Aluminum Organic by J. MAYER H. Architects

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J. MAYER H. Architects designed a sculptural facade of anodized aluminum for an apartment building in Berlin. (Ludger Paffrath for Euroboden)

J. MAYER H. Architects designed a sculptural facade of anodized aluminum for an apartment building in Berlin. (Ludger Paffrath for Euroboden)

Ribbons of laser-cut metal lamellas envelop a glass curtain wall.

J. MAYER H. Architects designed the sculptural anodized aluminum facade of JOH3, a Berlin apartment building located near both the Friedrichstrasße and Museum Island, as a contemporary echo of its historic neighbors. “The project is located in an old part of Berlin, where there are lots of facades with stucco detail,” said project architect Hans Schneider. “We tried to do something as rich with a new design, something like Jugendstil [the German Art Deco movement] but in a modern translation.”
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LMN Architects Materialize a Metaphor in Cleveland

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Wrapped in textured precast concrete, LMN Architects' Global Center for Health Innovation is a high-tech addition to Cleveland's civic core. (Ed LaCasse, LaCasse Photography)

Wrapped in textured precast concrete, LMN Architects’ Global Center for Health Innovation is a high-tech addition to Cleveland’s civic core. (Ed LaCasse, LaCasse Photography)

A digitally-designed medical products showroom plays well with its City Beautiful neighbors.

The Global Center for Health Innovation, designed by LMN Architects along with the attached Cleveland Convention Center, is more than a showroom for medical products and services. Located adjacent to the Burnham Malls, the open space at the heart of Daniel Burnham’s Group Plan of 1903, the building is part of Cleveland’s civic core. “One of the things about the Global Center is that it has a unique expression and in particular the facade treatment,” said design partner Mark Reddington. “But it’s also a really integrated piece of a bigger idea and a bigger composition.” A dynamic combination of textured concrete panels and irregular slashes of glazing, the Global Center’s facade, which won honorable mention in AN’s 2014 Best of Design Awards, deftly negotiates the gap between the building’s historic context and its function as a high-tech marketplace. Read More

Post-Recession, Las Vegas’ Builders are “Cautiously Aggressive”

Las Vegas is bouncing back from the recession with new construction, including Gensler's 2013 renovation of The AXIS Theater inside Planet Hollywood. (Ryan Gobuty for Gensler)

Las Vegas is bouncing back from the recession with new construction, including Gensler’s 2013 renovation of The AXIS Theater inside Planet Hollywood. (Ryan Gobuty for Gensler)

“It’s a fun time in Vegas right now, with the economy up,” said Beth Campbell, principal and managing director of Gensler’s Las Vegas office. Downtown is being reborn, thanks in no small part to Zappos CEO Tony Hsieh’s multi-million dollar investment. The Strip, too, is booming—see the High Roller observation wheel, which opened on March 31. At the same time, the spendthrift breeziness of the pre-recession years is gone. “Everyone is coming back to life, but with a refined focus and purpose,” said Campbell. “I would say the clients and developers are cautiously aggressive…they still want to grow, still want to reach for the sky…But they’re really focused on how they’re applying [their money] to make these projects happen.”

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Prefabricated Glamping Tents by ArchiWorkshop

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ArchiWorkshop's semi-permanent glamping structures reimagine the conventional platform tent. (Courtesy ArchiWorkshop)

ArchiWorkshop’s semi-permanent glamping structures re-imagine the conventional platform tent. (Courtesy ArchiWorkshop)

Dynamic steel and PVDF structures shelter campers in style.

In South Korea, glamping—or “glamorous camping”—is all the rage. The practice combines conventional camping’s affinity for the outdoors with hotel amenities, including comfortable bedding and fine food. Seoul firm ArchiWorkshop’s prefabricated, semi-permanent glamping structures are a design-minded twist on the traditional platform tent. “We [set out to] create a glamping [tent] that gives people a chance to experience nature very close, while also providing a uniquely designed architectural experience,” said partner Hee Jun Sim. “There are many glamping sites in Korea, but they’re actually not so high-end. We were able to bring up the level of glamping in Korea.” Read More

Christopher Mount to Open Architecture and Design Gallery in Los Angeles

Mies van der Rohe, New National Gallery, Berlin, 1968, photograph by Balthazar Korab. (Courtesy Estate of Balthazar Korab)

Mies van der Rohe, New National Gallery, Berlin, 1968, photograph by Balthazar Korab. (Courtesy Estate of Balthazar Korab)

Having observed the absence of architecture and design materials from the American art collection scene, curator and scholar Christopher W. Mount decided to fill the gap himself. His eponymous Los Angeles gallery, housed in the Pacific Design Center, opens to the public on Friday, May 23 with A Modern Master: Photographs by Balthazar Korab. A second gallery, open by appointment, will be located on the Upper West Side in New York. “I really thought that this was the time,” said Mount. “I thought, ‘Here is a subject matter that major museums collect, and there hasn’t been somebody who opened a gallery.’” Read More

Sustainable Food and Architecture at Santa Barbara Public Market

Santa Barbara Public Market is part of the Alma del Pueblo mixed-use development in downtown Santa Barbara. (Courtesy Urban Developments)

Santa Barbara Public Market is part of the Alma del Pueblo mixed-use development in downtown Santa Barbara. (Courtesy Urban Developments)

London has Borough Market. San Francisco has the Ferry Building. Seattle has Pike Place Market. And now Santa Barbara has the Santa Barbara Public Market. The 19,400 square-foot marketplace, put together by local architecture firms Cearnal Andrulaitis, Sutti Associates, and Sherry & Associates Architects, opened on April 14. It showcases regionally-sourced, artisanal foods in a downtown location. Part of Alma del Pueblo, a mixed-use development that includes additional retail and 37 condominiums, the Public Market is located on the site of a former Vons. “When I bought the land, I knew that I wanted to put a market back,” said developer Marge Cafarelli. “Santa Barbara . . . [has] such rich roots and traditions in agriculture, farming, food, and wine, that it made sense to put something back that made sense in this time. Read More

Boom or Bust for Phoenix’s Warehouse District?

Phoenix developer Michael Levine won a 2007 Arizona Governor's Heritage Preservation Award for his adaptive re-use of the warehouse at 605 E. Grant Streets. (Courtesy Michael Levine)

Phoenix developer Michael Levine won a 2007 Arizona Governor’s Heritage Preservation Award for his adaptive reuse of the warehouse at 605 E. Grant Streets. (Courtesy Michael Levine)

According to a recent article on azcentral.com, Phoenix’s Warehouse District is in the midst of a renaissance. Or is it? The man behind several adaptive reuse projects in the neighborhood says not so fast. “It’s like every five years someone gets excited about it and writes the same article,” said developer Michael Levine. While he admits there’s been an uptick in interest in the mid-century industrial buildings, he doubts his fellow landowners’ motives. “If you give them enough money…they’d have the [buildings] demolished,” he said.

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REX’s Joshua Prince-Ramus Unwraps His Approach to Facade Design

REX's Media Headquarters Buildings feature retractable sunshades based on a traditional Arab Mashrabiya pattern. (Courtesy REX)

REX’s Media Headquarters Buildings feature retractable sunshades based on a traditional Arab Mashrabiya pattern. (Courtesy REX)

Joshua Prince-Ramus, principal at REX, has a bone to pick with modernism and its legacy. “For the last 100 years, architecture’s been involved in a silly tension between form and function,” he said. While high modernism privileged function over form, some of today’s top designers argue that architecture is about aesthetics and not much else. REX has a different take: architecture, the firm claims, is both function and form. “We really believe that architecture can do things. It’s not just a representational art form,” said Prince-Ramus. “We talk about performance. Aesthetics are part of performance [as is function.]”

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Obit> Robert Hull, 1945–2014

Architecture, Obit, West
Thursday, April 17, 2014
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Robert Hull, FAIA. (Courtesy The Miller Hull Partnership)

Robert Hull, FAIA. (Courtesy The Miller Hull Partnership)

Robert Hull, FAIA, founding partner of The Miller Hull Partnership, has died from complications following a stroke. Hull, who was 68, was on sabbatical in Port Elizabeth, South Africa. He is survived by his wife and two sons.

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Networking Opportunities Abound at facades+PERFORMANCE New York

East
Thursday, April 17, 2014
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facades+PERFORMANCE New York offers opportunities for informal networking as well as scheduled presentations and workshops.

facades+PERFORMANCE New York offers opportunities for informal networking as well as scheduled presentations and workshops.

So much of design work today is solitary. It involves sitting in front of a computer—crunching data, building renderings, and running evaluations on digital models. But that’s not the full picture. AEC professionals rely on personal connections to identify projects, connect with clients, and learn new skills. Whether a business meeting or a chat over cocktails, face-to-face interactions still matter.

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Two-Sided Railway Station by Team CS

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The south facade of the new Rotterdam Centraal Station is a soaring construction of stainless steel and glass. (Jannes Linders for Team CS)

The south facade of the new Rotterdam Centraal Station is a soaring construction of stainless steel and glass. (Jannes Linders for Team CS)

Rotterdam Centraal Station’s relationship to the existing urban fabric called for different treatments of its north and south facades.

To call the commission for a new central railway station in Rotterdam complicated would be an understatement. The project had multiple clients, including the city council and the railway company ProRail. The program was complex, encompassing the north and south station halls, train platforms, concourse, commercial space, offices, outdoor public space, and more. Finally, there was the station’s relationship to Rotterdam itself: while city leaders envisioned the south entrance as a monumental gateway to the city, the proximity of an historic neighborhood to the north necessitated a more temperate approach. Team CS, a collaboration among Benthem Crouwel Architekten, MVSA Meyer en Van Schooten Architecten, and West 8, achieved a balancing act with a multipart facade conceived over the project’s decade-long gestation. On the south, Rotterdam Centraal Station trumpets its presence with a swooping triangular stainless steel and glass entryway, while to the north a delicate glass-house exterior defers to the surrounding urban fabric. Read More

Facade Design in the Digital Age: Knowing the Tools is Half the Battle

East, Technology
Friday, April 11, 2014
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facades+PERFORMANCE tech workshops offer hands-on instruction in digital design. (Courtesy Mode Lab)

As most AEC professionals know, technology can be either a help or a hindrance when it comes to the design of high-performance building envelopes. Software programs like Grasshopper and Autodesk Vasari offer powerful tools for generating, modeling, and analyzing facades. But there’s a catch. Without a firm grasp of the programs’ capabilities, users can lose data, overlook important features, or otherwise negate the advantages inherent to digital design. Read More

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