We’ve learned from Curbed LA and the LA Times that John Lautner’s Shusett House (1951) in Beverly Hills is just days away from demolition. The crescent-shaped (and apparently legally unprotected) house was one of the architect’s first residential commissions. According to Curbed, in a last ditch effort the Lautner Foundation is writing the home’s owners, the Mannheims, to ask if they’ll allow moving the house off their property. Of course they need a buyer for the new house. And that’s where you come in. If interested please contact the Lautner Foundation before it’s too late.
Today, Frances Anderton shares her loving tribute to West Hollywood urban designer and dear friend to the LA design world John Chase. If you wish to share your own, friends and family will gather in West Hollywood for a memorial service this afternoon. Technically it’s considered a “celebration of his life.” And in that spirit all are encouraged to “dress as if John picked out your outfit.” That means bright and cheery, to say the least—no architect’s black allowed. We can’t wait to see what people choose to wear in his honor. The event takes place from 4pm to 7pm at Fiesta Hall in Weho’s Plummer Park at on his beloved Santa Monica Boulevard.
UPDATE: Below are a few fashionable pix from the event. The colorful clothes were a perfect tribute that John would have no-doubt loved. Read More
The red carpet is not a place where architects usually spend their time. But on Sunday Diller Scofidio + Renfro took home a Breakthrough Award, for their work in architecture. The prizes, handed out at the Pacific Design Center (AN was there believe it or not..) went to emerging performers like The Kids Are Alright’s Josh Hutcherson (Actor in Film) and Modern Family’s Sophia Vergara (Actress in TV). So how did Architecture wind up on the roster? “We’ve noticed that architects are starting to be known by name again,” said Jan Hall, Marketing Director for MMC, which runs the competition. On Monday, we’ll find out if DS+R win Eli Broad’s coveted new museum commission downtown. If they do, they’ll no doubt catapult into the elite starchitect sphere… Perhaps this is a harbinger of things to come?
The accolades keep pouring in for former West Hollywood Urban Designer John Chase. Frances Anderton is busy writing the obituary for us (and her blog for KCRW’s Design and Architecture is full of Chase memories). Here’s a lovely tribute from Marissa Gluck and Josh Williams at Curbed LA. And one from AN contributor Alissa Walker. And below is a moving piece from AN contributor Tibby Rothman:
In Memory of John Chase, Formidable Friend, Daring Dresser, Urban Enthusiast
LA planner James Rojas just posted this: “LA has lost its greatest urban planner. John Chase has passed away.”
But John Leighton Chase was also a writer. And, he was better than the rest of us at it. I remember reading his stuff for the first time, and knowing very clearly that I’d never be that good. Read More
We’re still reeling from the tragic death of Stephen Kanner, and now we have learned that two more of LA’s brightest lights, Elaine Jones and John Chase, have also died. Jones was A. Quincy Jones’ widow, and Chase was the urban designer for the City of West Hollywood. Both were valuable advocates for architecture and good friends. We’re still gathering information and will get it to you as soon as we can.
Back in April we took a sneak peak at CO Architects’ $107 million renovation of the Natural History Museum of Los Angeles County’s 1913 building. The project is finally done, and includes major seismic and structural upgrades, new exhibit installation, as well as the uncovering of original details like the ceramic-tiled exterior dome; an original stained glass skylight; and original marble walls. The museum re-opened a couple weeks ago, but only now released a whole batch of great pictures (courtesy of Tom Bonner). And they’re worth looking at. We especially appreciate the floating
dinosaurs animals hung from the ceiling via carefully placed wires just below large skylights. Enjoy! Read More
The LA Forum for Architecture and Urban Design just announced the winners of its Dingbat 2.0 competition, developing new designs to replace one of the most prevalent types of post-war LA apartment blocks. An exhibition of the winners went on display last Thursday, and will run through July 24 at LA Forum Events @ Woodbury Hollywood, 6518 Hollywood Boulevard. The winning professional scheme was “Microparcelization,” by the team of Carmen C. Cham, James Black, and Tyler Gross. The scheme replaces multi-family Dingbats with a new neighborhood made up of diverse, very small single family lots. The winning student team, from the Universidad Nacional del litoral in Argentina, transformed service streets into green spaces and deconstructed Dingbat boxes into diverse and original array of compositions. Incidentally, the third student prize went to Columbia University’s Ryan Lovett. We couldn’t help but notice that his entry, Substantiating Surface, looked exactly like his entry for the AN/SCI-ARC New Infrastructure competition last year (see bottom two pix after the jump). Hmm.. The idea—self sustaining communities within a tight urban grid—is strikingly similar as well. That’s not good.. Read More
After having rolled through the AIA Convention in Miami and Dwell on Design in Los Angeles, we just can’t get enough of the weirdness of American trade shows. Finally we’ve found a show that tops them all: The Building Owners and Managers Association (BOMA) Conference in Long Beach. The convention, which runs through tomorrow, is a delight for those looking to find those unsexy items that really make buildings run and last, like security systems, anti-mold measures, insurance, parking systems, janitorial services, outdoor lighting, and so on. And the exhibitors have outdone themselves with creative ways to get people to look at things that at first blush might not be too enticing. Start with the prospect of ipods, iphones, ipads, and flip video cameras, and move into interactive fare like a candy booth, a poker table, monogrammed golf balls, several golf putting greens, fresh-baked cookies, a wii station, a dart board, a wheel of fortune, and a good old fashioned raffle, to name just a few. Read More
LACMA’s new Resnick Pavilion by Renzo Piano doesn’t open until October, but the museum has given visitors a few chances to look inside. The results, which we took advantage of last week, are impressive. The single story, open-plan space feels raw, exposed, and much more comfortable in its skin than its neighbor, the Broad Contemporary Art Museum (also by Piano, by the way). Here are some of my snaps of the new building, which is fitted with an installation by Walter De Maria (called The 2000 Sculpture) made up of hundreds of repetitive plaster shapes that make up a mesmerizing grid, really bringing out the best in this new building. Read More
In a selection process with more leaks than the Titanic (or, ahem, the Gulf of Mexico) the LA Times reports (thanks to a number of anonymous sources) that Eli Broad is favoring Diller Scofidio + Renfro for his new contemporary art museum. In a previous leak the Times reported the narrowing of firms to Diller Scofidio and Rem Koolhaas’s OMA. This of course follows the leak that we first reported in March: that Broad was favoring downtown for the museum instead of Santa Monica. Of course none of this is official. In fact Broad hasn’t even formally announced a shortlist or a location. And he’s still waiting for city approval to lease the Bunker Hill site for $1 per year for 99 years (the LA CRA now owns the site, just next to the Walt Disney Concert Hall). But all this insider information is giving Washington politics and Wall Street banking a run for its money. Man, this Broad guy really knows how to play cities, and the media, doesn’t he? He should become a businessman or something. Meanwhile, is any firm hotter than Diller Scofidio + Renfro?
LA’s City Planning and Building and Safety departments, which we could not reach last week, have finally spoken up on the now-imperiled M Cube in Venice. To remind you LA City Council on Thursday rejected designer Mark Baez’s request to allow his floating modular, glass-clad, cube shaped apartment building an exception to remain two feet above the Venice Specific Plan’s requirement of 30 feet. Baez asserted that building inspectors informed him too late that the building was too tall, that his contractor bungled the height, and that the city was nitpicking over a height limit that other buildings are able to surpass. Baez may now resort to tearing down the building instead of going through with the costly changes. City planner Kevin Jones and building and safety investigator John Kelly beg to differ. Read More