When Jeanne Gang was brought on board in April to help reimagine a stalled tower in downtown Lexington, Kentucky, the entire community’s spirits were uplifted by the bold collaboration proposed by the Chicago-based architect and MacArthur genius. Studio Gang’s design replaced an uninspired high-rise block that destroyed an entire city block before running out of steam, but developer Dudley Webb announced Thursday that Gang will no longer be involved with the mixed-use project.
The New Museum has been transformed into a real-life game of chutes and ladders, or perhaps a Fun Palace a la Cedric Price, for its new exhibition Carsten Höller: Experience that opened this week and is running through January 15, 2012. The centerpiece of the show is a spiraling stainless steel slide traversing the fourth through second floors and providing what certainly must be the most rapid vertical circulation in the entire city short of a plummeting elevator . We stopped by to check out the slide and, after signing our lives away on a waiver, took a couple rides ourselves.
Terminal 6 has been on Death’s Row at least since June 2010. So why are so many aflutter now? It’s an old adage but a persistent one: It hasn’t happened until the New York Times reports it, or until there’s a television tie-in as newsworthy as the cheesy jet set-orama, “Pan Am” on ABC.
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Lisa Iwamoto and Craig Scott, principals at IwamotoScott Architecture first established a relationship with Obscura Digital, a digital media company, three years ago in order to collaborate on a new hemispheric theater encased in a geodesic dome in Dubai. While the project was scuttled by the recession, the two firms stayed in touch, and when Obscura acquired new office space in a 1940s-era warehouse in an up-and-coming San Francisco neighborhood, they again called on IwamotoScott to design it, and even invited the architects to move into their new space.
Working with a tight budget, IwamotoScott injected digitally fabricated details that would give focus and add drama to the large industrial space. A black-box conference room that Scott describes as bringing “shrink-wrap to seismic bracing” is perched on the edge of a second-floor mezzanine while a 32-foot laser-cut screen wall comprised of cells that appear to collapse into fluid scales sequesters the architect’s space within the digital media company’s headquarters.
Tonight in New York, Gary Hustwit’s new film Urbanized will make its U.S. premiere in front of a sold out crowd at the Sunshine Theater. Hustwit has just released this trailer for the the final segment of his design-inspired trilogy which previously included Helvetica and Objectified. After New York, Urbanized heads out west to San Francisco, Los Angeles, San Diego, and more before moving back across the country in October. Check out a full listing here and don’t miss our interview with Gary Hustwit where we ask him about his film.
As night descended on a memory-laden New York City on Sunday, September 11, 88 light cannons were powered up, shooting beams of light into the air representing the profiles of the original Twin Towers. We stopped by Saturday night, as crews were putting the finishing touches on the display and double checking that all the lights performed flawlessly, and the close-up result was nothing short of amazing.
Perched on the rooftop of a parking garage in Lower Manhattan a few blocks from the World Trade Center site, two groups of 44 light cannons pointing skyward will soon project high-intensity beams of light into the night sky for Tribute in Light, marking the tenth anniversary of the 911 World Trade Center attacks. Last week, as a crew of 30 workers was positioning the lights and laying cable to a large generator on the sidewalk, we stopped by to learn more what’s involved with the massive display.
Treehouse of Worship. Everyone loves a treehouse, especially one that dates from 1696 (built in a tree that’s over 800 years old, no less). Boing Boing uncovered the chapel in Allouville-Bellefosse, France dedicated to the Virgin Mary that was built in the hollowed out trunk caused by a lightning strike.
Talking Tanks. Who can forget the Mayor of Vilnius, Lithuania who, fed up with cars parked in the bike lane, crushed the offending vehicles with a tank. Classic. Transportation Nation couldn’t get enough of the car-crushing crusader, either, and has posted an interview where the mayor warns that tanks may return to the streets of Vilnius.
Frank Llego Wright. Will we ever tire of LEGOs? I hope not. LEGO has already immortalized Wright’s Fallingwater and his Guggenheim Museum in tiny plastic bricks, but Building Design just reported that the Prairie-style Robie House in Chicago is also available for architects and aspirants to assemble and adore.
Baking Buildings. Some of the most beautiful historic (and modern, too!) buildings feature terra cotta facades, but whether they’re ornate or sleek, we seldom have a chance to peek behind the scenes to see how the clay cladding is made. Buffalo Rising took a visit to a local terra cotta factory to check out what’s involved.
So Hurricane Tropical Storm Irene has come and gone, leaving most of New York City unscathed. It looks like some 700 trees were downed across the city and we’re sure a few patio chairs ran away from home, but luckily for the city, the storm lost its might as it raged toward Gotham. The Metropolitan Transportation Authority prepared for the worst before the storm, shutting down the city’s transit system electively for the first time (the system was also shut down after 9/11 and a power blackout). The agency has released an amazing set of photos of its preparation and cleanup after the storm including dramatic views of an abandoned Grand Central Station, mudslides, and flooded tracks. Take a look after the jump.
After going through 9/11, the importance of disaster preparedness and relief hit home with New Yorkers. “Everyone was focusing on the fact that New York had been damaged,” said Lance Jay Brown, AIANY board member and co-chair of the recently formed Design for Risk and Reconstruction committee of the AIANY. “The architectural community was galvanized to respond.” Just coming off a jolt from a rare, if small, earthquake and with Hurricane Irene on its doorstep, New York is once again focused on planning for disaster.
Process and Artistry in the Soviet Vanguard
Smart Museum of Art
5550 South Greenwood Avenue
Through December 11
In Process and Artistry in the Soviet Vanguard the Smart Museum examines Soviet propaganda of the 1920s and 1930s, including a number of art pieces that set the creative precedent for mass-produced works. The show features artists Gustav Klutsis and Valentina Kulagina, from their informal drawings, collages, and visual studies to completed designs, posters, and printed material. Concerned with the “politicization of art making,” the works of Klutsis and Kulagina begin to tell a story about artistic expression, political institutions, and mass production. The show presents both experimental modes of representation and what became the iconic graphics associated with propaganda, such as Klutsis’ Glory to the Red Army of workers and peasants – loyal guard of Soviet borders!, 1935, pictured above.