Our friend Alissa Walker reports in LA Weekly that San Francisco’s Parklet craze (SF now has 23 of the parks built on former parking spaces) has reached the streets of Long Beach. Designed by Studio One Eleven, Southern California’s first parklet is a 30-foot-by-7-foot space with wood decking just outside of the city’s Lola’s Mexican restaurant. Lola’s owner, Luis Navarro, paid for the $20,000 parklet, plus the cost of the chairs and tables. According to the story two more Long Beach parklets will be opening in the next few months—one at a coffee shop and one at a Vietnamese restaurant. Meanwhile LA is on the way to getting its own parklets (hopefully) thanks to the launch of its Parklets Program at the end of last year.
The University of California Board of Regents yesterday approved the second phase of the rehabilitation of UC San Diego’s University House. Located on seven acres in La Jolla Farms, the eccentric 1952 structure was designed by noted Santa Fe architect William Lumpkins. It has been closed since 2004 when it was pronounced uninhabitable because of seismic and system deficiencies. Here’s the best part: the house will be renamed the Audrey Geisel University House, in honor of the widow of author Theodor ‘Dr. Seuss’ Geisel, a longtime philanthropic supporter of the campus. Mrs. Geisel has donated more than 8,000 of her husband’s original drawings, sketches, books, and other memorabilia to the university libraries and donated more than $20 million to UCSD. The entire cost of the Geisel House renovation, estimated at $10.5 million, will be covered by gift funds including $1.5 million gifted from the UC Office of the President.
Michael Maltzan Architecture has won the competition to redesign St. Petersburg, Florida’s iconic pier. In a group of ambitious proposals from the likes of West 8 and BIG (Bjarke Ingels Group), Maltzan’s scheme was perhaps the most so, with a group of interconnected bridges and pathways arranged along a figure-8 plan leading to a large shell-structure at its end. Called “The Lens,” the gigantic project will frame the city through its structure and create a connection between downtown St. Petersburg and its waterfront. It will include a new tidal reef, a civic green, raised walking paths, an amphitheater, a water park and other leisure activities. More on this breaking story to come shortly.
Matthew Marks Gallery tonight opens its new West Hollywood gallery, designed by architect Peter Zellner. The white, cube-shaped, 3,500 square foot building is highlighted by a huge sculpture by Ellsworth Kelly, which makes sense given that the gallery’s opening show, Ellsworth Kelly: Los Angeles, opens tomorrow. The sculpture, a dark colored bar measuring 8×40 feet, has been installed 30 feet off the ground, jutting ten inches out from the building facade, creating a floating effect. The metal sandwich panel structure was hung via a series of steel plates, “like hanging a painting,” said Zellner. Of course that’s a painting that weighs 5,000 pounds. Inside the lofty, spare gallery space, with its eight skylights, will be showing off some of Kelly’s finest work, including two works that inspired the facade piece: the collage Study for Black and White Panels (1954), and the painting Black Over White (1966).
After winning one of the top prizes at the Solar Decathlon competition, SCI-Arc and Caltech’s CHIP House is returning to Los Angeles for a victory lap. The unique net zero structure—with quilted, vinyl-covered polyester insulation stretched around its angled exterior—will be open to the public at the California Science Center in LA’s Exposition Park starting on Tuesday. It will stay there through the end of May.