2008 AIA San Francisco Honor Award. On its Facebook page owner Brian Gavin noted: “The dining population shrank. We had a great first year,… then a roller-coaster second year. We just didn’t have enough diners.”
There’s hope for the greening of Downtown LA…. Last month the AIA’s Sustainable Design Assessment Team (SDAT), a group of eight sustainability experts (including architects, landscape architects, urban designers, transportation planners, business development professionals, and workforce training experts) from across the country, presented their preliminary ideas for Downtown to the local community. The event came thanks to a grant awarded to the Downtown Los Angeles Neighborhood Council (DLANC) by the AIA’s Center for Community Design. The team recommended that the DLANC’s Sustainability Committee start or continue working on small scale interventions like tree plantings, community gardens, bike lanes, rerouting buses, its Harlem Place stormwater management/open space project, a sustainability website, Parking Day LA and other outreach events. It also proposed developing a vision that included a checklist of reminders that for all began with E (Empowerment, Equity, Environment, Economy, and Example). The SDAT team’s final report is to be delivered to the Neighborhood Council in early February 2010. We’ll let you know what they come up with.
According to the Santa Monica Daily Press (via our senseis at Curbed) Santa Monica has basically claimed victory in its battle against Beverly Hills for Eli Broad’s new contemporary art museum. According to the story the Santa Monica City Council could vote on the deal as soon as this Tuesday. “I feel that the vast majority of issues have been discussed thoroughly and agreed to,” City Councilman Bob Holbrook told the Daily Press. Meanwhile in Beverly Hills city spokeswoman Cheryl Burnett told the Daily Press she wasn’t aware of any new developments in negotiations with the Broad Foundations. Doesn’t look good for Beverly Hills.. Read More
The LA Times has finally solved the mystery as to why LA Community Redevelopment Agency CEO Cecilia Estolano stepped down late last year. According to The Times (and Curbed LA), Estolano warned LA mayor Villaraigosa that she would resign before moving her agency to a building on the western edge of downtown, which the mayor had requested. ‘The mayor may want to know that he will lose the CEO of his CRA/LA over this,” Estolano wrote in one memo. The paper said that “Villaraigosa’s executive team was baffled by Estolano’s defiance and asked for her resignation.” In an interview with the Times Estolano disputed the claim that she was pushed out. Either way, she’s one of several top officials to leave or be pushed out by the mayor in his final term, as the story states. It’s a wild, uncertain time here in LA.
Architect Kemper Nomland, who built Case Study House #10, has died at age 90, reports the LA Times. Nomland, who was born in California, joined with his father to create the firm Nomland & Nomland after WWII. Their most famous commission was #10, the only Case Study to be built in Pasadena. The house, constructed in 1947, was designed for the sloping corner lot in its hillside neighborhood, with rooms placed strategically on several levels. Rooms were placed on several levels. Like most Case Study houses the project connected indoors and out with large glass walls and used affordable, off-the-shelf construction materials. According to the Times, after working with his father Nomland worked for several architectural firms, and at one point he designed a house for actress Jane Russell. He designed dozens of other homes, including his own.