Chicago is famously the city where cab drivers namedrop architects. This year there will be a new way for the general public to become even more well-versed in the city’s historic and contemporary architecture, openhousechicago. Modeled on successful programs in London, New York, and Toronto, openhousechicago will offer free access to more than 100 sites around the city, some of which are normally not open to the public, including the Center for Green Technology and the Burnham-designed Santa Fe Building. Organized by the Chicago Architecture Foundation, openhousechicago will run from October 14-16. Sites are still being nominated and volunteers are needed, so visit www.openhousechicago.org for more information or to get involved.
Earlier this year AN looked at Midway Crossings, designed by James Carpenter with lighting designers Schuler Shook and landscape architects BauerLatoza Studio, a project that uses light and urban design to create a visual connection across Frederick Law Olmsted’s Midway Plaisance. The project, formerly known as the Light Bridges, is now nearing completion, and the result seems to accomplish the goal of better joining the main campus of the University of Chicago with its expanding facilities across the park. Tall light poles and wider sidewalks with planted, raised easements create an inviting place for pedestrians, and the University hopes the two crossings, at 59th and 60th Streets, will create focused centers of foot traffic, improving safety. Purists may feel that the University has co-opted public park space, but the design team’s use of light as the main element shows a light hand in the landscape. Read More
Many have lamented the disappearance of so many architecture book stores in recent years, chief among them the much-missed Prarie Avenue Books in Chicago. The Graham Foundation is doing their part to begin to fill that void by selling a selection of books at their stately home, the Madlener house.
Tonight, the Foundation is hosting a holiday party and book store launch, from 5-8pm. The delightful exhibition, Las Vegas Studio: Images from the Archives of Robert Venturi and Denise Scott-Brown, is also on view. Stop by and stock up. The Graham Foundation, 4 West Burton Place, Chicago.
The University of Notre Dame School of Architecture announced that Robert A. M. Stern has been named this year’s Richard H. Driehaus laureate. The prize, which comes with a $200,000 purse, “honors the best practitioners of traditional, classical, and sustainable architecture and urbanism in the modern world,” according to a statement. Founded in 2003, the prize has previously honored lesser known architects such as Rafael Manzano Martos of Spain and Abdel-Wahed El-Wakil of Egypt in addition to marquee American traditional and classicist architects like Andres Duany and Elizabeth Plater-Zyberk and Allan Greenberg (several Driehaus recipients have also won or been involved in the National Building Museum’s Vincent Scully Prize).
Click through to see more of Stern’s work
Following a heavy snow storm this weekend, the roof of the Minneapolis Metrodome collapsed. This video shows the structure creaking under the weight, the roof fabric tearing, and snow pouring in on the field. It looks like a scene from The Day After Tomorrow. Blair Kamin was quick to point out that though the stadium was designed by the Chicago office of SOM, the roof was the work of New York-based Geiger Berger Associates. Buffalo, New York-based Birdair Structures maintains and supplies the roof fabric. No one was hurt in the collapse. According to the Minneapolis Star-Tribune, this is the fourth time roof has ripped and deflated. Officials are still determining how low it will take to repair the structure.
Many museums have of period rooms in their holdings, but the Art Institute of Chicago also has an impressive collection of 68 miniature period spaces. Rather than treat these dollhouse-sized objects as sacred or static, the museum has decorated six of them for the holidays with historically and culturally appropriate trimmings. The English Victorian drawing room is the only one that includes a Christmas tree. Take a look at some of the rooms and details from Tudor to Modern spaces.
Seriously cute stuff inside.
An article in yesterday’s Boston Globe, “Design for Acrimony,” detailed recent strife between the principals of Office dA, Nader Tehrani and Monica Ponce de Leon, including accusations of inappropriate withdrawals of office funds and changing the locks of the studio. The Globe reporter spoke with Tehrani, but Ponce de Leon, the Dean of the College of Architecture and Urban Planning at the University of Michigan, did not agree to be interviewed. In response to the article, de Leon sent AN this statement:
“Nader and I have been working together for a long time. The Boston Globe article is grossly inaccurate and one sided. I did not give an interview to the Globe and I did not make any of the statements attributed to me. I did not use my majority stock to terminate his position with Office dA. This a small business dispute and the matter is scheduled for arbitration before the end of the month. Despite the dispute, Office dA continues to thrive.”
Both sides agree that the matter will be settled by arbitration by end of month.
On November 17, The Architect’s Newspaper and Buro Happold, along with our other event partners Dow Building Solutions, Graphisoft, American Hydrotech, and Adaptive Building Initiative, celebrated GreenBuild at the Art Institute of Chicago’s Modern Wing. Renzo Piano’s LEED certified building proved to be a stylish venue for the hundreds of architects, engineers, designers, and other assorted revelers. Click through for pictures of some of the evening’s hundreds of party-goers. It was quite the green scene! Read More
Virginia Tech’s Solar Decathlon-winning Lumenhaus is currently cooling its heals in the opulent surroundings of Millennium Park. The house, which has been touring the globe, was brought to town to coincide with GreenBuild, and is remaining on view through Saturday. The compact house is efficiently designed both in terms of space and energy use, and is completely self-sustaining. Though its stay in Millennium Park will be brief, it’s not going far. The house will be stored on the grounds of the Farnsworth House for the winter and will be open to the public when it reopens for the spring season in April 2011. Whitney French, executive director of the Farnsworth House, sees a deep connection between the two structures. Read More
While signs of economic recovery are beginning to show for architects, design publishers continue to struggle to adjust to the changing media landscape and the soft economy. The parent companies of The Architect’s Newspaper‘s two major competitors, Architectural Record‘s McGraw-Hill and Architect‘s Hanley Wood, both announced major restructurings this week. According to Folio, McGraw-Hill is folding New York Construction, Midwest Construction, and its other regional titles into Engineering News-Record and turning ENR into a regional publication while eliminating up to 2,000 jobs across the company. At Record, this also meant letting go of some senior editorial staff, AN learned yesterday. Meanwhile, Hanley Wood’s president, Peter Goldstone, has been let go and his position has been eliminated, Folio also reported.
UPDATE: A spokesperson for McGraw-Hill wrote to dispute that the company is eliminating 2,000 jobs. While she declined to give a number, she said that the 2,000 figure is, “completely inaccurate.” She also clarified that ENR will “continue to be a national publication, but now it also has regional supplements.”
Last night in a presentation at Hunter College, Farshid Moussavi revealed more details about her design for the new Museum of Contemporary Art Cleveland, including a first look at the plaza designed by Field Operations. Rows of trees will seperate the mirroed black museum from an adjacent development site, and geometrically patterned pavement will pick up on the forms of the building. Read More
Architectural designer Catie Newell is one of the many artists, architects, and designers that is using the landscape of Detroit as a field of study and its abandoned structures as raw material for building. In her latest installation, Salvaged Landscape, she uses the charred debris of a house, located across the street from the iconic ruined Central Station, to create a new series of walls and passage ways, animated by points of light streaming through gaps in the irregular forms.