Philippe Parreno, Marquee Guggeneim, NY, 2008. Photo: Kristopher McKay/Guggenheim Foundation
Listen up insomniacs and coffee snobs, the Guggenheim is hosting a 24-hour talk, appropriately on the theme of time, as a companion to the exhibition theanyspacewhatever. The event starts at 6:00 pm tonight and runs through 6:00 pm on Wednesday, and includes artists, designers, curators, social scientists, philosophers, and others. Read More
Amid the anxiety, speculation, and real hardship caused by the ongoing economic downturn, the provocative thesis of this Washington Post article stands out, which, if correct, could hold a silver lining for architects. Reporter Elizabeth Razzi interviews housing historian Virginia McAlester about how previous periods of economic declines shaped consumer demand for housing. The answer is simple and somewhat obvious: the demand for small houses rises. Her predictions for this cycle are less so. Read More
When the Modern reopened its Yoshio Taniguchi-designed doors in 2004, critical opinion of the new building was split. Some critics and museum visitors complained that the building, and the institution it housed, seemed to lack a point of view, and that it was geared more toward moving hoards of tourists than to contemplative art viewing. One longtime MoMA watcher, however, cautioned me, “We always hate the new MoMA. Then you get used to it and grow to love it.” Read More
In a rare east/west AN meet-up, our California editor, Sam Lubell, was in New York last night for a launch for his new book London 2000+. The book, from the Monacelli Press, surveys recent architecture in the British capital, from well-known works like Foster + Partner’s “Gherkin” to the Gazzano House by Amin Taha Architects. Read More
The young British designer Max Lamb, the subject of a solo show at Johnson Trading Gallery in Hudson Square that opens today, creates furniture with rugged natural materials—blocks of stone, molten metals, beach sand—and various methods of hand-working. The results reflect a distinctive and surprisingly contemporary sensibility. Read More
On September 14, the Farnsworth House was engulfed by the Fox River, sustaining significant damage to its interiors and furnishings. The house, designed by Mies van der Rohe and now a National Trust Historic Site, is reopen for tours through October 29 to benefit the restoration. According to a new blog covering the effort, estimates for repairs are still being tallied.
While restoration work is proceeding, some suggest that the house should be moved to a more secure location.
Few buildings have sparked as much architectural criticism as Two Columbus Circle, the new home of the Museum of Arts and Design (MAD). Brad Cloepfil’s firm Allied Works has designed the new museum, set within the bones of Edward Durrell Stone’s old building. Critical reaction has been split, though the MAD haters seem to outnumber the fans. Read More
Following our report on the Porta Nuova project, developed by Hines in Milan, Grimshaw has released new images of their Exhibition Hall, an anchor in the development’s Garibaldi section. The Exhibition Hall features a dramatic metal skin draped over the building’s roof and walls, which peels into ribbon-like forms to reveal the structure within. The building follows the contours of the site, creating an “urban sculpture,” according to a statement by the architects. The piazza-facing entrance is fully glazed, revealing the activity inside and helping to animate the public space. A top floor restaurant will lead to a large roof terrace with commanding views of the Alps. Like all of Porta Nuova, the Exhibition Hall will be built to LEED standards.
Amid the endless hand wringing about design and planning compromises and the pace of construction at the World Trade Center site, the dedication of the Pentagon Memorial on September 11 offered some solace. A simpler project by far, the Pentagon Memorial still took years longer to complete than expected. “When we got the commission, we took an 18 month lease in Alexandria, Virginia,” said Julie Beckman, one of the memorial’s designers, “but it ended up being a 66 month long project.” Fundraising for the memorial, all which came from private sources, proved challenging, but the architects believe the extra time improved project as built. “It was a blessing in disguise,” she said.