St. Louis’ Grand Center neighborhood has gone through a lot of changes. Though it was hit hard by suburban flight during the 1950s, in recent years the historic and predominantly African-American community area has enjoyed an artistic revival bolstered by theaters and cultural institutions like the Pulitzer Foundation for the Arts.
Now a confluence of development corporations and nonprofits want the midtown neighborhood “to become the premiere cultural and entertainment tourist destination in the Midwest.” Read More
After traveling all over the Western Hemisphere to inspect built work by emerging architects from Canada to Chile, a team of judges awarded the first-ever Mies Crown Hall Americas Prize on Tuesday, bestowing $25,000 and an offer to teach at the Illinois Institute of Technology (IIT) on Mauricio Pezo and Sofia Von Ellrichshausen for their poetic Poli House, perched above the Pacific Ocean on a cliff in Tomé, Chile.
Studio Gang’s treehouse revamp of Writers Theatre isn’t the only North Shore performance space to dance with organic forms. Designers Michael Loverich and Antonio Torres of The Bittertang Farm won $15,000 to install a temporary stage for performances in Lake Forest, where renderings show sculpted piles of hay and wavy architectural forms that “melt into the existing landscape.”
Decades before the Americans With Disabilities Act, Frank Lloyd Wright designed an accessible home for a World War II veteran. Now Wright’s only home designed for a person with a disability will open to the public. Wright’s Kenneth & Phyllis Laurent House in Rockford, Illinois opens for tours on June 6, two days before what would have been its architect’s 147th birthday.
Visitors to Chicago’s John Hancock Tower this weekend were, of course, treated to the skyscraper’s stunning views of Lake Michigan and downtown Chicago, but the thrill-seekers among them also had another option. On the 94th floor, up to eight people at a time can stand in a glass box that tilts out 20 degrees, dangling them 1,000 feet above the street.
Friday> Freecell & Pulitzer Foundation turn a vacant lot in St. Louis into a parade of public programs
Last year, a vacant lot across the street from the Pulitzer Foundation in St. Louis became the site of a design competition for a temporary built-environment installation. New York’s Freecell Architecture won PXSTL’s $50,000 project budget and $10,000 honorarium for a proposal to erect an adjustable canopy for performances and gatherings—an idea Kristina Van Dyke, director of the Pulitzer Foundation, called “both monumental and ephemeral at the same time.”
Six months after its proposal for a mid-sized development on the site of Chicago’s one-time “punk rock donut shop” raised height concerns, developer BlitzLake Capital Partners has scaled back its plans. Now the mixed-use development at the corner of Belmont and Clark in the Lakeview neighborhood is hoping for eight stories instead of 11.
It looks like design history is in the air here in Chicago. The Chicago Design Museum is in the middle of a Kickstarter campaign to launch an exhibition looking back at 100 years of graphic arts. Chicagoisms just opened at The Art Institute—a meditation on Chicago’s architectural history and mythology that builds off a previous exhibition of unbuilt work reviewed here.
Now another exhibit glances at Chicago’s design history to better assess its present and future.
In January Louisville Mayor Greg Fischer implored local designers and developers to propose ideas for 250 of the city’s several thousand vacant lots. Last week they announced four winners, which included gardens of dye plants for local textile production; a Habitat for Humanity–style homeownership program; environmental remediation via lavender fields; and meditation gardens made of recycled materials.