The famed Italian architecture and design magazine Domus announced new leadership today, with the reinstatement of former editor-in-chief Alessandro Mendini for an eleven-issue term beginning in April. Joseph Grima, until recently the director of the Storefront for Art and Architecture in New York, has been brought on to bolster the magazine’s web and international presence and will take over as editor-in-chief following Mendini’s term.
The somewhat unusual arrangement will give Grima time to rethink the magazine’s content across media platforms, while the print edition continues under the steady hand of Mendini, who has previously edited Domus, Modo, and Casabella magazines. Deputy editor Stephan Casciani has also being retained. According to a statement from the magazine, Domus has an international circulation of approximately 51,000 copies. Read More
Chicago is known for the combination of its excellent architecture and tough, gritty urban life. Both aspects of the city’s personality met briefly yesterday, when two graffiti crews tagged a long wall of the Renzo Piano-designed Modern Wing at the Art Institute. While we would never endorse vandalism, there is no denying the visual power of the bright colors and riotous script dashed across Piano’s formal surfaces. The Art Institute, however, did not ponder the artistic merit of the tags. Read More
With project’s like the Gary Comer Youth Center, designed by John Ronan Architects, and the SOS Children’s Villages by Studio Gang, Chicago’s South Side has some of the most exciting non-profit institutional architecture in the country. Chicago Magazine takes an in-depth look at one project that has had a decidely bumpier ride, the Ray and Joan Kroc Corps Community Center, once planned for Bronzeville in an Antoine Predock-designed building, now destined for West Pullman in a less ambitious piece of architecture designed by Antunovich Associates (above). The piece lays out in detail how in 2004 the project was scuttled when then Alderman Dorothy Tillman vetoed the project, saying she wanted a shopping center on the site. The project was then relocated to West Pullman, with a slightly less expensive design by Murphy/Jahn. Read More
We have previously reported on Chicago’s burgeoning independent design scene, and now the Windy City is gaining a new venue to see the newest design thinking. The Volume Gallery will serve as a “platform for emerging American designers to engage with an international audience,” according to a statement form the organizers. Their first exhibition on designer Jonathan Nesci, called THE NEW, will be held at the Andrew Rafacz Gallery in the West Loop, and will feature limited editions, including tables, chairs, and pendant lamps. Nesci’s work has been widely published and has been show at Design Miami, ICFF, Design Art London, and the Salone del Mobile in Milan. Read More
There’s a new regime in town. AIA Chicago has announced its new board of directors and chapter officers. Walter D. Street III has been named chapter president. He brings a wealth of professional experience and has shown a commitment to expanding diversity and mentorship within the profession. According to a statement from AIA Chicago
Street will lead ongoing efforts for the chapter, which serves more than 3,200 members in Chicagoland. He is currently a senior architect at Johnson & Lee, Ltd. and has been a member of AIA Chicago for many years, previously serving as Treasurer in 2008. Street also regularly participates in the National AIA Grassroots legislative conferences in Washington, D.C., the Illinois Prairie Grassroots conferences in Springfield, and is an active member of the National Organization of Minority Architects (NOMA). Street has also served on the Chicago Architecture Foundation’s committee to develop an architecture curriculum for K-12 students.
Read the full list of directors after the jump. Read More
Today marks the official inauguration of the world’s tallest building, the Burj in Dubai. While the opening comes at a rocky time for the emirate and for the global real estate market, it was greeted with great fanfare, including, cannily, renaming the building the Burj Khalifa, after the president of neighboring Abu Dhabi, Sheik Khalifa bin Zayed Al Nahyan. The move signaled both Dubai’s gratitude for Abu Dhabi’s recent bailout and the unity of the emirates through the financial crisis.
According to Crain’s Chicago Business, major construction unions will not be loaning funds to restart the Chicago Spire, as many had speculated. The union pension funds are feeling cautious, much like other lenders, so the Spire, which was always an ambitious project, remains a high risk bet. Who will the developers turn to next?
The redevelopment of Lincoln Center took another step forward today with the opening of the David Rubenstein Atrium. The space, redesigned by Tod Williams Billie Tsien Architects (TWBTA), includes two 21-foot high vertical gardens, skylit oculi, and a fountain to create a tranquil atmosphere in the passage way. Read More
The British artist Richard Woods is known for using patterns from historical sources such as Tudor architecture and the designs of William Morris in his Pop inflected works. His new installation at Lever House, entitled Port Sunlight, wraps the ground level elements at Gordon Bunshaft’s mid-century masterwork in vibrant panels, and while there isn’t a snowflake in sight the effect is festive. Read More
Among the winners at last night’s ceremony for United States Artists (USA) were architects Neil Denari, Laura Kurgan, and architect/activist Rick Lowe. The $50,000 unrestricted awards are given each year “to ignite the creativity that makes this country great,” according to the organization’s website. USA was started in 2005 with seed money from the Rockefeller, Ford, Prudential, and Ramuson foundations to support artists in the wake of dwindling public funding for the arts.
They praised Denari as a “leading voice in the pedagogy and practice of contemporary architecture,” and commended him for showing that “progressive ideology is buildable.”
Kurgan’s work employs “data network information and uses it as a visual device to inform and educate the general public on social issues and their physical implications to the built environment.” Read More
The Chicago office of SOM has designed a modern take on the menorah, which recently took top prize in a charity competition sponsored by Steelcase. The solid wax menorah, which was created by Colin Gorsuch, burns so that the eight inch square frame is revealed with the passing of each night of Chanukkah. Read More