EVOL: Repeat Offender
Jonathan LeVine Gallery
529 West 20th Street, 9th floor
Through May 5
While his artwork might be hanging on the walls of a gallery in Chelsea, Berlin-based street artist Evol adds a distinct element of urban grit to his used-cardboard and spray-paint stencil works now on display as part of his Repeat Offender exhibition. The incredibly detailed views capture the abandonment of low-income German neighborhoods, using the texture of the cardboard base to enhance the paintings’ architectural qualities. “Clean surfaces don’t speak to me, so recording these marks is a process of visually remembering the charm of a place that will soon be painted over,” Evol said in a statement. Besides his cardboard paintings, Evol is also showing paintings on metal and photographs on his 2009 installation from a slaughterhouse in Dresden, Germany.
An avid cyclist plans to bring his passion for bike racing to Brooklyn Bridge Park. Joshua Rechnitz announced Thursday that his nonprofit, the New York City Fieldhouse, will build a $40 million multi-purpose recreation center on the inland edge of the park bordering the BQE. Now occupied by a deteriorating industrial building used for storage by the Brooklyn Bridge Park Corporation, the new facility designed by Thomas Phifer and Partners will include a modern velodrome along with space for a variety of other recreational activities.
Join AN‘s Executive Editor Julie V. Iovine at the Museum of the City of New York as she moderates a panel discussion on the relationship between real estate and the New York City grid this evening at 6:30 p.m. The panel of five experts will explore cycles in planning including, among other topics, the emergence of superblocks and their subsequent decline. While you do need to register, mention AN and you get a discount! More information on the AN Calendar.
For your afternoon enjoyment, check out this silent film from 1921 we spotted at the Urbanophile called Manhatta. The short film by Paul Strand and Charles Sheeler documents city life in Lower Manhattan during a typical day, from the arrival of a ferry at the Battery Maritime Building to construction of skyscrapers to a Manhattan sunset. Our favorite scenes, however, are the chaotic streets (“Where the city’s ceaseless crowd moves on, the live long day.”) filled with people, cars, buggies, trolleys, elevated rail lines, and bikes all moving in the same shared space. Take a look.
[Editor's Note: This the final in a four-part series documenting the winners of the AIANY's 2012 Design Awards, which are broken down into four categories: architecture, interiors, unbuilt work, and urban design. This list covers urban design awards.]
The AIANY has released its annual list of Design Awards noting projects that demonstrate exemplary originality and quality. Urban Design Honor and Merit Award winners were selected by a jury consisting of Bernardo Fort-Brescia of Arquitectonica, Michael Lehrer of Lehrer Architects, and Donlyn Lyndon of the University of California Berkeley. Two urban design projects were distinguished with the top Honor Award including the Santa Fe Railyard Park and Plaza by Frederic Schwartz Architects with Ken Smith Landscape Architect and the Master Plan for the Central Delaware by Cooper, Robertson & Partners and Kieran Timberlake with OLIN. Winning work in all four categories will be on display ay the Center for Architecture at 536 LaGuardia Place beginning April 19 through May 31.
Happy 126th birthday, Mies van der Rohe! Google and San Francisco-based artist Willie Real are already celebrating with today’s Google Doodle of Mies’ iconic Crown Hall built in 1956 at the Illinois Institute of Technology in Chicago, where Mies was director of the College of Architecture. The Mies van der Rohe Society spoke with Real about his design and architectural ambitions. Here’s a sample:
What was the most important thing to convey about Mies in the doodle, and how was it achieved?
Celebrating Mies’ legacy was definitely a challenge. Mies did so many great buildings that are worthy of a doodle but it was pretty evident from the get go that highlighting what many consider his masterpiece was the way to go.