Right now you can log on to Leuphana University in Lüneburg, Germany’s Leuphana Digital School and participate in online courses being led by none other than Daniel Libeskind. Professor Libeskind, on the faculty at Leuphana since 2007, is collaborating with other professors and a team of tutors to guide students on the “Ideal City of the 21st Century.” The university conceived of the project as a “cost- and barrier-free academic course for collaborative web-based learning.” Online students will participate in six team assignments through the end of April. Their goal: to design an ideal city and invite others to experience it through digital visualization.
Enrollment is on-going so students can enter for any of the assignments and even arrange for college credit with home institutions. Students are asked to upload text, diagrams, photographs, and videos as the project progresses. Video lectures will also be presented by Libeskind and participating faculty. In the end, a winning team will be announced and all material could eventually be published. We’ll be sure to report on the outcome of the project once it’s complete.
If you have ever seen the film To Live and Die in L.A. then you know the Gerald Desmond Bridge. It has a starring role in the opening sequence, when Treasury agent Richard Chance (played by William Peterson) bungee jumps off of it. You probably haven’t bungeed off it yourself, but If you’ve ever driven across it, you might get why it needs replacing. The original bridge, according to the project website, “is nearing the end of its intended lifespan.” In fact, the old bridge, while considered safe, is a little scary. Netting has been suspended beneath it to catch pieces of falling concrete. Additionally, its approaches are too steep, it’s too narrow, and perhaps most importantly, the newest container ships can’t fit under it.
AN contributor Guy Horton remembers California icon Huell Howser, who passed away on January 7.
I once emailed Huell Howser about an idea I had for an episode of “California’s Gold,” his much-loved public television show that for nineteen years took him and viewers all over the state. He even did fifteen shows devoted to Downtown LA, its communities, history, and architecture. I knew he would get it. Read More
[Editor's note: Our fearless correspondent Guy Horton shares his thoughts—Gonzo Style—on the AIA/LA Awards Ceremony that took place on the Broad Stage in the Santa Monica Performing Arts Center. And he was surprisingly assured by it all. Read ahead, if you dare. And enjoy the slideshow of the Design Award winners at the end.]
To those who missed it,
Man you should have been there. It was crazy. Honestly, the most insane Awards I’ve been to in years. Moby was there. You know he’s been doing this LA architecture blog. He called LA urbanism a “shit show.” Can you believe that? Brilliant. That got repeated a lot and I imagine it will become the buzz-word for the 2012 Awards: The Shit Show. In a good way, of course. He looked a little nervous. Saw him before he went on stage to introduce things. Told me the whole architecture economic situation really sucks. I know, I told him. But that’s OK. We get by.
Guy Horton, a frequent contributor to AN, here adds his thoughts on the still-steaming controversy over MVRDV’s twin towers.
MVRDV’s design for what they call The Cloud, a twin high-rise with a connecting “cloud” above the waistline, has resulted in an blitz of negative criticism. Americans who have never heard of the Dutch firm are now phoning and emailing threats and condemnation non-stop—some are personal threats aimed at individuals. They have even been called “Al Qaeda lovers.”