Last month AN reported that UC Davis had selected a shortlist for its Jan Shrem and Maria Manetti Shrem Museum of Art. Well we have a winner: ”Grand Canopy,” by So – IL / Bohlin Cywinski Jackson/ Whiting-Turner. The design features a 50,000 square-foot floating steel canopy which weaves together exterior and interior space for galleries, exhibitions, concerts, art studios, as well as artists’ residencies. Jurors selected the design from a shortlist of three finalists for its unusual incorporation of light, close connection to the UC Davis campus, as well as the ability to adapt and grow over time to the changing needs of its users–the students, faculty, staff, and visitors. The museum will occupy 1.6 acres on the southern edge of the UC Davis campus.Watch Florian Idenburg, design architect and partner for SO – IL, talk about the winning design (Joe Proudman/UC Davis).
This past Sunday evening, Seattle officials closed First Avenue. It wasn’t for road repairs, but to celebrate the unveiling of the Seattle Art Museum’s facade refresh by multimedia artist Doug Aitken. Two giant LCD screens projecting kaleidoscopic images of the Seattle region now wrap the north and west facade of the museum, with emanating vertical bands of lights.
There are those famous pairings in life—cookies and milk, wine and cheese, Sherlock Holmes and Dr. Watson, Lewis and Clark. But could there really be a better pairing than architects and chefs working together to create gingerbread houses?
In its 20th year running, Seattle area architecture firms and chefs at the downtown Sheraton Hotel teamed up for the holidays to build gingerbread houses benefiting the Juvenile Diabetes Research Foundation (JDRF) Northwest Chapter. While last year’s theme featured iconic train stations around the world, this year’s theme took a more decidedly youthful and imaginative approach—“Once Upon a Time”—envisioning the castles and abodes of characters in popular children’s fiction in candy, icing, and gingerbread. Kids with type 1 diabetes volunteering with JDRF worked with the architecture firms, choosing the story titles for the six gingerbread houses: Alice and Wonderland, Aladdin, Beauty and the Beast, The Chronicles of Narnia, Grimm’s Fairytales, and The Little Mermaid. The whimsical, sugary interpretations sport characters crafted from marzipan, window glazing made from heated sugar, sour belts as roofing tiles, M&Ms as coining. The Brothers Grimm Castle of Fairytales even sports a working drawbridge. More houses below! Read More
Since AN first looked at the proposed design for Amazon’s three-tower complex in the Denny Triangle neighborhood in Seattle last May—and after feedback from the Seattle community and meetings with the Design Review Board over the summer—NBBJ has released new renderings. And the project now has a nickname—Rufus—a nod to the late “Amazon dog,” a Corgi who kept employees company in the office since the early days.
In response to recommendations, the evolved design includes updates to elevations, details along the lower stories, weather protection, and open spaces. Facades are asymmetrical, stepped, and diverse. In a skin study, the office tower on the southeast Block 14 sports a façade of operable windows, glass, pre-finished metal panels and gold accent trim, which connects to the neighboring meeting center via a sky-bridge. Other perspectives reveal glass curtain walls on the six-story meeting center, leaving the auditorium and stairwell exposed. On Block 19, to the southwest, a covered walkway would provide protection during Seattle’s rainy winter months. There are retail storefronts on the lower levels, which will augment the outdoor public parks and plazas.
Installation of the first community rooftop garden in the United States—UpGarden—is almost complete. Located in the shadow of Seattle’s Space Needle, the project will convert close to 30,000 square feet on the top of the Mercer parking garage into an organic, edible, herb and flower garden with 100 plots for lower Queen Anne neighborhood residents. Landscape architecture firm Kistler Higbee Cahoot is leading the design, organizing community workshops and construction of the garden with a volunteer crew.
While the Bullitt Center was the first built project to follow the rigorous sustainable guidelines of Seattle’s “Eco-District,” a second “living building” is coming to the Fremont neighborhood of Seattle, and will incorporate commercial space in addition to offices. Clocking in with a total of 120,000 square feet, the building will include a new headquarters for Brooks Sports.
Dubbed Stone34, the building will be right off the the Burke-Gilman Trail, the 27-mile rail-to-trail walking and biking path that snakes through northern portions of Seattle. LMN Architects is helming the design of the five-story building that will recycle most of its water and includes a fresh air ventilation system, natural lighting, and thermal energy storage. Pushing sustainability even further, visitors, customers, and staff will be able to eat the lanscaping: greening by Swift Company will include edible plants.
Completion is expected fall of 2013.
“I see nothing in space as promising as the view from a Ferris wheel,” E.B. White once remarked. After the dismantling of the Seattle Center Fun Forest and Ferris wheel—closed in January 2011 to make way for the Chihuly Garden and Glass museum—Seattle will finally get its Ferris wheel back. The nearly-completed privately-funded wheel at Pier 57, with 8 supportive legs and 21 spokes, will weigh 280,330 pounds. Built by Chance Morgan Rides Manufacturing Inc. and funded by developer Hal Griffith, the 42 six-person gondolas will bring riders 175 feet into the air, with views of the Olympic Mountains to the west, Mount Rainier to the south, and the Cascade Mountains and the city to the east. Open year-round, the cars will be enclosed, heated, and air-conditioned, so no need to worry about the Seattle drizzle.
The largest development proposed in the history of downtown Seattle—an approximately 3 million square-foot headquarters for Amazon—may take eight years to complete. Project details presented at a recent downtown design review committee meeting revealed that Amazon’s glassy three block project, designed by NBBJ (designers of the recently-c0mpleted Gates Foundation, also in Seattle), will be built in three phases of two to four years.
Just steps away from the Space Needle, locals and visitors can see how hydroelectric power is generated, transmitted, and consumed in Seattle. Projected on the giant north facing wall of the Armory/Center House, the installation Current, by Brooklyn-based artist Adam Frank, uses light to create a real-time map of electricity distribution through the city’s neighborhoods. Frank was recently named artist-in-residence at the city’s public utility company Seattle City Light (SCL), and this is his first project. His art is part of a series of events taking place through October at the Seattle Center, celebrating the 50th anniversary of the Seattle 1962 Exhibition.
How can technology and science revolutionize and restore our public spaces—particularly those disconnected and decaying districts that remain after colossal events such as the Olympics, biennials, and world’s fairs? These immense programs have shaped many an urban core, for better or for worse, from the Chicago World’s Fair of 1893 to the 2004 Athens Olympics.
As part of the Seattle Next Fifty, the 50th anniversary of the Seattle 1962 World’s Fair Century 21 Exposition, the Howard S. Wright Design Ideas Competition for Public Space challenged global designers, architects, and urban planners to re-imagine the 9 acre Seattle Center site that was part of the larger 74-acre campus, which hosted the original 1962 fair.