A recent New York Times article piqued not only a literary memory of the cult classic Ecotopia, but also a visual memory from an early work by the exemplary West Coast practitioner Craig Hodgetts.
Writing from what used to be called “Berserkley,” California, Scott Timberg begins his article with these observations:
“Sometimes a book, or an idea, can be obscure and widely influential at the same time. That’s the case with Ecotopia, a 1970s cult novel, originally self-published by its author, Ernest Callenbach, that has seeped into the American groundwater without becoming well known. Read More
Contemporary art curator and AN colleague Leanne Mella has organized a potent and compelling exhibition entitled The Prisoner’s Dilemma for the Cisneros Fontanals Art Foundation, known as CIFO, in downtown Miami.
With noble intentions, given the socio-political climate of the recent past, the work in Mella’s exhibition showcases the ways in which artists respond to the exercise of power in contemporary life. The politics of the show are highly nuanced, visually stunning, and often quite poetic. Read More
Designer and AN friend Ken Saylor, of saylor+sirola, reports from Art|Basel|Miami Beach:
For the seventh year in a row, the international art world descended upon Miami Beach to instantly transform the city into a galaxy of cultural production, salesmanship, and hopefully, with this year’s delicate economy, elite consumption. If you add cars, champagne, mojitos, and cigars, provided by the current corporate sponsors, one’s experience of Art|Basel|Miami Beach was a decadently over-the-top trip to the beach.
With 24 auxiliary fairs attaching themselves to the main event, it is impossible to see everything, although everyone runs around the city in frantic abandon—entourages in tow—to openings, parties, parties, and, yes, more parties. Read More