Architect and writer Brian Newman recently took a walk through St. Louis’ newest urban park and sent this dispatch.
Before setting foot in St. Louis’ downtown City Garden, which officially opened to the public last week, before you come across the bright red Keith Herring totem or Tom Otterness’ bulbous bronze Gepetto, even before you see its verdant paths and shaded lawns, you see the packs of happily damp children, wrapped in beach towels. There are children everywhere in City Garden, swimming in fountains and splashing under limestone framed waterfalls, playing in front of a huge interactive LED video wall and climbing on any one of the almost two dozen sculptures installed throughout the park. Read More
For the 53rd Venice Art Biennial, Jorge Otero-Pailos, a professor of preservation at Columbia, made a cast of the pollution on a wall of the Doge’s Palace on the Palazzo San Marco. Trained as a conservationist, he painted liquid latex directly onto the wall and then carefully removed the cast in one sheet. The result, The Ethics of Dust, Doge’s Palace, Venice, 2009, seen in this video, is a luminous scrim that preserves the residue accrued overtime.
Such pollution is typically seen negatively, but Otero-Pailos sees it as a record of human activity and questions the impulse to erase these traces of the past.
The Southwest Porch at Bryant Park, a summer-long lounge sponsored by Southwest Airlines, officially opens next week and will offer small dishes and cocktails provided by Tom Colicchio’s ‘wichcraft. Designed by Nancy Thiel, principal of Thiel Architecture + Design, the Porch includes adirondack chairs, porch swings, and enclosed sings that resemble birdhouses, under a pergola. Read More
Friend of AN Ryan Lafollette sends this dispatch from the Windy City.
Recent graduates of the School of the Art Institute of Chicago’s (SAIC) architecture and design programs are facing a challenging job market. For those employers looking for new talent, as well as for enthusiasts of design who couldn’t make it to the Salone Internazionale del Mobile in Milan, SAIC’s department of Architecture, Interior Architecture, and Designed Objects is currently showing its graduate design exhibition, Making Modern. Read More
The mood was noticeably subdued at this year’s NeoCon World’s Trade Fair in Chicago, which ends today, but many attractive and innovative new products were introduced. For our special Midwest issue we offered a preview of things to look for at the show. Here are a few additional products that stood out at the Merchandise Mart. Read More
I’m a Times Square avoider. It’s too crowded, clogged with slow moving tourists, for me to get where I need to go without being so frustrated that I swear to never return. On rare occasions, I succumb to the charm of the lights, but those moments are usually glimpsed from a distance, down a street corridor or out the window of a cab. But yesterday, on my way to an event in midtown, I chose to go through Times Square to see how it had changed since Department of Transportation Commissioner Janette Sadik-Khan’s recent street closure plan had been implemented. Read More
AN has learned of a fire at Guangzhou Opera House. The project, designed by Zaha Hadid with a web-like exoskeleton, includes an 1,800-seat theater as well as a multipurpose hall and support facilities. The building was set to open this fall. Read More
In a feature for Esquire, number cruncher and future predictor Nate Silver ponders the continuing decline in per capital vehicle miles traveled. Americans are driving less. Significantly less, in spite of major drops in gas prices since last year. Certainly the economy has something to do with this. Fewer people are driving to work since few people have jobs. But Silver doesn’t think the economy explains the decline. Read More
Friend of AN Jeremiah Joseph visited an exhibition of interest in New York’s gallery district.
Et in Arcadia Ego, a new exhibition at the Thornton Room in Chelsea, examines the intersection and overlap of natural and man-made landscapes. With the title, roughly translated from Latin, “I am in pastoral utopia,” the show, curated by Blanca de la Torre and Juanli Carrion, could easily devolve into a Nature equals Good, City equals Bad equation. Instead, the way the six artists explore the topic is not so divisive or stale. The work tends to engage the subject from the side, generating surreal results. At the end any answers are farther off than before viewing the work, and this ambiguity is show’s strength. It prevents the viewer from standing too sure-footed and jumping ahead to conclusions and prejudices. Read More