As part of ongoing subtle austerity measures, the U.S. General Services Administration (GSA) announced Monday that as part of the National Historic Lighthouse Preservation Act of 2000, they will transfer ownership of 12 lighthouses to willing non-federal-government organizations. Eligible state or local governments, non-profit corporations, historic preservation groups, or community development organizations have 60 days to file a letter expressing interest in the properties. If no suitable taker is found, then a public auction will take place. The measure is part of President Obama’s initiative to save $1.5 billion in federal money by reducing overhead costs of maintaining federal real estate, and the GSA claims that they are on track to save $3.5 billion by the end of the year. Read More
Who builds your architecture? “Not architects,” said Reinhold Martin. “By definition, architects do not build; they make drawings, write contracts, and do all these other things.” At New School’s Vera List Center on May 3, a roundtable facilitated debate and speculation on the rights of the lesser-discussed “workers” that make architecture happen.
The word “folly” is derived from the French folie, or “foolishness.” Also known as an “eyecatcher,” a folly was traditionally an extravagant, non-functional building, which was meant to enhance the landscape. Rooted in Romantic ideals of the picturesque, a folly often acted as an ornate small-scale intervention which transformed and visually dramatized the landscape around it. The winners of this year’s Folly Competition sponsored by The Architectural League of New York and Socrates Sculpture Park, competition winners Jerome Haferd and K. Brandt Knapp proposed a new interpretation of the folly, “Curtain.” Read More
Bringin’ it back to the old school, to the days of 3D online meet-up spots and avatars, when chat rooms were actual digitally-modelled rooms, “Breaking Out and Breaking In” was a “distributed film fest,” where users watched movies at home and came together in the comments section of BLDGBLOG to discuss the films. It was a blurring of the real and the digital. In partnership with Filmmaker magazine, the series focused on films which were either about bank heists (breaking in) or prison escapes (breaking out), positing them as “the use and misuse of space.” Films were watched during a period of four months, and the festival culminated with a panel discussion at Columbia’s GSAPP featuring two FBI agents alongside designers and critics.
For most architecture students, a model malfunction won’t land you in the middle of a river, but one group of Buffalonian risk takers at the University of Buffalo School of Architecture and Planning, under the direction of Associate Professor Jean La Marche were up for the challenge. Students Troy Barnes, Stephen Olson, Scott Selin, and Adrian Solecki designed and installed half of a bridge—made of cardboard—cantilevered over the Buffalo River, and invited people to step out over the water. The frightening experiment worked, challenging conventional notions of material constraints.
Walking into the large, egg-like structure of the MoMA Ps1 Performance Dome, the German electronic band Kraftwerk’s song “Man-Machine” was the perfect accompaniment to the architecture. Their music represents the kind of progressive attitude towards materials (instruments) and aesthetics (sounds) that is captured perfectly in the temporary structure. A shiny, white, geodesic dome reminiscent of fellow early techno-fetishist Buckminster Fuller, the space features a super-high-fidelity sound system, 8 screens projecting various computer art, and not much else. It is the ideal pairing of minimalism and technology with Kraftwerk’s slick electronic melodies. Read More
Brooklyn-based architecture practice Bureau V unleashed a spectacular design for the Original Music Workshop, a new non-profit arts organization which will open in 2013 with a wide range of musical programming, from classical to jazz to experimental sound. Located in the heart of Williamsburg, Brooklyn, the performance center was designed in collaboration with engineering gurus Arup and features state of the art acoustical technologies.
Archizines, an exhibition of contemporary, small architectural magazines from around the world, is on view at Storefront for Art and Architecture through June 9. The traveling show includes a range of small, ‘experiemental’ publications, from the always entertaining Evil People in Modernist Homes In Popular Films and Fresh Meat, to the more ephemeral New City Reader and Another Pamphlet, and even some hi-fi productions such as CLOG, Beyond, and Volume. In conjunction with the exhibition was a two day symposium April 20 and 21, addressing this unique sliver of the publishing industry and surveying its present and future relevance. Read More
A massive new urban farming project in Sunset Park, Brooklyn was announced last week by New York City-based Bright Farms, a company dedicated to building hydroponic farms close to supermarkets. The Sunset Park project will be the largest rooftop farm in the city, and possibly the world. At 100,000 square feet, it could potentially yield 1 million pounds of produce a year and joins several other agricultural projects in Brooklyn. Brooklyn Grange, another rooftop farming operation located in Queens, is planning to open a 45,000 square foot urban farm at the Brooklyn Navy Yard, and farm-developers Gotham Greens will be opening a new location in the borough as well.