Russian Posters – Rodchenko 120
Indiana University–Purdue University Indianapolis
Herron School of Art and Design Marsh Gallery
735 West New York Street, Indianapolis, IN
Through August 24
In recognition of the 120th anniversary of the birth of Alexander Rodchenko, Moscow Design Week organized a poster campaign honoring the Russian avant-garde artist, graphic designer, and photographer. Commissioning work from twenty prominent Russian poster artists, the campaign sought to create a dialogue between contemporary graphic designers and a master of the discipline. Sergei Serov, curator of the project, writes, “The posters are not only a tribute to the great artist, but a reflection on the historical destiny of graphic design.” The posters all bear Rodchenko’s influence in unique ways. Elements from some of his most notable designs are repurposed, utilizing Rodchenko’s own language of collage and geometric composition. These strict geometries inform Nikolai Shtok’s entry, above, where simple geometric forms are abstracted and composed as a Rodchenko-inspired typography.
There are many reasons to love Summer Streets in New York—or open streets programs in most cities across the country—but one of the best is the opportunity to stand in the middle of Park Avenue, Fourth Avenue, or Lafayette Street gawking up at the city’s architecture without becoming roadkill. Walking Off the Big Apple presents a list of notable buildings along the route in easy to use Google map form. Summer Streets is back again tomorrow and the following Saturday from 7:00 a.m. to 1:00 p.m., so look for Mies’ Seagram Building, Stanford White’s 23 Park, or, of course, Grand Central Terminal.
Also be on the lookout for this crazy bike-powered musical instrument called the Cyclo-Phone (above) by Marcelo Ertorteguy and Sara Valente. Curbed New York spotted the crazy contraption made of kiddie pools and PVC pipes at Astor Place.
A one-mile-long pedestrian bridge spanning the Ohio River between Louisville, Kentucky and Jeffersonville, Indiana is under construction and expected to open next spring. With work progressing on laying a new concrete deck on the circa 1895 former railroad bridge and a dramatic elliptical spiral ramp built of Cor-ten steel to match the patina of the old span already soaring above the Hargreaves-designed Waterfront Park in Louisville. The latest piece of the puzzle came into focus in late July as a new park in downtown Jeffersonville was unveiled to the public.
Urban rooftop farming is on the up-and-up in New York City and across the country. Putting his official stamp of approval on the movement, New York Mayor Bloomberg stopped by the city’s largest rooftop farm, the 43,000-square-foot Brooklyn Grange atop a building in the Brooklyn Navy Yard. With the growing season in full swing, the plants were towering nearly as high as the Manhattan skyline in the distance.
Saturdays in August, Manhattan is made for pedestrians and cyclists. The fifth season of Summer Streets, New York City’s spectacularly popular open streets program where a major thoroughfare is closed off to traffic and opened up to just about everything else, kicks off tomorrow, August 4 from 7:00 a.m. to 1:00 p.m. Lafayette Street and Park Avenue will play host to thousands of New Yorkers experiencing the city in a way normally only someone with a death wish might, and this year, the NYC Department of Transportation is stringing out new attractions along the nearly seven mile route.
In the middle of a lightly populated island in the middle of a French reservoir—the Ile de Vassivière—an eerie green glow rises from the crest of a hill at dusk, indicating that you’ve found OTRO, a phosphorescent skate park of sinuous bowls and tunnels. Designed by artist Koo Jeong-A, L’Escaut Architectures, and skateboard consultants Brusk and Barricade, the project is described as “skateable artwork” and located near a large chateau housing the International Center of Art and Landscape, a light house designed by Aldo Rossi, and a humanoid piece of land art only visible from high above.
If everything had gone according to plan, New York’s highly anticipated bike-sharing system called Citi Bike would be in full swing. Unfortunately, earlier this month the city announced that a computer software glitch had pushed the opening back until August. While we can handle waiting one more month, rumors that the planned 10,000 bright blue Citi Bikes might not hit the street until next year had us alarmed.
They’re being phased out in Europe and in many other countries around the world (but not in the U.S.), but there’s no denying that the soft, yellow glow from incandescent light bulbs—especially the low-Wattage Edison original that’s a staple in any Brooklyn-chic bar or restaurant—hasn’t been matched by fluorescent or LED alternatives. Until now. Lancaster, PA-based artist Luke Anderson partneres with a ceramicist and a glass blower to create a larger-than-life modern version of the Edison bulb called Alva—the famous inventor’s middle name—built with modern LED technology but with the nostalgic glow of the original.
As children love to imagine, what if we actually built our cities out of Legos? A bridge in Wuppertal, Germany, a city of 350,000 to the northeast of Cologne, offers one vision of what that city might look like. Street artist Martin Heuwold, or as he tags, MEGX, created the grand illusion last fall when he painted a dingy concrete span in the bright hues of every architect’s favorite toys.
The city appears to be banking on the High Line Effect. Faced with the prospect of a declining population, Wuppertal has been looking for ideas to reinvigorate the city and increase residents’ quality of life. The Lego Bridge is part of a 10-mile pedestrian and cycle path called Wuppertal Bewegung e.V. being built through the city on what was once the Wuppertal Northern Railway. Plans are also on the boards for a heritage trolley to run atop the viaduct. [H/T Colossal.]
Bjarke Ingels, architect of mountains, now has set his eyes on Everest. The New York and Copenhagen-based architect’s firm BIG has been tapped by the Rockefellers to design one of the world’s tallest buildings at 1,929 feet for a new commercial development in Tianjin, China, a city of nearly 13 million people. Ingels revealed a cryptic, fog-shrouded rendering of the tower on his web site—indicative of the scarcity of detail yet released on the tower—but this being the information age, AN found more information and views of the tower on a clear day.