Today marks the official inauguration of the world’s tallest building, the Burj in Dubai. While the opening comes at a rocky time for the emirate and for the global real estate market, it was greeted with great fanfare, including, cannily, renaming the building the Burj Khalifa, after the president of neighboring Abu Dhabi, Sheik Khalifa bin Zayed Al Nahyan. The move signaled both Dubai’s gratitude for Abu Dhabi’s recent bailout and the unity of the emirates through the financial crisis.
According to Crain’s Chicago Business, major construction unions will not be loaning funds to restart the Chicago Spire, as many had speculated. The union pension funds are feeling cautious, much like other lenders, so the Spire, which was always an ambitious project, remains a high risk bet. Who will the developers turn to next?
The redevelopment of Lincoln Center took another step forward today with the opening of the David Rubenstein Atrium. The space, redesigned by Tod Williams Billie Tsien Architects (TWBTA), includes two 21-foot high vertical gardens, skylit oculi, and a fountain to create a tranquil atmosphere in the passage way. Read More
The British artist Richard Woods is known for using patterns from historical sources such as Tudor architecture and the designs of William Morris in his Pop inflected works. His new installation at Lever House, entitled Port Sunlight, wraps the ground level elements at Gordon Bunshaft’s mid-century masterwork in vibrant panels, and while there isn’t a snowflake in sight the effect is festive. Read More
Among the winners at last night’s ceremony for United States Artists (USA) were architects Neil Denari, Laura Kurgan, and architect/activist Rick Lowe. The $50,000 unrestricted awards are given each year “to ignite the creativity that makes this country great,” according to the organization’s website. USA was started in 2005 with seed money from the Rockefeller, Ford, Prudential, and Ramuson foundations to support artists in the wake of dwindling public funding for the arts.
They praised Denari as a “leading voice in the pedagogy and practice of contemporary architecture,” and commended him for showing that “progressive ideology is buildable.”
Kurgan’s work employs “data network information and uses it as a visual device to inform and educate the general public on social issues and their physical implications to the built environment.” Read More
The Chicago office of SOM has designed a modern take on the menorah, which recently took top prize in a charity competition sponsored by Steelcase. The solid wax menorah, which was created by Colin Gorsuch, burns so that the eight inch square frame is revealed with the passing of each night of Chanukkah. Read More
First reported in the Chicago Tribune, and today in the Wall Street Journal, officials at a group of union pension funds are vetting a plan to lend $170 million to restart construction on the stalled Chicago Spire. Designed by Santiago Calatrava, the 150 story residential tower would be the tallest building in the US. The Journal piece points out that with a drastic drop off in condo construction downtown predicted for 2010 and 2011, the completion of the Spire could actually come at a time when there is pent up demand for housing. Blair Kamin previously pointed out that unions have made similar loans in previous downturns, notably providing loans for the construction of Marina City.
According to the Journal, Chicago’s failure to win the 2016 Olympics may have been the key to giving the Spire new life. The pensions had previously been looking to lend funds for the construction of the planned Olympic Village.
The Chicago Parks District is holding a public meeting on the future of Northerly Island tonight at the Spertus Institute from 6-9pm. The 91-acre peninsula, which is connected to the lakefront by a causeway, has played an important and evolving role in Chicago’s civic imagination. It figures prominently in the Burnham Plan, was home to 1933-1934 World’s Fair, and later the Meigs Field airport, and was part of the 2016 Olympic bid. The meeting will offer a preview of plans for the island and solicit public comment.
The Object Design League, working with Pavilion Antiques, is opening a pop-up design store in Chicago’s Bucktown neighborhood. Opening the day after Thanksgiving, the shop, called Worth Your Salt, will feature pieces by 19 American designers, including lighting, accessories, jewelry, and household items. The designs explore themes of “industriousness and play” according to a statement from the league. Craighton Berman’s Coil Lamp, for examples, is made from a single electrical cord wrapped around a nearly invisible frame in the form of an everyday table-top light. Click through for a preview of a few of the objects that will be offered. Read More
We have a very special announcement to make. The AN family is growing! In February 2010, we will publish our third edition of the paper based in the Midwest. Thousands of architects in the region have received a preview copy, and we hope our new readers will take a moment to subscribe. As with our East and West editions, the paper is free for registered architects and architectural designers. Show us your support by signing up today, and stay informed on the latest architectural news, projects, innovative products, gossip, and culture from Chicago to Cincinnati and St. Louis to St. Paul.
As I wrote in the my editorial, AN aims reflect the aspirations of the region’s architects, provide a forum for debate, and most of all, be consistently informative and useful to our readers. Start following us now for weekly Midwest news stories and blog posts on www.archpaper.com. And send tips, comments, and suggestions to Midwesteditor@archpaper.com.
On Friday, the Speed Art Museum in Louisville, Kentucky announced the selection of Watertown, MA-based Reed Hilderbrand as the landscape architect for its planned
renovation and expansion, led by LA-based wHY Architecture. The encyclopedic museum sits on the campus of the University of Louisville, and across from a park designed by the Olmsted firm. The museum has put a special emphasis the landscape strategy of the project, which they hope will help open up the museum to the campus and the community at large. The museum expects to release designs in Spring 2010. Read More