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INABA’s inverted chandelier comprises a steel frame clad with aluminum tubes and activated by LEDs.
Both simple in its geometry and intriguing in its illumination, a massive new lighting installation in Stavanger, Norway, aims to activate the lobby of a concert hall and create a welcoming civic gesture. Designed by New York-based INABA, the cylindrical structure responds to its setting in a variety of ways. Cutaways in the cylinder reveal views out for visitors inside the concert hall and also reveal slices of the dynamic LED lighting inside the structure to people outside the concert hall on the plaza.
Jeffrey Inaba, principal of INABA, calls the installation Skylight, and refers to it as an “inverted chandelier.” The light is reflected within the rings, rather than out. The outside is coated in glossy white to reflect the warmer daylight and ambient light in the building. The design of Skylight is meant to function as a recognizable figure for the building, which was designed by Oslo-based Ratio Arkitekter.
Reflecting the various currents of contemporary architecture and urbanism, the Architectural League of New York has announced its line-up for the 2013 Emerging Voices lecture series. The series showcases notable talent from across North America and is selected through a portfolio competition that emphasizes built work. The program has had a remarkable track record at identifying important architects. Past Emerging Voices have included Steven Holl, Morphosis, Jeanne Gang, and SHoP among many other boldface archinames.
Among U.S. prizes for architecture and urban planning, the Rudy Bruner Award is unique in providing funds for programming and development of projects that support placemaking and social health. This year’s finalists range from housing and rehabilitation facilities to job training initiatives to new public spaces from across the country. The Gold Medal winner will receive $50,000, while Silver Medals winners each receive $10,000. Read More
ARZU STUDIO HOPE and live/work furniture company Coalesse have teamed up with six leading architects to design a series of bold rugs and also provide economic opportunities for Afghan women. Chicago-based ARZU first approached Stanley Tigerman and Margaret McCurry to design a collection of contemporary rugs, the proceeds of which support hundreds of rural women and their families through economic activity, and educational and health services. Rug weaving, which takes place in private homes, is one of the few industries where women can work safely.
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Made from approximately 14,000 pieces, Bloom is the first architectural application of a laminated metal material that includes nickel and manganese with a bit of iron.
Architecture has long been valued for its static nature and sense of permanence. Increasingly, however, architects are working to make buildings more responsive to their users and to the climate. Often this is accomplished through mechanical means, but architect Doris Kim Sung, principal of LA-based DOSU studio architecture, is looking at how building materials themselves can be responsive, integrating changeability into the structure itself.
The dramatic shell-like form of her recent pavilion, called Bloom, suggests, at first glance, that Sung is interested in cutting-edge digital design. While this is certainly the case, Bloom’s true innovation happens more slowly, through the bending of its metal panels according to heat levels generated by the sun.
Rem Koolhaas has been named director of the 2014 Venice Biennale, the 14th edition of the architecture exhibition. Koolhaas, a leading thinker and persistent provocateur in the discipline, succeeds David Chipperfield. “The Architecture Exhibitions of the Biennale have gradually grown in importance internationally,” said Biennale President Paolo Baratta in a statement. “Rem Koolhaas, one of the most significant personalities among the architects of our time—who has based all his work on intense research, now renowned celebrity—has accepted to engage himself in yet another research and, why not, rethinking.”
Chipperfield’s exhibition, called Common Ground, which sought to identify continuities across cultures, time periods, and architectural approaches, divided critics. Koolhaas will take a different approach: “We want to take a fresh look at the fundamental elements of architecture—used by any architect, anywhere, anytime—to see if we can discover something new about architecture.”
The legendary architecture critic Ada Louise Huxtable has died at 91. Winner of the first Pulitzer Prize for Criticism, Huxtable served at architecture critic for the New York Times and was also a contributor of numerous editorials about the city’s built environment. She later served as architecture critic for the Wall Street Journal, where she most recently wrote a scathing critique of the proposed renovation of the New York Public Library by Foster + Partners (“You don’t ‘update’ a masterpiece. ‘Modernization’ may be the most dangerously misused word in the English language.”). Known for the crystalline clarity of her arguments and the cutting precision of her words, Huxtable was unmatched in her lifetime as an architecture critic. She made the city and its architects better. Julie V. Iovine has penned a full remembrance that will run in the next print edition of AN.
Last week during the annual American Society of Landscape Architects’ New York Chapter’s President’s Dinner, The Architect’s Newspaper was honored for its continued coverage of landscape architecture. In tandem with the award, AN published our first issue devoted entirely to landscape architecture and urban design, in recognition of the discipline’s expanding civic role.
Heading into the holidays, the AIA has more good economic news to report: the Architectural Billings Index (ABI) has recorded a third straight month of growth. The October score was 52.8, up from September’s 51.6 (any score above 50 indicates a growth in billings). The uptick reflects improving conditions in the housing market and real estate more broadly. All four regions were in positive territory, with the South leading at 52.8, followed by the Northeast at 52.6, the West at 51.8, and the Midwest at 50.8.
A veteran of architectural and cultural programming, Gregory Wessner, has been named the executive director of Open House New York (OHNY). Wessner, the longtime director of exhibitions and special projects at the Architectural League of New York, will begin working at OHNY in December. He sees a growing civic role for the organization as it moves into its second decade.