Yesterday, we wrote a story about Jason Schupbach taking over as the NEA’s Design Director. Today, we decided to post that story to Twitter and to look up Schupbach so we could include him in the tweet. What we found were two Twitter accounts, @CreateMA and @thecheesefreak. As it turns out, in addition to being a fan of design and grant writing, Schupbach loves cheese, or so we gleaned from the site, the CheeseFreak, the latter handle directed us to. There, an often giddy Schupbach has posted 24 episodes of his cheesy vlog since September along with very detailed posts about the cheeses and experiences surrounding them. That’s an average of more than three a month, kind of putting us to shame. If he brings even half this much enthusiasm to the NEA, we’re all in luck. And to learn more about all the great work he’s done in the recent past, here‘s a profile from the Globe that we turned up on Google. Ah, the Internet. (Oh, and it goes without saying that if you’re not already following us on Twitter, please do so.)
MIT reached a settlement with Frank Gehry last month for what had been called a flawed, leaky design for his Ray and Maria Stata Center that led to a 2007 lawsuit, which also named construction manager Skanska as responsible. Blair Kamin revealed the news Tuesday on his Cityscapes blog, but he didn’t reveal much as the settlement remains private. Drawing on an MIT student newspaper story from March 19, Kamin notes,
“MIT retained outside consultants to examine the construction for defects, and those consultants produced reports which are not publicly available.” The account does not say whether any money changed hands in the settlement. [...] In an email Tuesday, Gehry said no money was involved in the settlement. On March 30, the university’s news office issued a joint statement from MIT, Gehry’s firm (Gehry Partners) and Skanska saying that the lawsuit had been “amicably resolved.”
So there you have it. Legacy preserved.
So the iconic HOLLYWOOD sign was nearly turned into the backyard for a bunch of mansions, but fortunately the recession intervened—one of a surprising number of upsides to the downside, it seems. But that doesn’t mean those big white letters aren’t seeming a little tired, and so a Dutch designer has come up with a rather clever new use that Curbed tipped us off to: turn the sign into a giant hotel. As Christian Bay-Jorgensen explained it to the Daily News, “The ultimate goal would be to preserve an internationally recognized landmark while helping the city generate badly needed funding.” If that weren’t bad enough, our pal Alissa Walker points us to Jeffrey Inaba’s plan to uproot the individual letters, loaning them out to areas of town in need of cache. The design provocateur explains after the jump, plus images of both, uh, projects. Read More
As the redevelopment of the massive Domino Sugar refinery on the WIlliamsburg waterfront continues to trudge through the city’s public review process, what remains of the once mighty sweetener plant continues to deteriorate—or improve, depending on your attitudes towards street art. Following on the footsteps of the busted windows some feared would cause water damage to the main refinery building, now warring graffiti crews have set up shop on the bin building. A concrete addition from the 1960s that will be demolished to make way for some of Rafael Viñoly’s 2,200 apartments, the bin building has now been bombed by no fewer than 5 graffiti writers. But it’s not all bad news for the development, as it won conditional approval from Borough President Marty Markowitz on Friday, though some of those conditions are pretty steep Read More
Few things go together better than public radio and art museums—and not just for those ubiquitous canvas tote bags—and yet it was still a pleasant surprise to hear our dear friend and chief MoMA design curator Barry Bergdoll on one of our favorite shows, Marketplace, this evening. Bergdoll and his sonorous voice were on to discuss Rising Currents, the recently opened show we’ve followed very closely, including our latest feature. There was plenty of discussion about hard and soft infrastructure, the inherent optimism of a rather pessimistic venture, the value of oysterculture, and glocalism. And if that weren’t enough, today’s episode turns out to be a double feature, as there was also a piece looking at the potential (fiscal) downside of the Governor’s Island deal.
In the latest issue of the paper, Lebbeus Woods pays tribute to his friend and colleague Raimund Abraham, who died last month. Here, we gather together a survey of the visionary architect’s work, both built and—perhaps more importantly—unbuilt, for as Woods recounts of Abraham, “Building, he believed, necessarily violates nature’s wholeness, and must be done with a full awareness of consequences.” Click the image above of Abraham’s best known building, the Austrian Cultural Forum in New York, to begin the slideshow. (Special thanks to Stefan Heßling for generously sharing his images of Abraham’s musikstudio in Germany.)
You can also watch Abraham’s last lecture, delivered at SCI-Arc the night of March 3. He died in a car accident on his way home.