I’m a Times Square avoider. It’s too crowded, clogged with slow moving tourists, for me to get where I need to go without being so frustrated that I swear to never return. On rare occasions, I succumb to the charm of the lights, but those moments are usually glimpsed from a distance, down a street corridor or out the window of a cab. But yesterday, on my way to an event in midtown, I chose to go through Times Square to see how it had changed since Department of Transportation Commissioner Janette Sadik-Khan’s recent street closure plan had been implemented. Read More
AN has learned of a fire at Guangzhou Opera House. The project, designed by Zaha Hadid with a web-like exoskeleton, includes an 1,800-seat theater as well as a multipurpose hall and support facilities. The building was set to open this fall. Read More
In a feature for Esquire, number cruncher and future predictor Nate Silver ponders the continuing decline in per capital vehicle miles traveled. Americans are driving less. Significantly less, in spite of major drops in gas prices since last year. Certainly the economy has something to do with this. Fewer people are driving to work since few people have jobs. But Silver doesn’t think the economy explains the decline. Read More
Friend of AN Jeremiah Joseph visited an exhibition of interest in New York’s gallery district.
Et in Arcadia Ego, a new exhibition at the Thornton Room in Chelsea, examines the intersection and overlap of natural and man-made landscapes. With the title, roughly translated from Latin, “I am in pastoral utopia,” the show, curated by Blanca de la Torre and Juanli Carrion, could easily devolve into a Nature equals Good, City equals Bad equation. Instead, the way the six artists explore the topic is not so divisive or stale. The work tends to engage the subject from the side, generating surreal results. At the end any answers are farther off than before viewing the work, and this ambiguity is show’s strength. It prevents the viewer from standing too sure-footed and jumping ahead to conclusions and prejudices. Read More
In addition to their scholarly and artistic value, many historic houses and period rooms are the rescues of the nascent preservation movement. On view since 1938 at the Museum of the City of New York (MCNY), two 1880s Aesthetic Movement rooms from the Rockefeller Mansion on 54th Street are finding new homes at the Metropolitan Museum of Art and at the Virginia Commonwealth Museum. Read More
Architect and friend of AN Jeremiah Joseph writes in with this report of the March 27 WORKac lecture, “Shovel Ready,” at Parsons.
Amale Andraos and Dan Wood, of the 2008 PS1 Warm-Up pavilion fame, tag team presented their work to a standing room only crowd. With a range of projects, from buildings to urban proposals, the duo showed the office’s penchant for both intelligence and wit. Like many young offices most of WORKac’s work is still in the realm of unbuilt projects, but with five competitions already completed in 2009 this office has no intention of waiting around casually for the work to knock on their door. Read More