We’ve finally gotten a reveal of Millenium Hollywood, the two residential and hotel towers planned on either side of the Capitol Records building in Hollywood. The verdict: What Capitol Records Building? New renderings suggest the landmark 1956 Welton Becket-designed structure could basically disappear from view.
Shimoda Design Group’s Museum of Neon Art, whose future had been placed in Jeopardy with the closing of California’s redevelopment agencies, has been saved, says the Glendale News-Press. Last week an oversight board composed of various Glendale officials voted to leave the museum’s contract in place. The two-story, 7,300 square foot building with an adjacent 5,000 square foot plaza is anticipated to become the southern anchor for Glendale’s emerging arts and entertainment district. It will contain, among many other items, the Virginia Court Motel Diver, a large, bright red and white marquee dating from the 1940’s that will be placed on the museum’s roof; and a 20-foot-tall Clayton Plumbers Sign, with its giant neon faucet and neon blue drips, which will be located in the open air plaza.
We just got our first look at next year’s SCI-Arc graduation pavilion, League of Shadows, by Los Angeles-firm P-A-T-T-E-R-N-S. Whoah. The pavilion, which will seat 1,200 people, will be built in the SCI-Arc parking lot for graduation events in spring 2013. The three-fingered structure will be made up of multi-story, angled frames (ahem) patterned with dark, vaulted, and layered multi-colored fabric strips, with seams like sails. The pavilion’s significant height will provide long shadows (hence the project’s name) and its location on the south end of the SCI-Arc parking lot will make it a sign for the school. Entries from the four competing architects will be on display in the SCI-Arc Library Gallery from October 19 to December 2.
If you’ve never seen Richard Neutra’s Kaufmann House or Albert Frey’s Palm Springs City Hall, now is your chance. This weekend Docomomo is hosing Palm Springs architecture tours, which will show off some of the city’s most famous architecture. The tours, which also include visits to the homes of Frank Sinatra, Elvis Presley, and Cary Grant, are part of Docomomo’s US Tour Day, which offers similar events across the country, in 22 states. These includes tours of the Farnsworth House in Illinois, Eero Saarinen’s TWA Terminal in New York, and buildings by Felix Candela in Houston.
Last week AN revealed Neil Denari’s winning scheme for the $140 million Keelung Harbor Service Project, a plan to redevelop the Taiwan city’s underexploited waterfront for arts, office, recreation, and industrial uses. Above and below is one of the impressive runners up, the scheme by P-A-R (Platform for Architecture + Research) and Sériès et Sériès along with local architect Ricky Liu Associates. The project consisted of a cargo building, a 20-story office complex, and a three-story cruise ship terminal, all connected via a sloping, faceted landscape.
Almost two years after the idea was first floated, AEG and Gensler’s 72,000 seat, $1.2 billion stadium proposal was approved by LA City Council on Friday. The vote in favor of the project’s environmental impact report (EIR) clears the way for the developer to seek an NFL team and for Gensler’s steel-winged Farmers Field to move ahead. The stadium had experienced some controversy lately as news spread that AEG was putting itself up for sale. But that didn’t deter the council, which voted 12-0 to move ahead with the plan.
The stadium, and an adjacent convention center that was recently panned by an architectural commission, is being paid for privately, although funds are coming from $275 million in tax-exempt bonds. Another proposal by developer Ed Roski and architect Dan Meis, located in the City of Industry, is also trying to lure a team. Let the games begin.
LA Mayor Antonio Villaraigosa’s “Vision Team,” a group of eight architects consulting on the city’s planned football stadium and convention center expansion have issued a damning report on the latter project, reports the LA Daily News. The center is being designed by Populous and developed by AEG. “This is not good city design,” Norman Millar, dean of Woodbury University School of Architecture, and a Vision Team member, told the Daily News this week. Among the team’s complaints, they worry about having visitors enter the new hall through a dark passage created by bridging the building over Pico Boulevard. The team also frets about possible fumes under the tunnel, the configuration of the center’s huge ballroom, and the amount of natural light that would enter the building. The Vision Team also includes Hitoshi Abe, chairman of Architecture & Urban Design at UCLA; Scott Johnson of Johnson Fain; Joseph Coriaty, a partner at Frederick Fisher and Partner; and Paul Danna, principal at SOM. The group has met at least three times. Villaraigosa’s spokesman Peter Sanders told the Daily News that the mayor knew about the Vision Team’s concerns. “We believe we have the best plan given the constraints that exist,” Sanders wrote. The project’s EIR goes before LA City Council tomorrow. Read More
On Friday AN visited Michael Maltzan‘s new art space, Regen Projects, on Santa Monica Boulevard in Hollywood. The gallery, founded by Stuart Regen and Shaun Caley Regen, moved to its current gritty location from West Hollywood, and showcases artists like Doug Aitken, Catherine Opie, Andrea Zittel, Dan Graham, and Anish Kapoor. From the outside, the 20,000 square foot project resembles its own urbanscape, with stacked and staggered white boxes taking on the appearance of abstracted buildings in a skyline. Inside, light glows warmly into the main gallery through a system that Maltzan created in which the light from a long rooftop skylight is split via a metallic divider into two separate scrim-covered wells.
Last year we showcased Oyler Wu’s SCI-Arc graduation pavilion, a swooping steel, fabric, and rope construction that floated above the event like a billowing sail. For last week’s graduation the firm added a small addition while making significant improvements. The addition, which sat school directors and special guests, became a stage for diploma presentation. Made of a torqued steel shell fitted with twisting fabric (Wu calls it a three dimensional twist), the addition is no replication: it creates a simpler, more unified complement to the original, which involves a more complex web of fabric and roping. As for the original pavilion, they replaced its (disturbingly) dirty fabric with darker material and re-oriented the whole thing toward the school itself. Next year’s pavilion will be designed by Marcelo Spina. We can’t wait.