Michael Maltzan Architecture has won the competition to redesign St. Petersburg, Florida’s iconic pier. In a group of ambitious proposals from the likes of West 8 and BIG (Bjarke Ingels Group), Maltzan’s scheme was perhaps the most so, with a group of interconnected bridges and pathways arranged along a figure-8 plan leading to a large shell-structure at its end. Called “The Lens,” the gigantic project will frame the city through its structure and create a connection between downtown St. Petersburg and its waterfront. It will include a new tidal reef, a civic green, raised walking paths, an amphitheater, a water park and other leisure activities. More on this breaking story to come shortly.
Matthew Marks Gallery tonight opens its new West Hollywood gallery, designed by architect Peter Zellner. The white, cube-shaped, 3,500 square foot building is highlighted by a huge sculpture by Ellsworth Kelly, which makes sense given that the gallery’s opening show, Ellsworth Kelly: Los Angeles, opens tomorrow. The sculpture, a dark colored bar measuring 8×40 feet, has been installed 30 feet off the ground, jutting ten inches out from the building facade, creating a floating effect. The metal sandwich panel structure was hung via a series of steel plates, “like hanging a painting,” said Zellner. Of course that’s a painting that weighs 5,000 pounds. Inside the lofty, spare gallery space, with its eight skylights, will be showing off some of Kelly’s finest work, including two works that inspired the facade piece: the collage Study for Black and White Panels (1954), and the painting Black Over White (1966).
After winning one of the top prizes at the Solar Decathlon competition, SCI-Arc and Caltech’s CHIP House is returning to Los Angeles for a victory lap. The unique net zero structure—with quilted, vinyl-covered polyester insulation stretched around its angled exterior—will be open to the public at the California Science Center in LA’s Exposition Park starting on Tuesday. It will stay there through the end of May.
Now that it’s clear that Christian de Portzamparc’s Academy of Motion Picture Arts and Sciences Museum in Hollywood will not happen (the Academy will instead reimagine the old May Company building for the museum), the Academy recently shared its plans with the LA Times to build a new amphitheater and 17,000 square foot event space on the dead project’s land. The group purchased the 3.5-acre lot near the intersection of Vine Street and Fountain Avenue in 2005 for $50 million. According to the Times, the amphitheater (to be used, of course, to screen movies) will include a raised grassy area and will seat about 300 people. Plans call for a 10,000-square-foot patio adjacent to the amphitheater designed for special events. It looks like the space is probably temporary, as Academy President Tom Sherak said the Academy will keep the space until the site’s value climbs back to its 2005 level. On second thought, this amphitheater could be here a while.
For the last several years, SCI-Arc’s Studio 1A has given new students the chance to literally make their mark by producing projects that become permanent fixtures at the school. On Friday, this year’s class revealed a project that started as a piece of clothing, then became a wire model, then became a mockup, and finally ended as a new undulating and faceted canopy and wall. Made of a recycled carbon fiber called Nyloboard, the project’s more than 2,000 pieces were all hand cut and, somehow, none are exactly alike. They’re attached with Gorilla Glue, nails, and screws. “It’s something that exists at the scale of the world, which can take years for an architect,” said Nathan Bishop, who along with Jackilin Hah Bloom and Jenny Wu led the studio.