An article in yesterday’s Boston Globe, “Design for Acrimony,” detailed recent strife between the principals of Office dA, Nader Tehrani and Monica Ponce de Leon, including accusations of inappropriate withdrawals of office funds and changing the locks of the studio. The Globe reporter spoke with Tehrani, but Ponce de Leon, the Dean of the College of Architecture and Urban Planning at the University of Michigan, did not agree to be interviewed. In response to the article, de Leon sent AN this statement:
“Nader and I have been working together for a long time. The Boston Globe article is grossly inaccurate and one sided. I did not give an interview to the Globe and I did not make any of the statements attributed to me. I did not use my majority stock to terminate his position with Office dA. This a small business dispute and the matter is scheduled for arbitration before the end of the month. Despite the dispute, Office dA continues to thrive.”
Both sides agree that the matter will be settled by arbitration by end of month.
On November 17, The Architect’s Newspaper and Buro Happold, along with our other event partners Dow Building Solutions, Graphisoft, American Hydrotech, and Adaptive Building Initiative, celebrated GreenBuild at the Art Institute of Chicago’s Modern Wing. Renzo Piano’s LEED certified building proved to be a stylish venue for the hundreds of architects, engineers, designers, and other assorted revelers. Click through for pictures of some of the evening’s hundreds of party-goers. It was quite the green scene! Read More
Virginia Tech’s Solar Decathlon-winning Lumenhaus is currently cooling its heals in the opulent surroundings of Millennium Park. The house, which has been touring the globe, was brought to town to coincide with GreenBuild, and is remaining on view through Saturday. The compact house is efficiently designed both in terms of space and energy use, and is completely self-sustaining. Though its stay in Millennium Park will be brief, it’s not going far. The house will be stored on the grounds of the Farnsworth House for the winter and will be open to the public when it reopens for the spring season in April 2011. Whitney French, executive director of the Farnsworth House, sees a deep connection between the two structures. Read More
While signs of economic recovery are beginning to show for architects, design publishers continue to struggle to adjust to the changing media landscape and the soft economy. The parent companies of The Architect’s Newspaper‘s two major competitors, Architectural Record‘s McGraw-Hill and Architect‘s Hanley Wood, both announced major restructurings this week. According to Folio, McGraw-Hill is folding New York Construction, Midwest Construction, and its other regional titles into Engineering News-Record and turning ENR into a regional publication while eliminating up to 2,000 jobs across the company. At Record, this also meant letting go of some senior editorial staff, AN learned yesterday. Meanwhile, Hanley Wood’s president, Peter Goldstone, has been let go and his position has been eliminated, Folio also reported.
UPDATE: A spokesperson for McGraw-Hill wrote to dispute that the company is eliminating 2,000 jobs. While she declined to give a number, she said that the 2,000 figure is, “completely inaccurate.” She also clarified that ENR will “continue to be a national publication, but now it also has regional supplements.”
Last night in a presentation at Hunter College, Farshid Moussavi revealed more details about her design for the new Museum of Contemporary Art Cleveland, including a first look at the plaza designed by Field Operations. Rows of trees will seperate the mirroed black museum from an adjacent development site, and geometrically patterned pavement will pick up on the forms of the building. Read More
Architectural designer Catie Newell is one of the many artists, architects, and designers that is using the landscape of Detroit as a field of study and its abandoned structures as raw material for building. In her latest installation, Salvaged Landscape, she uses the charred debris of a house, located across the street from the iconic ruined Central Station, to create a new series of walls and passage ways, animated by points of light streaming through gaps in the irregular forms.
Chicago has been getting a lot of screentime over the last few years, standing in for Gothman in Batman Begins and enduring the wrath of the Transformers. A blockbuster of a slightly more highbrow sort is in the works, with an adaptation of Erik Larson’s bestseller The Devil in the White City. The Sun-Times and others reported this week that Leonardo DiCaprio will portray the serial killer H.H. Holmes. The story is set amid the preparations for 1893 World’s Columbian Exhibition, and the story of construction of the fair grounds, one of the major developments in the City Beautiful movement, as well as the growth of Chicago as a whole, forms a parallel narrative. Daniel Burnham and Frederick Law Olmsted play major parts in the story. Their roles have yet to be cast. Whoever lands the roles had better start growing their facial hair now. Read More
More than four years after opening its Renzo Piano-designed expansion, The Morgan Library & Museum has given its 1906 McKim, Mead & White building a loving restoration, expertly executed by Beyer Blinder Belle. In addition to cleaning the mosaics and marbles, the Museum has opened two new spaces to the public, Pierpont Morgan’s vault and the serene North Room, formerly the director’s office. The renovation allows more of the museum’s permanent collection to be displayed, and allows curators to better display those objects, thanks in large part to the exacting lighting design by Renfro Design Group. Read More
The Chicago skyline is one of the most impressive in the country. Those who dreamed of a twisting new tower at its pinnacle, however, will have to turn to new skyscraping schemes. The Anglo Irish Bank is seizing control of the stalled Chicago Spire’s site from Shelbourne Development. This detailed feature on the rise and fall of Santiago Calatrava’s unbuilt tower in the Irish Independent calls the project’s developer, Garrett Kelleher, emblematic of the jet-setting “Irish Tiger.” In today’s real estate environment, that label sounds more like slur than a compliment.
While it’s doubtful anyone would think of Ireland as a design powerhouse, a new show at the American Irish Historical Society on New York’s Upper East Side suggests the Emerald Isle deserves a second look. Curated by Brian Kennedy, the show includes furniture, ceramics, accessories, jewelery, a wall installation, as well as some models and sketches, and is an engaging crash course in Ireland’s emerging design scene. While there’s no one overriding style, an interest in organic shapes and natural materials is common in much of the work. Read More
In late September, the Swiss furniture company USM unveiled three fall colors for their iconic Haller shelving and storage system. First selected in the 1970s, the reissued orange, brown, and beige colors offer warmer options for the system, which is probably most often seen in black or white. A sunny yellow option was unveiled last year. An installation of the new colors on view at USM’s showroom at 28-30 Greene Street in New York. Read More
Think Renzo Piano’s still preliminary design for a new Whitney Museum of American Art is too timid? How about this alternative scheme floated by the self proclaimed “architectural provocateurs” at Axis Mundi? According to a statement, the proposal is meant to be “as bold in spirit as the original Breuer building.” It’s bold all right.
The design calls for a structural exoskeleton, shaped by the sight lines and street grid of the city, imbedded with the circulation and mechanical systems. Column-free galleries would be suspended from the skeleton with distinctive projecting windows, reminiscent of Breuer’s at the Madison Avenue Whitney. The Axis Mundi proposal mentions nothing of costs, which is one of the biggest hurdles facing the Whitney, given the museum’s relatively modest endowment.
Axis Mundi has chased the news before. They previously promoted an alternative to Jean Nouvel’s proposed Tower Verre for MoMA, called the Vertical Neighborhood. Check out more images of their Whitney proposal after the jump. Read More