The San Francisco Bay Area is home to many landmark works of modern landscape architecture. While the names of Lawrence Halprin, Robert Royston, and Dan Kiley may not be known to a general public that just recently latched on to Eames and Neutra, the Washington, D.C.-based Cultural Landscape Foundation is trying to change that. This weekend, it is holding What’s Out There Weekend San Francisco, free tours of publicly accessible landscapes across the region, from San Francisco proper to Oakland down to Santa Clara. Read More
Discussion: Eva Hagberg & Roy McMakin
University Press Books
Thursday, September 8, 2011
6:00 – 7:30 p.m.
Writer Eva Hagberg’s new book, Nature Framed: At Home in the Landscape (The Monacelli Press, 2011, $50), has a granola-crunchy-sounding title, but the architecture inside is as sharp as it gets. From a delicate floating house on Lake Huron by MOS to Anderson Anderson Architecture’s acrylic-clad Chameleon House in Michigan, these houses are not, for the most part, about blending in.
Among the 24 projects included in the book is True House in Seattle by artist/furniture designer/architect Roy McMakin, who also recently published a monograph titled Roy McMakin: When is a chair not a chair? where he details his often-whimsical furniture designs from the past 30 years.
Catch both minds at Berkeley’s University Press Books for a discussion on design this Thursday!
Last night, the AIA SF launched a new exhibition, Architecture of Consequence: San Francisco, kicking off a whole slew of events in its annual Architecture in the City Festival, the country’s biggest such celebration of the built environment. The exhibit explores important social needs that architects can address and features the work of four San Francisco firms—Iwamoto Scott Architecture, Fletcher Studio, SOM, and Envelope A+D—side-by-side with four Dutch firms—Van Bergen Kolpa Architecten, 2012 Architecten, ZUS (Zones Humaines Sensibles), and OMA.
As the San Francisco Chronicle‘s urban design critic for the last decade, John King is one of the Bay Area’s most influential champions of good architecture. He chronicles the city’s projects, both large and small, with an eye to how they how they affect the city. (Most recently, he sounded the alarm about how the America’s Cup, with its proposed yacht dock, could change the waterfront for the worse.) His new book of short essays, Cityscapes (Heyday, 2011, $14.95), is based on his weekly column of the same name.
One of the biggest projects on the San Francisco Peninsula is the upcoming $720 million Stanford Hospital. It will replace — though not displace — the hospital’s current home, a three-story affair designed by Edward Durell Stone in 1959, which has a concrete brise-soleil and is very much a building of its time. The new structure, which Rafael Viñoly Architects is in charge of, looks more like a hotel than a hospital, and the design is an indication of what state-of-the-art healthcare facilities are emphasizing these days. Designed to maximize natural lighting in what is often a rather closed, oppressive environment, the Viñoly hospital features a checkerboard layout, in which buildings are interspersed with squares of open space.
A couple of weeks ago, AIA San Francisco wound up its annual “Architecture and the City” festival with a nice jolt of inspiration. In an event at SPUR, organized in conjunction with GOOD Magazine, designers presented solutions to real-world problems. All of the conundrums were interesting and meaty: The California Public Utilities Commission, for example, wants more people to install solar hot water (Civil Twilight’s proposed marketing campaign included bright-yellow outdoor showers for surfers), and the Santa Clara Valley Transportation Authority wants to get more people to take public transportation in bus-phobic Silicon Valley (Brute Labs suggested a new service based on the corporate shuttle model). But the most poignant of all the problems was posed by retirement-home developer AgeSong: “To create a forgetfulness-friendly city and environment where many seniors in the early and more moderate stages of forgetfulness can live safely and happily.” Read More
Stanford University has been commissioning a storm of new buildings, and it just opened the Li Ka Shing Center for Learning and Knowledge, the centerpiece for its med school. The $90.2 million project squeezes in a range of programs, including a mock operating theater for training purposes, a 350-seat conference hall, and the student center. Visually, the building needed to be the “greeter” for Stanford Medical School, which previously had no architectural focal point. San Francisco firm NBBJ went for a touch of the neoclassical, with a deep overhang anchored by columns. Read More
Of the 11 projects on the AIA SF Home Tours this year, the breakout sensation was the house of husband-and-wife design team Andrew Dunbar and Zoee Astrakan, of Interstice Architects (Dunbar is an architect, Astrakan is a landscape designer). There were certainly some lovely, finely detailed projects on the tour, but this particular house was interesting because in lieu of slick modernism, it had a freewheeling, “let’s throw something up and see what sticks” feel to it. (Other design publications agree: the project just appeared in the New York Times). It’s DIY, but on a scale that architects can pull off. Read More
One of the Bay Area’s venerable firms, EHDD (founded in 1972 by Joseph Esherick, George Homsey, Peter Dodge and Chuck Davis, the last of which is still active in the office), joins the list of firms that have been working in China. However, its new project is not a speculative skyscraper in Shanghai or some other bigger-than-thou marquee building. It is an architectural triumph of another sort: a much-needed rural school that incorporates modern methodologies for sustainable design. It also manages to evoke Chinese vernacular architecture in a modest, graceful way–an aesthetic coup that seems to be a rarity in modern China. Read More
Now that LEED is old-hat, architects are starting to talk about net-zero buildings: ones that produce as much energy that they consume. Prefab pioneer Michelle Kaufmann just announced three new prefab designs that are net-zero, offering them through a partnership with Bay Area company Studio 101 Designs. The models start at 422 square feet at a cost of $66,500 ($158 per square foot). Read More