Reclaim NYC x2 at NY Design Week

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Monday, May 13, 2013
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(courtesy Reclaim NYC)

(courtesy Reclaim NYC)

Reclaim NYC, the grassroots organization established for post-Hurricane Sandy relief in the design community, will hold its second furniture exhibition and charity sale during New York Design Week from May 16 to 18 at 446 Broadway, a 5,000-square-foot gallery in the heart of Soho. All event proceeds will go to local communities affected by Hurricane Sandy via the Brooklyn Recovery Fund, a sub sect of the Brooklyn Community Foundation.

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From the Floor> Coverings 2013 Products

East, Product
Friday, May 10, 2013
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Bellavita_SoMa

SoMa by Bellavita Tile

More than 900 ceramic and sanitary ware manufacturers from 50 countries exhibited at Coverings 2013 in Atlanta, but three days to take in two exhibit halls and a back-to-back education program only made a dent in the offerings. The following is a cross section of some of the stand-out products displayed on the show floor last week.

SoMa
Bellavita Tile

Bellavita Tile translates San Francisco’s South of Market neighborhood-style onto ceramic with SoMa (above), a multi functional unglazed porcelain that can withstand high traffic in commercial applications. The collection comes in Matte or Polished finishes for interiors, as well as Structured for exteriors or wet areas, and six colors are available on 24 by 24-, 12 by 24-, and 12 by 12-inch formats. Three mixed formats, mosiacs and coordinating trims are also available.

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A Sartorial ‘Shop in Shop’ for Neil Barrett

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Friday, May 10, 2013
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A series of curvaceous, modular display shelves by Zaha Hadid Architects creates a powerful store image for Neil Barrett. (Virgile Simon Bertrand)

Zaha Hadid Architects designed 16 bespoke polyurethane display units for fashion designer Neil Barrett’s shops.

Fashion designer Neil Barrett hired Zaha Hadid Architects to design a cohesive display concept for a new flagship store in Tokyo that could be easily rolled out to his other locations as well, which include four shops in Seoul and one in Hong Kong. The result had to be as sartorial as Barrett’s fashions, so Hadid’s team came up with the idea of cutting the displays for all of the stores from a single block of material. The concept resulted in 16 bespoke display elements, which all fit together like pieces of a puzzle.

“We wanted to design a project that always belongs together but offers a choice between different sizes,” said project architect Claudia Wulf. “The reason we designed a modular landscape is that we have extremely different area requirements [across all of the shops].” The units, which are carved from a solid unit, range in size from 13 1/2 feet by 13 3/4 feet to 4 feet by 6 feet. Paired, the units create a sinuous artificial landscape that unfolds across multiple display levels. The pieces can be grouped to suit the scale and space of each boutique, and display shoes, bags, or accessories just as easily. Read More

From the Floor: Installation Design Showcase at Coverings 2013

East, Product
Monday, May 6, 2013
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Coverings13IDS_03

A tile-centric vignette designed by Michael Nieswander and Margaret Nysewander of ASD Inc. was installed at Coverings 2013 over a period of four days. (Lagniappe Studio)

Trade shows are no longer simply product exhibitions: Education and networking sessions have become essential components to a show’s success. Coverings has expanded this formula to include installation vignette’s that, built over the course of four days during the show, demonstrate the versatility and variety of applications for ceramic tile. The Installation Design Showcase has paired four local, Atlanta-based design firms with four installation teams that have achieved the National Tile Contractors Association (NTCA) Five Star Recognition, and have been certified by the Ceramic Tile Education Foundation. Now in its fifth year, the teams will produce a bar/lounge; a hotel lobby; an in-patient room in a women’s birthing center; and a master bathroom, all designed to demonstrate the design possibilities of tile and stone.

“These rooms are not all settings in which you would necessarily expect to see tile,” said Bart Bettiga, executive director, NTCA. “Above all, the Showcase highlights just how important the ongoing designer/installer partnership is to a successful project. Bringing the field to life in this way is another example of what makes Coverings a unique and valuable experience.”

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Tiled Topography from e+i studio

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Friday, May 3, 2013
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e+i Studio designed a modular, 50- by 60-foot pavilion surfaced entirely in Italian tile. (courtesy Ceramics of Italy)

e+i studio of New York won a design competition for their concept of a trade show pavilion made entirely from Italian tile.

Crafting a memorable and intimate environment within voluminous convention halls can be a daunting challenge. To establish a meaningful presence in such environs, Ceramics of Italy tapped into the A&D community with a competition in 2012 for unique booth designs to showcase the products of its manufacturers. Piazza Ceramica, designed by e+i Studio and fabricated by A&M Production, won the competition. Its proposal was installed at the Coverings Tile and Stone trade show in 2012 and 2013. Inspired by Italy’s social culture, architects Ian Gordon and Eva Perez de Vega used the idea of a public space to showcase tiles produced in Italy for a bespoke, modular pavilion that houses a multi-function program of a café, information kiosk, and restaurant.

The design utilizes a topographical approach to build up the pavilion’s perimeter with seating and display installed product. “From the beginning, we started to look at the topography in a series of parametric studies to determine the optimal stair/riser ratio to integrate the substructure of the two mounds,” said Perez de Vega. “From there, we wanted color to be an important component to showcase the qualities of the tile to transition smoothly from intense greens to reds to whites.” Read More

Product> Lightfair 2013 Finds From the Floor

East, Product
Tuesday, April 30, 2013
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Fino_amerlux_800

Fino by Amerlux.

Lightfair International held its 2013 edition at Philadelphia’s Pennsylvania Convention Center from April 21–25. More than 500 exhibitors, including 80-plus first-timers, filled over 200,000 square feet of exhibition space with the latest lighting technologies, from solar fittings to roadway fixtures, and rounded out a robust conference program with ample networking opportunities. Following are a handful of standout products from Lightfair’s exhibitors.

Fino
Amerlux

Designed for corporate and hospitality settings, the wall mounted Fino produces indirect light for washing floors or ceilings. Aluminum construction with an extruded latching system was designed to be set within sheet rock for hairline seams. Once installed, light from a replaceable LED board bounces off an internal reflector to produce a soft, even glow. Fino is available in increments of 6-inch lengths.

More after the jump.

Digital Design Focus at ICFF

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Friday, April 26, 2013
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HANDS-ON DESKTOP PROTOTYPING FOR DESIGNERS

HANDS-ON DESKTOP PROTOTYPING FOR DESIGNERS (courtesy DesignX)

Experts in digital design will lead four days of workshops and dialog at ICFF.

The International Contemporary Furniture Fair (ICFF) is expanding its program offerings with DesignX, its first ever series of digital design and fabrication training workshops conducted by leading experts in field. The four days of educational sessions will cover digital tools, cloud-based apps, 3D printing, and other related topics.

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A Game of Cat’s Cradle with yo_cy

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Friday, April 19, 2013
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Cast Thicket is the winning submission of the APPLIED: Research through Fabrication competition.

Cast Thicket is the winning submission of the APPLIED: Research through Fabrication competition. (Kevin McClellan)

Kenneth Tracy and Christine Yogiaman of yo_cy applied research from working with concrete to dispel the singular material tendency of digital fabrication.

Out of 68 submissions from 17 countries across four continents, the winning proposal of Tex-Fab’s APPLIED: Research through Fabrication competition at the University of Texas at Arlington came from Kenneth Tracy and Christine Yogiaman of yo_cy, a collaborative design studio that utilizes digital techniques for maximum design effect. Their winning idea is called Cast Thicket, a study in tensile concrete that takes off in variations like a game of Cat’s Cradle.

“The initial idea was to apply our research toward the competition,” said Tracy. The designers used their experience with an Indonesian material called bilik—a soft, woven bamboo mat typically used as a vertical divider—that helped form a fabric, cast concrete wall for a residential project in Southeast Asia. “We wanted to make something from a construction material that is normally very heavy looking [and] invert the stereotype of the carved aesthetics of concrete to create something that is lacy, thin, and delicate.” Read More

Sail Away: The Granoff Collection

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Friday, April 12, 2013
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Goetz Composites fabricated the Granoff Collection of modular furniture for a new Diller, Scofidio + Renfro-designed building at Brown University. (courtesy Taylor McKenzie-Veal)

Fiber reinforced plastic forms the shell for a modular sofa unit, a chair, and a table that doubles as a stool.  (Taylor McKenzie-Veal)

Goetz Composites fabricated the Granoff Collection of modular furniture for a new Diller, Scofidio + Renfro-designed building at Brown University.

Brown University’s Granoff Center for the Creative Arts, completed by Diller, Scofidio + Renfro in 2010, was a direct result of the institution’s studies on how students and faculty interact today. Since most interdisciplinary exchanges were taking place in stairwells over classrooms, the architects designed a central escalier with five landings where the school’s population could meet among rotating student installations. One year after the building opened, the users realized that something was missing on the escalier: a place to sit. To rectify the situation, graduate students from the Rhode Island School of Design (RISD) collaborated with Brown alumni to design a unique collection of furniture named for the building’s patrons, Perry and Marty Granoff.

The alumni designers—Taylor McKenzie-Veal, Scot Bailey, Ian Stell, and Yumi Yoshida—crafted a line of modular furniture that includes a sofa, a chair, and a table that doubles as a stool. The line caters to local industry in materiality; namely the state’s maritime history. “The boating and composite expertise in Rhode Island has a long-standing history of excellence and [we] consulted and collaborated with a local composites and engineering firm while developing and prototyping the design,” said McKenzie-Veal.

Continue reading after the jump.

A Corian Carnival in SoHo

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Friday, April 5, 2013
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Associated Fabrication produced 34 bollard-shaped merchandise displays for Melissa Shoes in SoHo. (Melissa Hom)

Associated Fabrication produced 34 bollard-shaped merchandise displays. (Melissa Hom)

Brooklyn-based Associated Fabrication realized all the merchandise displays, benching, shelving, and cash wraps for Melissa Shoes in Pearl Gray Corian.

Before Kinky Boots came to Broadway, Melissa Shoes opened shop in SoHo. The Brazilian shoe brand, known for its use of brightly colored, recycled PVC material and collaborations with designers like Jason Wu, Vivienne Westwood, and Gareth Pugh, opened its first U.S. boutique in the states last year. With the help of local architecture firm Eight Inc. and Brooklyn-based Associated Fabrication, a distinguished aesthetic was achieved that supports the original Sao Paulo shop’s rotating art theme, but with a much cleaner slate of epoxy floors and Pearl Gray Corian bollard-like merchandise displays.

Working from two-dimensional drawings provided by the architects, Jeffrey Taras of Associated Fabrication used Rhino to model the 34 display platforms. Taras grouped the displays, which resemble blunted stalagmites, into categories of varying heights and configurations—single columns in four different heights, double columns in two groupings, and one cluster of three columns. Read More

Pyramid Scheming with Michigan Architecture Students

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Friday, March 29, 2013
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Four truncated pyramidal units make up Stalactites. (Harold-Sprague Solie and Geoffrey Salvatore)

Four truncated pyramidal units made from Bristol board make up Stalactites. (Harold-Sprague Solie and Geoffrey Salvatore)

Two students in the University of Michigan’s Taubman College of Architecture + Urban Planning designed a textural, horizontal installation with complete transparency.

When Harold-Sprague Solie and Geoffrey Salvatore developed their decorative 12- by 5-foot ceiling installation Stalactites for a graduate course with Tsz Yan Ng at the University of Michigan’s Taubman College of Architecture + Urban Planning, the goal was to produce a design and fabrication process with an accompanying detailed set of documents. “We wanted to take the focus away from just the object at the end and go through a set of drawings to help [the viewer] understand the installation and bring him or her into it,” said Salvatore. He expressed the desire for complete transparency, since architecture tends to conceal the labor details, and explained that this process helps expose some of the hidden logic of the project.

So while the drawings began as aids for viewing and understanding the project, they became useful as Solie and Salvatore went through the design process. “[As we worked] we’d have these drawing to fall back on; to rediscover ideas, to catch mistakes and reveal things we’d have missed,” Solie said. Read More

Aidlin Darling’s Ribbed Canopy

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Friday, March 22, 2013
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Aidlin Darling Design's 46-foot-long canopy evokes plumes of smoke.

A 46-foot-long canopy of painted MDF evokes plumes of smoke in a San Francisco barbecue restaurant. (Matthew Millman Photography)

With the help of Laser Alliance and Chris French Metal, Aidlin Darling Design crafted a hanging ceiling canopy composed of 180 wooden ribs.

Wexler’s refined spin on farm-to-table barbecue in San Francisco’s financial district offers guests an authentically char-grilled dining experience, minus the smoldering cinders. Inspired by its progressive grill menu, local multidisciplinary firm Aidlin Darling Design dreamed up a 46-foot-long billowing ceiling canopy that hovers over the dining room like a plume of smoke. The feature also extends to the exterior, doubling as an awning over the main entrance that beckons passersby.

“The original design, based on an undulating plane of smoke, was designed in both AutoCad and Rhino, [using the] lofting feature that extrapolates geometry between two curves,” said Adrienne Swiatocha, project architect for Aidlin Darling Design. The canopy’s softly curving profiles at the exterior and at the end of the wall were hand-drawn. The architects used Rhino to amplify and adjust these curves throughout the center portion of the canopy. This varying amplitude echoes the way smoke dissipates across a room. “[Then], we sliced the three dimensional plane every few inches to generate a bunch of curved line profiles, and offset it by 5 inches to create a second, curving, thickened line.” Read More

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