The Pacific Design Center’s Red Building, the final piece of a three-structure complex, is nearing completion. Designed by Cesar Pelli, the building’s jutting red glass facade is in now in place, and the project should be complete by this fall. Photographer Kenneth Johansson has been documenting its construction for the last two years. His pictures don’t just reveal the developing bones of the building, they showcase the often-overlooked construction workers who make projects like this happen. “I have all the respect in the world for these guys,” said Johansson, of the builders, who he calls “heroic” (you can see why). He plans to release a book on the project next year. Enjoy this slideshow of the construction from start to the present. (Click on an image below to start)
Architecture isn’t just for rich, young caucasians. In fact with explosions in senior, minority and student populations it’s time to take a hard look at how these changes impact architecture. You can do that tonight at a panel called Designing By Demographics at LA’s Brewery, sponsored by AN. The event, hosted by journalist and media expert Marissa Gluck, brings in experts from architecture, art and community redevelopment to discuss how demographics impact design, from senior housing, to childcare, and low income communities. Panelists include architect Patrick Tighe, designer of the Sierra Bonita affordable housing project in West Hollywood; Edgar Arceneaux. Executive Director of the Watts House Project, an arts and community redevelopment project in Watts; and a great lineup of architects, artists, and academics. No to mention The Brewery is one of our favorite locations in LA ( Telemachus Studio at the Brewery, 672 South Avenue 21 Unit 2).
We got to see one of our favorite new architectural documentaries on Sunday, called Unfinished Spaces: Cuba’s Architecture of Revolution, by Alysa Nahmias and Ben Murray. The film documents the creation, and subsequent scuttling, of Cuba’s National Arts Schools. Designed by architects Ricardo Porro, Roberto Gottardi and Vittorio Garatti, the highly expressive Modernist schools, built mostly of Terra Cotta, were an example of visionary architecture and idealistic arts education for all, from dance to visual arts. But after the Castro government wearied of creative expression and embraced Soviet-style building, they changed their minds, shutting down construction, although classes later continued in the schools’ ruins. Now the country has once again done an about-face and is hoping to save them, despite a lack of government funding. Look at our next issue for a full review. And if you’re in LA, check out more screenings of the film on June 24 and June 25. Read More
David Hertz’s 747 House in Malibu— literally made from the wings and fuselage of a a retired 747— is not quite done (it’s residents are moving in now). But we’ve been able to get a few pictures of the house from photographer Sara Jane Boyers, who has been documenting the project since June 2008. Hertz obtained the 747 for $50,000, and has used every bit of it in the construction of the main residence and six ancillary structures (note the wing roofs and the engine fountain, for starters). Besides the obvious green-ness of being recycled from an airplane, the house also uses Solar power, radiant heating and natural ventilation. Enjoy these pix and stay tuned for more as the house finishes up.
We know Thom Mayne and Morphosis are moving. Now we know they’re moving REALLY soon. Their new headquarters, located just next to the new Expo Line tracks in Culver City, started construction last summer and are wrapping up this month. They need to move in by July 1, said Mayne, because the lease to their rented warehouse space next door is up. That should get things moving, despite some delays because of this year’s heavy rains.
Now you’ve got another date to look forward to next month besides July 4. The city of Los Angeles has officially declared July 16, 2011, which would have been John Lautner’s 100th birthday, John Lautner Day. That event will kick of the John Lautner Turns 100 Series, created by the John Lautner Foundation, which will feature a ridiculous amount of exhibitions, film screenings, home tours, symposia and receptions. By the way, if you haven’t visited a Lautner house before, you better do it now. A full list of activities below, and here. Read More
Yesterday we visited one of our favorite sites in Los Angeles: Watts Towers. The amazing complex, which includes four towers, a gazebo, fountains, and a slew of other jumbled elements, was designed by Simon, or Sam Rodia, a tile factory worker who labored on the project basically without stopping for over thirty years (from 1921-1954).
The structures rise as high as 100 feet and are clad with broken bottles, tiles (over 15,000 of them), sea shells, and pretty much anything else Rodia could get his hands on. Their frame is made from chicken wire, barbed wire, coat hangers, and other makeshift materials.
The feat is all the more amazing considering that Rodia didn’t study any sort of building trade and was illiterate. He usually worked until 1 or 2 in the morning then went back to work in a factory the next day.
After attending the recent Alt Build Expo in Santa Monica it became clear to us at AN that the aging Santa Monica Civic Auditorium, a Decorative Modernist structure designed by Welton Becket back in 1958, was in serious need of an update. (Becket, by the way, designed the Capitol Records Building, the Dorothy Chandler Pavilion, and a good deal more of mid-Century Los Angeles.)
Well it looks like our wish is coming true: On May 26 the Santa Monica City Council voted to approve a $47 million remodel and seismic retrofit of the auditorium, using Santa Monica Redevelopment Agency funds (the vote to allocate funds was sped up because such monies may soon be frozen once the state budget is passed).
No firm has been chosen, but we will keep our eyes peeled on the RFP, which was posted here last month. ”They anticipate a design build contract,” said Santa Monica spokesperson Carol Lemlein, who noted that perspective teams will be made up of architects, contractors, engineers, and preservation experts. Read More
Tonight gives Angelenos the chance to check out the classic film The Music Man inside the Los Angeles Theater. With its glass chandeliers, Corinthian columns, and intricate Baroque details, the Los Angeles is one of the most ornate movie palaces you’ll ever visit. It’s the second week of Last Remaining Seats, the LA Conservancy’s popular series that opens up Broadway’s once great (and now mostly dormant) theaters again. That includes the Orpheum, the Million Dollar Theater, and more. This year is Last Remaining Seats’ 25th Anniversary. Other engagements include King Kong at the Los Angeles and Sunset Boulevard at the Palace. Find tickets here. More pix of theaters after the jump. Read More
Seattle architecture firm Miller Hull, a past winner of the AIA national Firm Award, may be best-known for their work in the Pacific Northwest, but they’ve also been active in San Diego for the last seven years. Now the firm is finally opening an office in the city, giving them a physical presence and simplifying things for their architects and for clients.