There’s never been a Pecha Kucha in Port-au-Prince before. But on February 20, some 280 cities across the globe that have hosted the 20-seconds-per-20-slides architecture presentation cum party will join together to try and raise $1 million for Architecture for Humanity’s relief efforts in Haiti. As the Pecha Kucha people put it on their site, it only took a matter of seconds for hundreds of thousands of lives to be forever changed. Hopefully, 200,000 design-savy, humanitarian-minded types will get together for a few more seconds in a week-and-a-half and start to put things back in order. Read More
With snowpocalypse about to descend on the city, summer feels a long way away. But there is cause for sun-soaked celebration today, as the Landmarks Preservation commission calendared the Shore Theater, the first step in the public review process to make the building an official city landmark. The calendaring is actually the first fruits to bear from the Bloomberg administration’s 13th hour deal with developer Joe Sitt. It will be months before amusements return to a saved Coney Island, but a major negotiating point for the community—and the amusement community in particular—was more landmarks in Coney to protect the area’s historic buildings from the flood of development the city’s rezoning hopes to create. So far, there are no other buildings in the docket besides the 1920s theater-and-hotel building, though, which could be cause for concern—especially after the area’s oldest building recently suffered water damage. Still, after decades of deterioration, any progress is good. In other landmarks news… Read More
Despite the frustration of having to drive everywhere, often sitting through interminable traffic, at least Angelinos can boast some of the prettiest parking structures in the country. One of the latest to the game is Pugh + Scarpa’s dressed up garages for the redeveloped Santa Monica Place mall, garages that were originally designed by the same man behind the now demolished mall, Frank Gehry himself. Not content to simply dress up some old garages with a flashy new facade, the mall has dedicated space on each of the two parking structures for art installations Read More
For readers of the paper—the print paper, that is—you know full well the importance of our reviews section, just as vital to the pulse of the architectural discourse as the news and features we regularly publish. Online, however, we have never had a good, dedicated place for these disquisitions on the latest books, exhibitions, and ephemera. But, no longer! Now, we will be posting one review from recent issues each Friday, for your weekend enjoyment. Perhaps you can pull it up on your new iPad with the Sunday Times, or print it out and enjoy with a bloody mary or two. We know that’s what Herbert Muschamp, subject of our inaugural effort, would have done. And don’t forget to check back next Friday for more. Until then, happy reading.
First there was Ezra Stoller, then Julius Shulman. Now comes Iwan Baan, who is furiously “remaking the genre” of architectural photography, as Charles Renfro put it to Fred Bernstein in Sunday’s Times. Baan, while only 34, has an exploding, explosive list of clients. As Bernstein explains, “Mr. Baan’s work, while still showing architecture in flattering lights and from carefully chosen angles, does away with the old feeling of chilly perfection. In its place he offers untidiness, of the kind that comes from real people moving though buildings and real cities massing around them.” It is for this reason, among many others, that Baan was selected as one of a dozen photographers in our annual Best Of issue, now online. Not surprisingly, his work turns up throughout, bringing to life everything from the High Line’s lighting to 41 Cooper Square’s facade. Do think of calling on him—as well as the hundreds of other contractors, fabricators, and suppliers in Best Of—next time you need a smart hand or steady eye on one of your projects.