Page Floats a Cedar Sunshade in Albuquerque

Brought to you with support from:
Fabrikator
Page designed a simple cedar and steel-wire screen to shade the courtyard of the new GSA building in New Mexico. (Patrick Coulie)

Page designed a simple cedar and steel-wire screen to shade the courtyard of the new GSA building in New Mexico. (Patrick Coulie)

Minimalist catenary canopy lends warmth and lightness to office courtyard.

When Page design principal Larry Speck suggested a catenary sunshade for the courtyard of the new GSA building in Albuquerque, his colleagues set about identifying precedents. “There were some really great devices that we looked at, but a lot were done in the 1960s out of heavy, monumental materials,” said principal Talmadge Smith. “We wondered if there was a way to do it in a lighter, more delicate way that would also introduce some warmth to the space.” The architects elected to build the structure out of western red cedar, which performs particularly well in arid climates. Comprising 4-, 8-, and 12-foot boards suspended on steel cables, the sunshade appears as a wave of blonde wood floating in mid-air, casting slatted shadows on the glass walls of the courtyard.
Read More

debartolo architects’ Weathering Steel Bicycle Gallery

Architecture, Envelope, West
Wednesday, August 6, 2014
.
Brought to you with support from:
facadeplus_logo1
(Timmerman Photography)

Bicycle Haüs’s contemporary structural glass and corrugated steel envelope reflects the owners’ interest in cutting-edge cycling technology. (Timmerman Photography)

Glass and corrugated metal envelop a Scottsdale cycling shop.

When debartolo architects principal Jack DeBartolo 3 AIA first visited the site of Bicycle Haüs in Scottsdale, he knew it was exactly what owners Shasta and Kale Keltz were looking for. “In Arizona, with our very intense heat, we love it when we can unite two things: a northern orientation to maximize light without direct sun, and high visibility to the public way,” said DeBartolo. “When a parcel’s oriented like this, with its main side facing north, it allows us to do both things in one. We can build a glass facade for light and to advertise the contents, and it can also be a view building.” DeBartolo’s firm designed a wedge-shaped structure with a broad structural glass facade facing the street. The remainder of the building is clad in weathering steel, a low-maintenance material that taps into the desert aesthetic of decay and renewal. Read More

Gensler Goes Hollywood with “Vertical Campus”

The 14-story Icon at Sunset Boulevard will house office space for creative and entertainment professionals. (Courtesy Gensler)

The 14-story Icon at Sunset Boulevard will house office space for creative and entertainment professionals. (Courtesy Gensler)

Hudson Pacific Properties is banking on the continued appeal of Hollywood office space with its Icon at Sunset Bronson Studios, a 14-story tower designed by Gensler. Targeting creative professionals, Icon reconfigured the suburban campus typology for an urban setting. Gensler associate Amy Pokawatana called the development a “vertical campus,” blending “work, relaxation, and recreation.” Part of a $150 million studio expansion, the project takes its cue from a six-story building the developer finished on the Sunset Gower Studios lot in 2008.  Read More

Allied Works Carves a Winery Out of Cedar

Brought to you with support from:
facadeplus_logo1
Allied Works Architecture wrapped Sokol Blosser Winery’s new tasting room in grey-stained cedar. (Jeremy Bittermann)

Allied Works Architecture wrapped Sokol Blosser Winery’s new tasting room in grey-stained cedar. (Jeremy Bittermann)

Textured wood envelope draws on the history and landscape of Oregon’s Willamette Valley.

Sokol Blosser Winery‘s Willamette Valley tasting room, designed by Allied Works Architecture, pays homage to its agricultural surroundings in its massing and materials. Nestled within a set of terraces scooped out of the Dundee Hills, the building plants roots with a below-grade cellar, on top of which its long, low first story spreads like grape vines along a trellis. Both exterior and interior are wrapped in locally-sourced cedar siding—rough grey boards hung horizontally on the outside, smooth clear wood laid diagonally on the inside—whose regularity recalls aerial photographs of the vineyard. “We went with wood for a number of reasons,” explained principal Kyle Lommen. “There’s a history of wood in the agrarian architecture of that region. There’s a history of wood in wineries as well. And there was a desire to create an atmosphere that is warm and had a material quality.” Read More

Beverly Hills Loses Another Mid-Century Modern Icon

The Beverly Hilton-adjacent Robinsons-May department store has been demolished. (Kimberly Reiss)

The Beverly Hilton-adjacent Robinsons-May department store has been demolished. (Kimberly Reiss)

Beverly Hills gained a vacant lot this week as crews demolished the former Robinsons-May department store at 9900 Wilshire Boulevard. The four-story, marble-clad building, designed by Charles O. Matcham, Charles Luckman, and William Pereira in 1952 with interiors by Raymond Loewy and Associates, was retailer J.W. Robinson’s first store in suburban Los Angeles.

Continue reading after the jump.

Interactive Thermoplastic Pavilion by B+U

Brought to you with support from:
Fabrikator
(Joshua White)

Baumgartner+Uriu designed and built Apertures with students from SCI-Arc. (Joshua White)

A thin shell pavilion with an audio feedback program invites engagement.

Apertures, the amorphous pavilion designed and fabricated by Baumgartner+Uriu (B+U) with students from SCI-Arc, challenges two of architecture’s defining dualities: the distinction between wall and window, and the division between exterior and interior. “Conceptually, we were looking at objects that are multi-directional and have apertures as their main theme,” said partner Herwig Baumgartner. “That was one aspect of it; the other was the barriers between inside and outside and how we can dissolve these. We’re interested in architecture that’s responsive through either movement or sound.” As visitors pass through or otherwise engage with the 16-foot-tall, 1/8-inch-thick structure’s many rounded openings, attached heat sensors trigger sounds based on human bio-rhythms, creating a feedback loop that encourages active exploration of the space. Read More

Sustainability Expert Juan Betancur Talks Integrated Facades

Adrian Smith + Gordon Gill Architecture's Federation of Korean Industries office tower. (©Adrian Smith + Gordon Gill Architecture/Namgoong Sun)

Adrian Smith + Gordon Gill Architecture’s Federation of Korean Industries office tower. (©Adrian Smith + Gordon Gill Architecture/Namgoong Sun)

In a high-performance building, argues Juan Betancur, director at Adrian Smith + Gordon Gill Architecture, the envelope must never be an afterthought. Rather, it should be a material expression of the overall environmental strategy. “The key to what we’re doing with energy and sustainability is: how do the systems become the facades themselves?” he said. “If we make it part of the building, it’s an integrated systems solution.” Read More

Packard Foundation Goes Green With EHDD

Brought to you with support from:
facadeplus_logo1
EHDD designed the David and Lucile Packard Foundation headquarters as a model of cutting-edge green building techniques. (Jeremy Bittermann)

EHDD designed the David and Lucile Packard Foundation headquarters as a model of cutting-edge green building techniques. (Jeremy Bittermann)

Net zero energy, LEED Platinum project raises the bar on eco-friendly office design.

For its new headquarters in Los Altos, California, the David and Lucile Packard Foundation put its building budget where its mouth is. The philanthropic organization, whose four program areas include conservation and science, asked San Francisco-based EHDD to design a net zero energy, LEED Platinum building that would serve as a model of cutting-edge green building techniques. “They wanted to achieve net zero in a way that was replicable, and that showed the path forward for others to follow,” said project manager Brad Jacobson. “It was not just a one-off thing, not just a showcase.” The building’s facade was fundamental to its success as an example of sustainable design. “We were surprised at how significant the envelope is, even in the most benign climate,” said Jacobson. “Pushing the envelope to really high performance made significant energy and comfort impacts, and could be justified even on a first-cost basis.” Read More

Hands-On Exposure to Cutting-Edge Technology at facades+Chicago

Participants in facades+ tech workshops learn and practice cutting-edge digital design technologies in an intimate setting.

Participants in facades+ tech workshops learn and practice cutting-edge digital design technologies in an intimate setting.

Contemporary architectural practice, and in particular the design of high-performance facades, is as much about mastering technology as it is about grappling with aesthetics and function. Attendees at next month’s facades+ Chicago conference will have an opportunity to explore cutting-edge digital design tools during a series of hands-on technology workshops. The tech workshops, which take place on the second day of the conference, follow a day-long symposium featuring keynotes and roundtable discussions by AEC industry leaders. “If on day 1 you’re being exposed to advancements in building methods, on day 2 you can learn the technology and techniques that are behind those applications,” said Mode Lab’s Ronnie Parsons. “It’s taking the next step from someone who’s in the audience to being a participant. Not just a participant who’s watching and engaged, but one who is actively involved in shaping what happens tomorrow.” Read More

IIT Students Explore the Potential of Carbon Fiber

Brought to you with support from:
Fabrikator
Undergraduates at IIT designed, funded, and fabricated FIBERwave PAVILION during the spring semester. (Courtesy Alphonso Peluso)

Undergraduates at IIT designed, funded, and fabricated FIBERwave PAVILION during the spring semester. (Courtesy Alphonso Peluso)

Composite materials are on display in the undergraduate-built FIBERwave PAVILION.

Carbon fiber’s unique properties would seem to make it an ideal building product. Untreated, carbon fiber cloth is flexible and easy to cut. After an epoxy cure, it is as hard as steel. But while the automobile and aerospace industries have made widespread use of the material, it has gone virtually untouched by the architectural profession. Alphonso Peluso and his undergraduate students at the IIT College of Architecture set out to change that with their FIBERwave PAVILION, a parametric, sea life-inspired installation built entirely of carbon fiber. “We want to make the studio an expert resource for people trying to get into carbon fiber in terms of architecture,” said Peluso, whose students designed, funded, and built the pavilion this spring. “There’s a studio in Germany that’s in their second year of working with carbon fiber, but I don’t think anyone in the United States is working with it.” Read More

BNIM’s Entrepreneurial Envelope for the University of Missouri-Kansas City

Brought to you with support from:
facadeplus_logo1
BNIM and Moore Ruble Yudell wrapped the Henry W. Bloch Executive Hall in multicolored terra cotta and glass. (James Ewing)

BNIM and Moore Ruble Yudell wrapped the Henry W. Bloch Executive Hall in multicolored terra cotta and glass. (James Ewing)

A tight budget and short timeline inspired an innovative concrete and terra cotta facade.

BNIM and Moore Ruble Yudell approached the design of the Henry W. Bloch Executive Hall for Entrepreneurship and Innovation at the University of Missouri-Kansas City with two objectives. The first was to express the creative spirit of the university’s program in entrepreneurship, which at that point lacked dedicated support spaces. The second goal was to tie the contemporary structure to its historic surroundings. Moore Ruble Yudell, who developed many of the project’s interior concepts, tackled the former, creating flexible classroom and laboratory spaces and a multi-story amphitheater that doubles as casual seating and a venue for school-wide gatherings. As for the latter, BNIM designed a multicolored terra cotta envelope that balances singularity with connection. “The idea was to create a building that sat by itself, but somehow bring it into context in terms of materials,” explained BNIM senior project architect Greg Sheldon.
Read More

Facade Expert Francisco Gonzalez-Pulido on the Perils of Homogenous Design

Leatop Plaza in Guangzhou, China. (Courtesy JAHN)

Leatop Plaza in Guangzhou, China. (Courtesy JAHN)

According to Francisco Gonzalez-Pulido, president of Chicago-based JAHN, contemporary facade design neglects one of the building envelope’s foremost responsibilities: storytelling. “There is a focus now on using the building massing to convey the key message,” he said. “However, I think it’s through the facade that we can bring a more compelling narrative about how the building functions.” As an example, Gonzalez-Pulido pointed to Mies van der Rohe’s One IBM Plaza, which he can see from his office. “When you look at the mechanical floors, they’re treated differently,” he said. “In the lobby, the glass is different. This is actually the responsibility of the facade—it’s more than a piece of glass and metal to cover the building.” Read More

Page 2 of 912345...Last »

Advertise on The Architect's Newspaper.

Submit your competitions for online listing.

Submit your events to AN's online calendar.




Archives

Categories

Copyright © 2014 | The Architect's Newspaper, LLC | AN Blog Admin Log in. The Architect's Newspaper LLC, 21 Murray Street 5th Floor | New York, New York 10007 | tel. 212.966.0630
Creative Commons License